tag:blogger.com,1999:blog-7105844689832543332.post1403720034061902013..comments2024-03-27T11:32:34.392-07:00Comments on NOT A HOAX! NOT A DREAM!: HULK! MAGAZINE #13 & #14Matthttp://www.blogger.com/profile/14580725636327122073noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-7105844689832543332.post-82323430370885389822022-09-24T18:12:20.161-07:002022-09-24T18:12:20.161-07:00Nsuppnipiazo Gina Glover Check
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V...Nsuppnipiazo Gina Glover <a href="https://cracksrate.com/" rel="nofollow">Check</a><br /><a href="https://cracksmagic.com/" rel="nofollow">CAMWorks 2022 SP3</a><br /><a href="https://cracksto.com/" rel="nofollow">VMware Workstation</a><br /><a href="https://cracksprofi.com/" rel="nofollow">Luminar AI</a><br /> myiberwarireluepamo-1978https://crackwhale.com/noreply@blogger.comtag:blogger.com,1999:blog-7105844689832543332.post-13271373297336136662015-04-15T09:13:01.135-07:002015-04-15T09:13:01.135-07:00I have nothing against those who appreciate Sienki...I have nothing against those who appreciate Sienkiewicz's later style. And really, I don't think there's anything wrong with it for some other purpose -- it just doesn't work for me as comic book art.<br /><br />As for the "mid dialogue scene change", I know I've seen it in plenty of other comics, but I'm hard pressed to think of one right now. And I guess I should clarify that it's not jumping into the middle of a conversation that bugs me. I understand that; we don't need a preamble before we get to the important info. It's the part where we pick someone up in the middle of a <b>sentence</b> that I don't like. I just don't get it.Matthttps://www.blogger.com/profile/14580725636327122073noreply@blogger.comtag:blogger.com,1999:blog-7105844689832543332.post-88202418448924967062015-04-15T06:33:55.109-07:002015-04-15T06:33:55.109-07:00Later on, he will develop a bizarre abstract style...<i> Later on, he will develop a bizarre abstract style which, to me, is extremely ugly.</i><br /><br />"Later on, he will develop a bizarre abstract style which, to me, is extremely groundbreaking, complex and fascinating, even while it's not traditionally-attractive." <br /><br />There, I fixed that for you. :) <br /><br />Seriously though, I know your feelings on the matter. Just had to give you a hard time on the record here. <br /><br /><i>Moench’s script also engages in one of my pet peeves: cutting from scene to scene, picking up with characters in mid-sentence.</i><br /><br />I can't say it bothers me as much as it does you (I can't really think of any examples that stuck out to me offhand) but now that you mention it, it does seem an odd stylistic tic. Obviously, it's trying to create the sensation that we're getting dropped into a conversation in progress, as if to say that events are happening whether we're watching them or not, but I'm not sure to what end a writer would want to create that effect. <br /><br />I will say, I do think we see that technique in movies and TV shows sometimes - like when we jump from one scene to another and a character is, say, already on the phone with someone, and we don't see them answer the call and start the conversation. Austin Gortonhttps://www.blogger.com/profile/14281239771248780430noreply@blogger.com