BATMAN #319, #321, AND #322

Writer: Len Wein | Colorist: Glynis Wein | Letterer: Ben Oda
Editor: Paul Levitz

"NEVER GIVE UP THE GHOST!"
Artists: Irv Novick & Bob Smith

Gentleman Ghost's turn against Batman in issue 310 must have been well received by fandom -- or at least, Len Wein must have enjoyed writing it -- because here we are nine months later with a rematch between the two. This time, Batman thwarts the Ghost and his gang from stealing some diamonds in the issue's opening pages, and then when they try again the next night, they capture the Caped Crusader before departing to steal some jewels from a party at Wayne Manor. But Batman gets free, heads home, and stops the Ghost yet again -- though the villain escapes in the end.

It's a little weird to see Wein returning to the exact same well as the last time he used Gentleman Ghost, sending him yet again to Wayne Manor. But perhaps there's some reason for this. Maybe Wein wanted to establish some connection between the Ghost and Bruce Wayne's ancestral home. But this is Wein's final outing with Gentleman Ghost, so we'll never know. (Another unsolved mystery is the fact that Batman explicitly notes in the opening scene that the Ghost is trying to steal "crude industrial diamonds" rather than some nicer jewelry. It seems unlikely Wein would've mentioned this unless he intended it to go someplace.)

In sub-plot land, Bruce talks about how happy he is to be back at Wayne Manor for this party, and considers that he may be seeing a lot more of the place in the near future. I'm pretty sure I've read that it was actually Gerry Conway, in his run that followed Wein's, who actually moved Batman back to his mansion, but I guess Wein is planting the seeds for that move here. And besides the potential move for our hero, we also find that his secret identity may be in jeopardy, as, at the party, Lucius Fox and Selina Kyle make up and then begin discussing Bruce's frequent disappearances.

DETECTIVE COMICS #486 & #487

"MURDER BY THUNDERBOLT" | "THE PERILS OF SERGIUS"
Writer: Denny O'Neil | Artists: Don Newton & Dan Adkins
Letterers: John Workman (issue 486) & Milt Snappin (issue 487)
Colorist: Adrienne Roy | Editor: Paul Levitz

Two more issues of DETECTIVE COMICS mean two more stories from Denny O'Neil, which -- circa late 1979/early 1980 -- mean Batman is going up against Maxie Zeus and the League of Assassins, respectively, again.

The first of these two stories, in issue 486, isn't half-bad. In fact, the opening is the sort of pulpy sequence O'Neil would have produced with Neal Adams a decade earlier: a skydiver jumps out of a plane, but he lands as a skeleton. Batman, who was on the scene as Bruce Wayne and changed into costume when the skydiver's parachute didn't deploy, watches as the skeleton then spontaneously combusts. Had Adams drawn this scene, it would have meant the promise of another masterpiece from him and O'Neil. But, much as I like Don Newton, he's no Neal Adams -- and the story that follows never quite lives up to its opening scene.

We follow Batman from this point as he investigates the strange death and learns that Maxie Zeus was behind it. Zeus, incarcerated at Arkham Asylum, is still insane, and is now predicting how some of his former associates will meet their ends. The mystery turns out to be twofold: how did a skydiver turn into a skeleton in midair, and who is carrying out these killings on Zeus's behalf? Unfortunately, the solutions to both questions are quite easy to discern -- the skydiver was already dead and a skeleton was simply dropped out of the plane (which is basically what Newton's art makes us see from the start), and the killer is the most obvious choice.

THE UNBOXING - SEPTEMBER 2019

We're gonna keep things short and sweet this month, with an all-Digital, all-Marvel Unboxing. I have to admit that I think I actually bought a few of these during some sale or another last month, but for the most part, these are all September purchases as part of Marvel's 80th anniversary BOGO sale at Comixology/Amazon. Thus, the latest additions to my digital lineup are:

AMAZING SPIDER-MAN EPIC COLLECTION: ASSASSIN NATION
AMAZING SPIDER-MAN EPIC COLLECTION: GREAT POWER
AMAZING SPIDER-MAN EPIC COLLECTION: THE GOBLIN LIVES
AVENGERS EPIC COLLECTION: FEAR THE REAPER
AVENGERS MASTERWORKS vol. 19
CAPTAIN AMERICA EPIC COLLECTION: THE SUPERIA STRATAGEM
FANTASTIC FOUR: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
FANTASTIC FOUR: THE WORLD'S GREATEST COMICS MAGAZINE!
IRON MAN: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
LUKE CAGE, POWER MAN MASTERWORKS vol. 3
MASTER OF KUNG FU EPIC COLLECTION: FIGHT WITHOUT PITY
SAVAGE SHE-HULK MASTERWORKS vol. 2
SPECTACULAR SPIDER-MAN MASTERWORKS vol. 2
THING: THE SERPENT CROWN AFFAIR
X-MEN/ALPHA FLIGHT
X-MEN EPIC COLLECTION: DISSOLUTION AND REBIRTH
X-MEN: GAMBIT: THE COMPLETE COLLECTION vol. 2
X-MEN> ONSLAUGHT AFTERMATH

And that's it for September, True Believers! Catch you back here next month (or not, if I don't wind up getting anything new)!

BATMAN #317 & #318

"THE 1,001 CLUE CAPER or WHY DID THE RIDDLER CROSS THE ROAD?"
"MY CITY BURNS AT BOTH ENDS -- IT WILL NOT LAST THE NIGHT!"
Writer: Len Wein | Artists: Irv Novick & Frank McLaughlin
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Julius Schwartz

BATMAN 317 picks up where issue 316 ended, with Batman and Robin wrapping up the Crazy Quilt caper at Gotham Police Headquarters. Their next case begins immediately as Batman receives a parcel care of the police -- a book of riddles from the Riddler. The Dynamic Duo head home so Bruce Wayne can tend to the day-to-day operations of his company, while Robin does some investigate legwork. Eventually the heroes figure out the Riddler has gotten into the lucrative game of selling guns to foreign powers, and shut him down at Gotham's waterfront.

Along the way, Bruce makes up (and makes out) with Selina Kyle following their argument a couple issues back, while Lucius Fox continues to worry over his upcoming meeting with Bruce's reclusive rival, Gregorian Falstaff. And then , in a glorious half-page panel to close out the issue, Lucius comes face-to-face with the gluttonous Falstaff.

I'm not sure what it is about this one that speaks to me... maybe it's as simple as the inclusion of the Riddler, who has long been one of my favorite Batman villains, and who has gotten pretty short shrift in these 1970s stories we've been examining. This is by no means the Riddler's first appearance of the decade, but it is the first time we've looked at a comic featuring him.

BATMAN #315 & #316

"DANGER ON THE WING!" | "COLOR ME DEADLY!"
Writer: Len Wein | Artists: Irv Novick & Frank McLaughlin
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Paul Levitz

BATMAN 315 continues Len Wein's string of sub-par one-off adventures, padded by slow-moving sub-plots. This time, Batman goes up against Kite-Man, stopping the obscure villain from stealing the final day's payroll of Trans-Atlantic Airways, an airline moving out of Gotham City. It's a pretty lame story that would fit in nicely among Batman's TV episodes, but it really doesn't fit the Darknight Detective. Plus, the plot is similar in some ways to the Calendar Man story Wein just wrote a couple months earlier.

The sub-plots do a bit to elevate this one, but not by much. We get a brief appearance from Selina Kyle, who confronts Bruce Wayne about his digging up dirt on her. She's none too pleased about it, and throws a drink in Bruce's face, then leaves their lunch date in a huff. And then there's Lucius Fox, who thinks a bit about his son, Tim, before he's accosted by Karlyle Krugerrand, right-hand man to Gregorian Falstaff. It seems Falstaff wants a meeting with Lucius, and seeing an opportunity to learn a bit about his boss's rival, Lucius agrees to this proposal.

...Then he heads over to Wayne Foundation and nearly tells Bruce about the upcoming meeting, but changes his mind at the last minute and decides to keep his boss in the dark -- I assume to give him plausible deniability, though it comes across here as Lucius simply making a dumb decision, as he did last issue when he blabbed to Selina about the dossier he had compiled on her. I can see that Wein is trying to lace his stories with soap opera angst and intrigue, but the problem is that for whatever reason, he's not very good at it!

DETECTIVE COMICS #483 - 485

"THE CURSE OF CRIME ALLEY" | "ASSAULT ON OLYMPUS!"
Writer: Denny O'Neil | Artists: Don Newton & Dan Adkins
Letterers: Todd Klein (issue 483) & Gaspar Saladino (issue 484)
Colorist: Adrienne Roy | Editor: Julius Schwartz

Meanwhile, in the pages of DETECTIVE COMICS... not much has changed since last we checked in. Dennis O'Neil is still writing it and Julius Schwartz is still editing it. But we do have a new art team, and a pretty dynamic one to boot: Don Newton on pencils with Dan Adkins supplying inks.

I mentioned last week that Paul Levitz had taken over editorship of BATMAN, but I don't think I said that Schwartz had remained on DETECTIVE. I find it noteworthy that this is the second time in the seventies that Schwartz has had one of the two Bat-titles removed from his purview (not counting THE BRAVE AND THE BOLD, which he never edited to begin with). Previously, he lost DETECTIVE COMICS to Archie Goodwin, and now it's BATMAN to Levitz. I guess it's not that I'm confused as to why a title was transplanted from one editorial office to another; that's bound to happen now and then. But I am curious as to why, in both cases, one of the two Batman books was moved. Why not both?

Anyway! DETECTIVE 483 and 484 introduce us to one of Batman's most storied foes, the gang leader who fancies himself a Greek god in mortal flesh, Maxie Zeus. As we'll see in upcoming installments, O'Neil seemed pretty intent on making Zeus the next Ra's al Ghul (Batman even compares his cunning to al Ghul's at one point), and out of the five more O'Neil-written issues we're going to look at after this post before our retrospective is done, three will feature Zeus as the villain. In fact, counting this post, that's eight O'Neil stories with Zeus featuring into five (and al Ghul in all of the other three)!