INVADERS ANNUAL #1

"OKAY, AXIS--HERE WE COME!"
Writer/Editor: Roy Thomas
Illustrators: Frank Robbins & Frank Springer (Chapters 1 & 5),
Alex Schomburg (Chapter 2), Don Rico (Chapter 3), Lee Elias & Frank Springer (Chapter 4)
Colorist: Sam Kato | Letterers: Darn Near Everybody! | Consulting Editor: Archie Goodwin

The Plot: In London, the Invaders meet with their British and American liaisons and are informed that three of their old enemies have resurfaces, working for the Axis powers, in the United States. Captain America, Namor, and the Human Torch head for the East Coast, where they split up to search for their sparring partners.

First, the Torch finds his foe, the Hyena, out to hijack a shipment of valuable medical supplies. The Torch lays a trap and intercepts the Hyena's ambush, but the Hyena has a trap of his own waiting for the Torch. After capturing his enemy, the Hyena extracts some of the Torch's blood for use in making super-powered Nazi agents, and then prepares to kill the Torch -- but the hero vanishes into thin air before the Hyena can finish him.

Elsewhere, Captain America arrives at the Statue of Liberty to meet an FBI contact, but is shocked that the man is a mere puppet of the sinister Agent Axis. Axis has come to take Captain America's shield, and already has his originial triangular shield with him, which he has determined has no special properties. Cap fights back against Axis, and their battle takes them up the statue. Cap flings his shield at the villain, but it's magnetically pulled to a nearby autogyro. Seconds later, with only his triangular shield in-hand, Cap vanishes, to reappear in a featureless void beside the Human Torch.

Namor jumps from his flagship to protect a British ship from an attack by the Shark. But the Shark's electrified torpedo knocks out the Sub-Mariner, and when he comes around, he finds himself a prisoner of the Shark, who has taken his special scaled trunks for study. Namor manages to get free, but vanishes, reappearing with the Human Torch and Captain America. The trio then mateiralizes in front of the Lourve in occupied Paris, face-to-face with three costumed characters who they assume to be Axis agents.

The Invaders battle these strangers, Black Panther, Yellowjacket, and the Vision, but the strangers, who identify themselves as the Avengers, are victorious. Briefly, the Avengers explain that the battle is part of a contest between cosmic beings called Kang and the Grand Master, then both groups vanish. The Grandmaster returns the Invaders to their proper time, where they confront Agent Axis, the Shark, and the Hyena aboard the Shark's boat. The Invaders win the day, recover the blood, shield, and trunks, and head home.

INVADERS #15

"GOD SAVE THE KING!"
Writer/Editor: Roy Thomas | Artists: Frank Robbins & Frank Springer
Colorist: Don Warfield | Letterer: John Costanza

The Plot: The Invaders discuss King George's order to replace them with the Crusaders as his honor guard at the christening of a new warship. With urging from Spitfire, they finally agree to give up their roles at the ceremony. Meanwhile, the Crusaders meet with their handler, the cab driver Alfie, who shows them photos proving the Invaders are actually Nazi agents.

Alfie then departs and, from a secret waterfront lair, reports in to his superiors in Germany that the Crusaders have fallen into line. But Alfie has been followed by Dyna-Mite, who he tosses into the sea. Dyna-Mite escapes the water and makes his way to Falsworth Manor, where he warns the Invaders of Alfie's plan. The next morning, the Invaders -- less Spitfire, who remained behind to tend to Dyna-Mite -- arrive to stop King George from breaking a booby-trapped champagne bottle. The two super-teams come to blows, but when the bottle explodes -- harmlessly thanks to the Human Torch and Namor -- the Crusaders realize they've been had. Alfie makes a break for it and the Torch pursues, but Alfie drives off the Tower Bridge and his flaming car explodes in midair.

With Alfie dead, the control belt that provided the Crusaders with their powers is gone as well, leaving the group normal humans once more. They make peace with the Invaders, who then head back to Falsworth Manor -- where they discover that Spitfire, Lord Falsworth, and Dyna-Mite have departed on a secret mission.

INVADERS #14

"CALLING... THE CRUSADERS!"
Writer/Editor: Roy Thomas | Illustrators: Frank Robbins & Frank Springer
Colorist: Marie Severin | Letterer: Joe Rosen

The Plot: The Invaders return to Poland to find London under siege by German aircraft. One Nazi plane crashes and its pilots begin to massacre members of the British Home Guard -- until three new heroes, the Spirit of '76, Dyna-Mite, and Ghost Girl, come to their aid just before Namor, the Human Torch, and Toro arrive. Meanwhile, Captain America, Bucky, and Spitfire move to aid the victims of a nearby fire, when three more heroes appear: Captain Wings, Tommy Lignting, and Thunderfist. Collectively, these six call themselves the Crusaders, but they depart before answering any of the Invaders' questions about where they came from.

The Invaders return to Falsworth Manor and then set out the next morning aboard Namor's flagship for a secret mission. But their task is interrupted when a car below explodes. The Invaders land to investigate, and are directed by a cabbie to search for the culprit in nearby St. James Park. But at the same time, a limousine carrying King George is attacked by an assassin. Dyna-Mite appears to thwart the villain, and the rest of the Crusaders arrive just behind him.

The Invaders soon arrive as well, realizing that the car that exploded was a decoy meant to pull them from the attack on the king. The Crusaders announce that they, as mostly British-born heroes, want to replace the mostly American Invaders as King George's honor guard at the christening of a new warship the next day. The king and the Invaders agree. When the announcement of this switch is made over a radio broadcast, the cabbie, Alfie, laughs maniacally.

INVADERS #13

"THE GOLEM WALKS AGAIN!"
Writer/Editor: Roy Thomas | Artist: Frank Robbins & Frank Springer
Colorist: George Roussos | Letterer: John Costanza

The Plot: The Invaders, awaken, prisoners of Colonel Eisen, a.k.a. "The Face" -- the commander of the Nazi forces in Warsaw. Eisen taunts the Invaders and then takes Captain America's shield to study it as a way to get back into Hitler's graces, following the recent theft of some heavy water under his care.

Elswhere, Jacob Goldstein, who has come into possession of the heavy water, performs a ceremony with the water to create a Golem. Goldstein is merged with the earthen creature and storms through the Nazis in Warsaw, headed for Eisen's castle. There, the mindless Golem frees the Invaders and goes in search of Eisen. Captain America follows, recovers his shield, and watches helplessly as the Golem pursues Eisen to a tall tower and throws him off, killing him.

In the aftermath, the Golem changes back into Jacob. He insists on remaining in Poland to aid his people in someday revolting against their Nazi overlords The Invaders honor his wishes and depart.

INVADERS #12

"TO THE WARSAW GHETTO!"
Writer/Editor: Roy Thomas | Illustrators: Frank Robbins & Frank Springer
Colorist: Phil Rache | Letterer: Joe Rosen

The Plot: The Human Torch flies over London, despondant over Jacqueline's obvious feelings for Captain America. As he passes the Tower of London, where Professor Gold is being held following his rampage as the Blue Bullet, the Torch decides to pay the professor a visit and question him about his comment that what happens next will be on the Invaders' heads. In his cell, Gold says that he worked for the Nazis unwillingly. He is a Polish Jew who fled the Nazi occupation to become an Allied scientist -- but the Nazis found him and forced him to do their bidding, lest they kill his brother, who remained behind in Warsaw.

The Torch returns to Falsworth Manor to recruit the Invaders in rescuing Gold's brother. Jacob. The group, now counting Jacqueline in the guise of Spitfire among them, boards Namor's flagship and flies to Poland. Under cover of night, they inflitrate the ghetto to find Jacob in his book shop. But the Invaders run afoul of Nazi soldiers, who call in a few Panzer tanks as backup. The heroes make short work of two tanks, but when the third tank's commander threatens to kill Jacob and several other civilians, the Invaders are forced to surrender, and are taken away.

Jacob returns to his shop, realizing he must now stop ignoring the Nazis' atrocities and stand up against them to help the Invaders and his own people.

INVADERS #10 & INVADERS #11

"THE WRATH OF THE REAPER!" | "NIGHT OF THE BLUE BULLET!"
Writer/Editor: Roy Thomas | Artists: Frank Robbins & Frank Springer
Colorists: Don Warfield (#10) & George Roussos (#11) | Letterer: John Costanza

The Plot: (Issue 10) As the Invaders fly the injured Lord Falsworth and Jacqueline to London, Captain America reminisces about an adventure he and Bucky shared months ago back in the United States, against a Nazi agent called the Reaper.

(Issue 11) Soon after, the Invaders arrive at a hospital, where they turn the Falsworths over to the staff. Doctors begin to operate on both, but Jacqueline needs a special blood transfusion to survive. The Human Torch volunteers his android blood and the procedure begins. But power to the operating room goes out, leading Namor and Toro to restart the hospital's generator while Captain America and the Torch supply light for the operation to continue. Once the generator is back online and the operations finished, Cap and Bucky investigate its failure, learning that a Professor Gold is developing a special armored suit called the Blue Bullet, and his experiments cut the hospital's power.

Soon, the Blue Bullet goes on a rampage through the hospital. At Cap's order, Namor holds back against it to preserve the invention, but as a result, the Bullet plows through the Invaders. When it barges into the room where Jacqueline and the unconscious Human Torch are recuperating, Jacqueline grabs the Torch and escapes with him at lightning speed. Namor, refusing to hold back further, Attacks the Bullet at full strength and defeats it. When the Invaders open up the armor, they find not Professor Gold's surly assistant, Norris, who they expected, but rather the professor himself -- revealed as an undercover Nazi agent, inside.

In the aftermath of the conflict, Jacqueline reveals her powers to her father and declares that she wants to join the Invaders. But no sooner does she say so, than the Human Torch quits the team.

INVADERS #9

"AN INVADER NO MORE!"
Writer/Editor: Roy Thomas | Illustrators: Frank Robbins & Frank Springer
Colorist: George Roussos | Letterer: John Costanza | Heroes All!

The Plot: The Invaders return to Falsworth Manor with their newest member, Union Jack, following a night of searching fruitlessly for Baron Blood. But upon entering the house, the heroes discover that Jacqueline Falsworth has been bitten by Blood, who had appaerntly visited the manor while the Invaders patrolled for him.

The next night, the Invaders head out to search London once more for their quarry, but Union Jack remains behind to guard Jacqueline. Blood attacks, however, gaining the upper hand on Jack via hypnosis. But the Human Torch, who had secretly remained behind as well, springs forth to attack Blood. The baron lures the Torch outside into the rain, where his flame is snuffed, and then escapes with a captive Jacqueline to a cavern near the manor house. Union Jack follows and confronts Blood, who cripples him with a boulder dropped on his legs.

The Torch summons the remaining Invaders, who join him in a renewed attack on Baron Blood. During the skirmish, Union Jack levers the boulder off his legs, sending it plummeting into the battlefield -- where it knocks Baron Blood onto a stalagmite, impaling him. In the battle's aftermath, Captain America reveals that Jacqueline has lost a great deal of blood.

INVADERS #8

"UNION JACK IS BACK!"
Author/Editor: Roy Thomas | Artist: Frank Robbins | Inker: Frank Springer
Colorist: Petra Goldberg | Letterer: John Costanza

The Plot: At Falsworth Manor over dinner, Lord Falsworth tells the Invaders about his time as a costumed secret agent during World War I, concluding the story with his one and only encounter with Baron Blood on the Tower Bridge, where he fought the vampire off to save a member of Parliament.

The next morning at dawn, Captain America chats with Jacqueline about her father's war stories, and the two encounter John Falsworth in the estate garden, shortly after Jacqueline mentions that she never sees him about during the day. That night, the Invaders set out to hunt Baron Blood. But using trickery and dummies, the Baron takes out the Human Torch and Toro, then Namor. Captain America and Bucky confront Blood and are captured, thrown into a death trap with their teammates.

Lord Falsworth, clad once more in the costume of Union Jack, appears to aid the Invaders. With the help of his rigged revolver, he sends Baron Blood into retreat and frees the heroes. Jack asks to join the team, and the Invaders agree.

Continuity Notes: Not regarding continuity, but worth noting: as the cover blurb indicates, beginning with this issue, the previously bi-monthly INVADERS is now on sale every month.

INVADERS #7

"THE BLACKOUT MURDERS OF BARON BLOOD!"
Writer/Editor: Roy Thomas | Artist: Frank Robbins | Inker: Vince Colletta
Letterer: John Costanza | Colorist: Phil Rachelson

The Plot: In London, the Invaders aid British forces to fight off a Nazi blitz. Afterward, the group splits up for some downtime. The Human Torch, in his guise of Jim Hammond, bumps into a beautiful British Home Guard member named Jacqueline, being escorted home by a man named Derek. But when Jacqueline and Derek come under attack by a vampire, the Torch flies to their rescue. The vampire escapes, and Jacqueline brings the Torch home to her family mansion.

There, Jacqueline introduces the Torch to her father, Lord Falsworth. Falsworth confides in the Torch that, during World War I, he was a costumed government operative called Union Jack. When Jacqueline mentions the vampire attack, Falsworth realizes that his old foe, Baron Blood, a super-powered WWI German operative, has returned. The Torch flies out to summon the other Invaders, and Cap, Bucky, and Toro spot his signal. The trio boards Namor's flagship and takes off, but the ship is immediately attacked by Baron Blood. Blood then escapes and changes into a human identity, while the Invaders regroup.

Joined by Namor, the team heads for Falsworth Manor, where Lord Falsworth reveals his secret to them as well. As the group heads to dinner, they are joined by one final guest: Falsworth's nephew, John -- Baron Blood's secret identity.

INVADERS #6 & MARVEL PREMIERE #30

"...AND LET THE BATTLE BEGIN!"
Writer/Editor: Roy Thomas | Artists: Frank Robbins & Vince Colletta
Colorist: Phil Rachelson | Letterer: John Costanza

The Plot: At their New York radio station base of operations, Bucky and the Liberty Legion hold a brief press conference, daring the Red Skull to send the Invaders against them. The group then heads out, battling Nazi spies across the home front, until the Skull can take no more. He publicly announces that he will send the Invaders to destroy the Statue of Liberty, the Liberty Bell, and the Lincoln Memorial.

The Liberty Legion splits up to guard the historical landmarks, with Jack Frost and the Blue Diamond defending Lady Liberty from the Sub-Mariner. The duo gets Namor on the ropes and he is ordered to retreat by the Red Skull. Meanwhile, Captain America attacks the Liberty Bell, but is fought off by the Patriot and Miss America. Cap escapes as well, while Red Raven and the Whizzer battle the Human Torch and Toro at the Lincoln Memorial. The heroes defeat and capture Toro, but the Torch escapes, flying to New York, where Bucky and the Thin Man spot him out the radio station window.

Continuity Notes: Days pass during the course of this issue, as the Liberty Legion fights Nazis to draw out the Red Skull.

Krieghund, the Nazi U-boat commander from GIANT-SIZE INVADERS #1, now serves the Red Skull in America. Krieghund notes that he assisted the Skull in capturing the Invaders thanks to equipment he brought to the U.S. from the late Brain Drain's base. Moments later, when the Skull boasts of his creation, the "Nulla-Ray" branwashing machine, Krieghund accuses him of actually stealing the technology to create the device from scientists in occupied Europe. This leads to the Skull executing Krieghund's right-hand lackey to keep him in line.

INVADERS #5 & MARVEL PREMIERE #29

"RED SKULL IN THE SUNSET!"
Writer/Editor: Roy Thomas
Pencilers: Rich Buckler & Dick Ayers | Embellisher: Jim Mooney
Colorist: Petra Goldberg | Letterer: John Costanza

The Plot: The Invaders rampage through a munitions plant in the Midwest, destroying it and departing. That night, the Red Skull cuts into all American radio and TV broadcasts to inform the populace that the Invaders now serve him and their attack was staged at his command.

At the White House, the Invaders' FBI Liaison, Mr. Stuart, explains to President Roosevelt that it all started when the group was tapped by the government to appear in a New York parade, sponsored by magnate Bettman P. Lyles, to raise money for war bonds. There, the Red Skull abducted Captain America, the Sub-Mariner, the Human Torch, and Toro via a strange vortex, and Bucky was left catatonic.

Following Stuart's story, Bucky appears in the Oval Office, jogged from his stupor by reports of his teammates' attack on the plant. Bucky has a plan, but since he is unwilling to disclose it to the president, Roosevelt turns him down. Bucky leaves the White House, despondent.

Continuity Notes: While Stuart appeals to the adult Invaders to join the parade, Bucky and Toro look over a stack of comic books about their own exploits, pointing out everything the creators have gotten wrong. This seems to be Roy Thomas reiterating his stance, described in a column back in GIANT-SIZE INVADERS #1, that the original Golden Age stories about these characters are considered apocryphal until stated otherwise in the pages of INVADERS.

INVADERS #4

"U-MAN MUST BE STOPPED!"
Writer/Editor: Roy Thomas | Artists: Frank Robbins & Vince Colletta
Colorist: Janice Cohen | Letterer: John Costanza

The Plot: Captain America, the Human Torch, and Toro break onto a U.S. Army Air Corps base and steal a plane to pursue Namor and Bucky, who are themselves in pursuit of Winston Churchill, aboard an American plane bound for Bermuda. And in Bermuda, a group of reporters awaits Churchill's plane. But the reporters are attacked by U-Man and his warriors, and taken prisoner. The lead reporter, Betty Dean, escapes and warns off the plane, which takes off again just after nearly setting down.

But U-Man has grabbed hold of the plane's pontoon and is attacked by Namor as the craft rises back into the sky. Captain America and the Torches show up moments later to challenge U-Man's men, while Namor fights U-Man himself. But Churchill's plane is suddenly caught in a bizarre energy warp, which knocks out all aboard. Namor saves the plane from crashing, but U-Man escapes. Churchill decides to fly home intead of taking a boat, and bids the Invaders farewell.

INVADERS #3

"BLITZKRIEG AT BERMUDA"
Writer/Editor: Roy Thomas | Artists: Frank Robbins & Vince Colletta
Colorist: Don Warfield | Letterer: John Costanza

The Plot: En route back to the U.S. from Britain aboard Namor's flagship, the Invaders observe as Namor teaches Bucky how to operate the craft. But before long, the heroes spot a British warship under attack by a Nazi submarine. The Invaders save the ship and capture the U-boat's commander, who carries with him a coded secret message. Later, in Washington, D.C., the Invaders' contact, Stuart, has the message decoded. It reveals plans for the Nazis to intercept Winston Churchill on his way home through Bermuda. But Stuart reveals more to the Invaders: the Nazis have a new super-agent named U-Man, a blue-skinned water warrior who will lead the attack on Churchill.

Realizing that U-Man must be a super-powered Atlantean -- and that he has a troupe of Atlantean soldiers following him -- Namor sets out to attack the villain alone. The Invaders try to stop him, but after a skirmish at the Capitol, Namor escapes in his flagship with an unlikely ally -- Bucky, who wants to tag along as Namor's backup pilot. Meanwhile, Stuart learns that Churchill is ahead of schedule, having already left for Bermuda aboard an American plane. Captain America, the Human Torch, and Toro set out to follow Namor and protect the Prime Minister.

Continuity Notes: As mentioned above, Bucky received flying lessons from Namor in the issue's opening scene, leading to his joining Namor's mission later on. Following from Bucky being sidelined in the past two issues as the Invaders' liaison to the British, I can only assume that Roy Thomas is still searching for a proper role for the young sidekick. Unlike Toro, Bucky has no super-powers -- not even an enhanced physique like his partner, Cap. He's just a teenage kid running around with a bunch of super-heroes. So it makes sense that Thomas might want to find some support position for him to fill since he's unlikely to contribute to the sorts of super-battles in which the Invaders are sure to become involved.

INVADERS #2

"THE TWILIGHT OF THE STAR-GODS!"
Writer/Editor: Roy Thomas | Artist: Frank Robbins | Inker: Vince Colletta
Colorist: Petra Goldberg | Letterer: John Costanza

The Plot: While Namor, the Human Torch, and Toro battle the gods Donar, Loga, and Froh in the sky, Captain America and Hilda seek cover in a cave below. But there they're found by a group of Nazis and escorted to the underground lair of the scientist called Brain Drain. Brain Drain, a brain kept alive in a jar, explains to Cap that the "gods" are actually aliens who crashed on Earth months ago, and were responsible for his transformation. But Brain Drain stole a special ring from the aliens and used it to control them, naming them after Teutonic gods and placing them in service of the Third Reich.

Hilda's memories return and she throws the ring into a pool of chemicals, igniting a chain reaction. With no way to leave Earth, Hilda decides she and her crewmates should perish. Donar, Froh, and Loga abandon their battle and return to Hilda, joining her as she leaps into the exploding chemicals with Brain Drain in tow. Cap escapes the cave and reunites with the others. The Invaders board Namor's flagship and take off for Britain.

INVADERS #1

"THE RING OF THE NEBULAS!"
A weltanschauung of Wagnerian wonderment by:
Writer/Editor: Roy Thomas | Artist: Frank Robbins | Inker: Vince Colletta
Colorist: Petra Goldberg | Letterer: John Costanza

The Plot: Aboared an Atlantean aircraft, the Invaders arrive in London to find the city under assault by Nazi bombers. While Namor, the Human Torch, and Toro join the Royal Air Force to repel the attack, Captain America and Bucky land. Bucky spots a beautiful blonde girl wandering through a nearby fire, and Cap races out to rescue her.

Namor and the Torches return to the ground to meet the amnesiac girl, Hilda. When the Invaders take her along with their local British liaison, she tells them that she remembers coming from somewhere deep inside Nazi territory. Leaving Bucky behind to represent them in Britain, the Invaders board Namor's flagship and follow Hilda's directions, but come under attack after crossing the Siegfried Line -- the border between Germany and occupied Europe. The group abandons the flagship to find their attackers are a trio of gods identifying themselves as Froh, Donar, and Loga.

Continuity Notes: Roy Thomas seems to have moved the Battle of Britain here. We're explicitly told in narration that the Invaders have stumbled into its closing act, but in real life the entire thing happened in the summer/fall of 1940 -- while this issue's opening narration states that it's currently December of 1941!

GIANT-SIZE INVADERS #1

"THE COMING OF THE INVADERS!"
Writer/Editor: Roy Thomas | Artist: Frank Robbins | Inker: Vince Colletta
Colorist: Petra Goldberg | Letterer: John Costanza
With Special Thanks to John Romita
This issue dedicated to the "Real McCoys"--
Stan Lee * Joe Simon * Jack Kirby

The Plot: After breaking up a Nazi sabotage operation, Captain America and Bucky are approached by FBI agents who bring them to see Doctor Anderson, the man who oversaw Steve Rogers' transformation into Captain America, and who is now dying at Walter Reed Hospital. Anderson explains that he was recently kidnapped by a Nazi agent named Krieghund, who probed his memory for the super-soldier secrets, and used those secrets to create a new Nazi super-agent, Master Man. But the Human Torch and his sidekick, Toro, arrived to rescue Anderson, while Krieghund and Master Man escaped from their secret Virginia base.

Suddenly realizing what Krieghund is up to, Anderson asks the FBI to rush Cap, Bucky, the Human Torch, and Toro to Chesapeake Bay, Virginia. The heroes arrive time to see a British battleship come under attack by a German submarine. Master Man leaps from the sub to the ship, but finds Namor the Sub-Mariner, in disguise, waiting for him. Master Man gains the upper hand on Namor, but Cap, Bucky, and the Torches arrive to lend a hand. Master Man retreats to shore, followed by Cap and Bucky, while Namor, the Torch, and Toro save the British ship and sink the sub. On shore, Master Man's super-soldier formula wears off and Cap and Bucky easily defeat him.

In the aftermath, the heroes learn that Winston Churchill was aboard the ship, coming to Washington for a meeting with President Roosevelt. He implores the group to remain together and upon their agreement, christens them the Invaders.

THE INVADERS

CAPTAIN AMERICA AND BUCKY! THE SUB-MARINER! THE ORIGINAL HUMAN TORCH & TORO! During the darkest hours of World War Two, these five heroes have banded together as THE INVADERS--to battle the Axis Powers to the death, in the name of freedom!

Having just wrapped up one Marvel run from the seventies, I think I'd like to stay in that decade a bit longer, to examine a series that's been on my radar for some time: THE INVADERS, by Roy Thomas, Frank Robbins, and more.

The Invaders is one of those groups where, at least for me, the legend is greater than any actual knowledge. I know the basics: a team of World War II era characters, banded together for a team book in the seventies to tell retroactive stories set during "the Big One". I've seen many Invaders flashbacks and reunions over the decades, but I've never read so much as a single issue of the original series.*

But I've always had an interest in it. Though I tend to be a little trepidatious about jumping into any series written by Roy Thomas, who I love as an idea guy/plotter but whose overblown purple prose I often can't handle as a scripter, I still want to give this series a try. The fact that it's drawn by Frank Robbins doesn't hurt, either -- as I mentioned when I looked at Batman in the Seventies a couple years ago, I really like Robbins' quirky, cartoony style.

So, armed with INVADERS CLASSIC: THE COMPLETE COLLECTION Volume 1 and Volume 2 (which I unboxed here years ago, in July and December of 2014 (!), I'm about to go through the saga of the Invaders on issue at a time, beginning right here next Monday.

---

*Okay, that's not entirely true. I owned one single, solitary issue of INVADERS as a child -- but I never read it! I think I got it before I could read, and just didn't pay it any mind in my collection over the subsequent years. Honestly, I have no idea how, at that age, I wound up with a comic that had been published a few years before I was born. It couldn't have been a hand-me-down, because there was no one to hand it down to me! Anyway, at some point, I lost it. I do remember which issue it was though, so I'll call it out when we get to it.

SONS OF THE TIGER PART 16

As presented in POWER MAN AND IRON FIST Nos. 81 & 82.

"THE ROAD TO HALWAN" | "SECRET OF THE BLACK TIGER"
Writer: Mary Jo Duffy | Penciler: Denys Cowan
Inkers: Ricardo Villamonte (issue 81) & Carl Potts (issue 82)
Letterers: Jim Novak (issue 81) & Janice Chiang (issue 82) | Colorist: Christie Scheele
Editor: Denny O'Neil | Editor-in-Chief: Jim Shooter

The Plot: (Issue 81) Power Man and Iron Fist are approached by Abe Brown, who tells them that the nation of Halwan wants to extridite him for crimes he cannot remember. Power Man, Iron Fist, and their business partner, Jeryn Hogarth, head to Halwan, after surviving an attack by a pair of would-be assassins at the airport. Aboard their plane, the heroes are observed by Brillalae. Immediately upon landing in Halwan, Jeryn is arrested. The Heroes for Hire fight their way to safety and then infiltrate the Halwani capital castle to free Jeryn. There, they bump into undercover Russian spies Ninotchka and Boris, and eventually find themselves cornered by the king's guards.

(Issue 82) Iron Fist escapes while Power Man allows himself to be captured. Power Man is brought before Princess Azir, who also has Abe captive. Meanwhile, Iron Fist explores the castle and meets a pair of young people form neighboring Murkatesh, who are trying to get to the king. Power Man and Abe escape from Azir and race outside, where they find the Black Tiger leading a group of men to attack a recently arrived Russian diplomat. Meanwhile, Iron Fist fights Ninotchka inside the castle. Abe's memories of his time as the Black Tiger return, while Power Man and Boris find themselves reluctant allies against the Tiger's men. Iron Fist defeats Ninotchka while Power Man and Boris beat the insurgents. All parties converge on the king's throne room except Abe, who unmasks the new Black Tiger as Brillalae. Inside the palace, Power Man and Iron Fist are stunned to find that Jeryn, the king, the Russians, and an envoy from Murkatesh have negotiated a resolution to the impending war between Halwan and Murkatesh. The Heroes for Hire and their friends then head home.

SONS OF THE TIGER PART 15 - MEANWHILE...

And now we wrap up the saga of the White Tiger with a couple of "reruns" from the earlier days of this blog. Way back in 2014, I looked at one of my all-time favorite Marvel runs -- Roger Stern's tenure on SPECTACULAR SPIDER-MAN and AMAZING SPIDER-MAN from the early eighties. As part of his work on the former title, Stern decided to revisit Hector Ayala and, at least at the time, give his story a conclusion. Stern did a story about a hero-killing vigilante called Gideon Mace, and I suppose he needed to show that Mace was serious business, so he decided to have him cripple Spidey's pal from SPECTACULAR's earlier days.

When I read this at the time (and previously, in my younger days), I didn't think much of it since the Tiger was a curiosity and not a character with whom I was terribly familiar. But now, with the benefit of having seen his earliest appearances in DEADLY HANDS and some of his struggles in SPECTACULAR, Stern's callous treatment of the Tiger and his family, characters into whom Bill Mantlo clearly had invested a great deal of his energies and interest (and into whom George Pérez had injected biographical tidbits from his own life and family), reads differently, and is perhaps a blemish on his otherwise wonderful run.

But I'll let you decide! Following are my looks at the White Tiger backup serial Stern used to set up his Gideon Mace tale, and then Spider-Man's battle against Mace himself, originally posted here way back in the summer of '14:

PETER PARKER, THE SPECTACULAR SPIDER-MAN: THE WHITE TIGER SERIAL
PETER PARKER, THE SPECTACULAR SPIDER-MAN #52

But if, after reading these stories, you think Roger Stern was rough on the Tiger, just remember that a couple decades later, in the pages of DAREDEVIL, Brian Bendis had him framed for a crime he didn't commit, after which he was gunned down and killed by cops while trying to clear his name.

So that's it for the White Tiger, but we're not quite finished with this saga yet. There's still one last big dangling plot left over from the final days of DEADLY HANDS OF KUNG FU, so I broke out the Comicraft fonts and prepared a little "primer" to get you ready for it:

SONS OF THE TIGER PART 14

As presented in PETER PARKER, THE SPECTACULAR SPIDER-MAN Nos. 19 & 20.

"AGAIN, THE ENFORCERS!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: Jim Novak | Colors: Mary Titus | Editor-in-Chief: Jim Shooter

"WHERE WERE YOU WHEN THE LIGHTS WENT OUT?"
Story: Bill Mantlo | Art: Sal Buscema & Mike Esposito
Letterer: Irving Watanabe | Colorist: Don Warfield | Editor: Jim Shooter

The Plot: (Issue 19) In the hideout of their new boss, Lightmaster, the original Enforcers, Fancy Dan and Montana, practice beating on a Spider-Man dummy. Lightmaster appears and introduces the men to the new third member of their trio, a lumbering brute named Ox, to replace the original Ox who died in battle with Daredevil. Lightmaster sends the enforcers to the Coffee Bean near Empire State University, where they take the customers and staff hostage, demanding Spider-Man come to face them. Peter Parker, in the area, changes to the web-slinger and confronts the Enforcers, while the hostages escape. But one hostage, Hector Ayala, remains inside to watch the fight. After Spider-Man easily defeats the Enforcers and departs, Hector emerges from the Coffee Bean, leading Lightmaster to believe that Hector is actually Spider-Man.

(Issue 20) The police interrogate the Enforcers (while Spider-Man secretly listens in), but are unable to learn who their boss is. The web-slinger heads home for rest, while Lightmaster prepares to move against Hector. The next morning at Empire State University, Lightmaster appears and abducts Hector in front of Peter and others. Peter manages to tag Hector with a spider-tracer and tracks him to Lightmaster's hideout on Long Island. There, Lightmaster has activated TV cameras to broadcast his unmasking of Spider-Man. Spidey delivers to Hector the tiger amulets, which he dropped during the abduction, and Hector changes to White Tiger as Lightmaster's cameras roll. Spider-Man and White Tiger then defeat Lightmaster together.

SONS OF THE TIGER PART 13

As presented in PETER PARKER, THE SPECTACULAR SPIDER-MAN Nos. 9 & 10.

Though DEADLY HANDS OF KUNG FU ended with the February 1977 installment, Bill Mantlo was by no means finished with his co-creaton, Hector Ayala, a.k.a. the White Tiger. Also the writer of PETER PARKER, THE SPECTACULAR SPIDER-MAN, Mantlo brought Hector in as a supporting character on that series in very short order. Hector and/or the White Tiger appeared in several issues of Mantlo's run, but I don't intend to look at all of them here. I will, however, examine issues 9 and 10, the Tiger's first encounter with Spider-Man, and next week we'll look at issues 19 and 20, as they feature a major event in Hector's life.

"...LIKE A TIGER IN THE NIGHT!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: John Costanza | Colors: Phil Rache | Editor: Archie Goodwin

"TIGER IN A WEB!"
Writer: Bill Mantlo | Artists: Sal Buscema, Mike Esposito, & Frank Giacoia
Letterer: Irving Watanabe | Colorist: Sam Kato | Editor: Archie Goodwin

The Plot: (Issue 9) Peter Parker arrives at Empire State University to find students up in arms over the school president's cancellation of night classes due to budget issues. But when ethnic studies professor Ramon Vasquez reveals that the school recently turned down a multi-million dollar bid for its prized Erskine Manuscripts, and that the money could've been used to keep the night classes running, the students become more riled up. One student present is recent enrollee Hector Ayala.

That night, the White Tiger arrives at ESU to steal the Erskine papers, and finds Peter Parker in the science library for a project. The Tiger and Peter have a scuffle and the Tiger gets away with the papers. Peter chases him into the hallway to find the Tiger fighting a group of armed, costumed men. The Tiger beats these men into retreat, and then departs. ESU's President Dwyer then arrives and announces the school is under a state of emergency. Spider-Man does some research on White Tiger, chatting briefly with Blackbyrd in the process, and then returns to ESU. Meanwhile, White Tiger has done the same, entering Professor Vasquez's office to find the professor looking at the Erskine Manuscripts. A moment later Spider-Man arrives as well.

SONS OF THE TIGER PART 12

As presented in DEADLY HANDS OF KUNG FU Nos. 31 & 32.

"DARK WATERS OF DEATH!" | "THE TIGER-SONS MUST DIE!"
Story: Bill Mantlo | Art: Joe Staton & Sonny Trinidad
Tones: Michele Brand (issue 33)

The Plot: (DEADLY HANDS #32) White Tiger and his brother, Filippo, arrive at the waterfront, where the Tiger boards the freighter El Tigre. Filippo soon follows him aboard, just as Jack of Hearts arrives. Jack and Filippo are confronted by a group of costumed men, while White Tiger prowls the ship. Elsewhere, Danny Rand and Shang-Chi arrive at Misty Knight's private detective office, where Misty is speaking with Blackbyrd, who wants help in finding White Tiger. Danny and Shang-Chi agree to join in as well.

Back on the freighter, White Tiger fights his way to a sinister executive named Wender. Meanwhile, Blackbyrd, Iron Fist, and Shang-Chi approach the ship via helicopter. The two heroes disembark to join Jack of Hearts' battle on deck, but Blackbyrd is shot down. The chopper crashes, sending El Tigre drifting down the river, but Blackbyrd survives. White Tiger fights off Wender's men, while Shang-Chi and Iron Fist help rout Jack of Hearts' opponents. Filippo is injured and makes his way into the ship, where he finds Wender babbling about White Tiger. Further into the ship, Filippo meets up with his brother to find the drug-runners in their board room, all dead of self-inflicted gunshots.

White Tiger confronts Filippo, realizing that his brother is actually the leader of the drug-runners and that he was never a junkie. Filippo pulls a gun on the Tiger, who is joined by Jack, Shang-Chi, and Iron Fist. Filippo reveals his plans to join Fu Manchu's organization, but is shocked when he views a recording from Manchu stating that Filippo's operation is beneath him. Realizing he has no way out, Filippo arms the bomb attached to his chest. White Tiger and the others escape, but the ship blows up with Filippo, his men, and his drugs aboard.

SONS OF THE TIGER PART 11

As presented in DEADLY HANDS OF KUNG FU Nos. 29 and 30.

"FLESH OF MY FLESH!"
Story: Bill Mantlo | Art: Ron Wilson, Sonny Trinidad, Rudy Mesina & Pete Lijauco

"THREADS OF EVIL... WEB OF HATE!"
Story: Bill Mantlo | Art: George Pérez & Sonny Trinidad

The Plot: (DEADLY HANDS #29) On the handball court where the girl, Cheeky, was killed, a riot breaks out as the neighborhood citizens blame White Tiger for her death. With the help of Blackbyrd, D'Angelo, and the police, White Tiger fights the mob off, but is consumed in his fury until Blackbyrd punches him. Meanwhile, Jack of Hearts leaves the hospital to find White Tiger, while at the Ayala apartment, young brother Filippo reveals to Awilda that he was running drugs for Maris, the man killed trying to abduct Jack of Hearts at the hospital, and only Maris can deactivate a bomb attached to Filippo. Elsewhere, Lin and Lotus receive a call from Bob's agent regarding his estate, while Bob himself struggles to survive in the snowy Canadian wilderness. And in Africa, Brillalae tells Abe it is his destiny to wear the costume he carried in his suitcase, and to become... the Black Tiger.

(DEADLY HANDS #30) Jack of Hearts finds D'Angelo and Blackbyrd and learns that White Tiger has left them to continue his quest for "El Tigre". Jack next visits Daily Globe publisher Barney Bushkin to gather facts about his father's murder, and learns that El Tigre is a ship from Chile which the drug-runner, Maris, was going to meet before he died. Meanwhile, White Tiger sees hallucinations of those who have died since he became a hero -- but the moment is interrupted when he hears Awilda below, being accosted by a gang after Filippo. White Tiger saves his brother and sister, and Filippo reveals the bomb wired to his body. Elsewhere, Bob struggles through the wilderness and runs into a polar bear, while in New York, Lin and Lotus visit Bob's agent and refuse to take their friend's money. In Africa, Abe, wearing the black costume, leads the bedouins in an assault on a military convoy.

SONS OF THE TIGER PART 10

As presented in DEADLY HANDS OF KUNG FU Nos. 24, 26, & 27.

"TIGER, TIGER... BURNING BRIGHT--"
Story: Bill Mantlo | Art: Keith Giffen & The Tribe

"WHITE TIGER"
Story: Bill Mantlo | Art: Jim Sherman & The Tribe

"...DEATH IS A GAME CALLED HANDBALL!"
Story: Bill Mantlo | Art: Ron Wilson & The Tribe

The Plot: (DEADLY HANDS #24) White Tiger, Detective D'Angelo, Blackbyrd, and Awilda rush the injured Jack of Hearts to the hospital. While the doctors examine Jack, White Tiger reveals his true identity as Hector Ayala to the others. Meanwhile, Abe Brown awakens in a bedouin camp, to find Brillalae, the woman who switched suitcases with him in New York, tending to him. The bedouins also have the hijacker, Mole, captive, and they want Abe and Mole to fight over the costume inside the case. From a dune above, Mole's compatriots, Scratch and Table-Top, watch. Back in New York, Lin Sun and Lotus have been unable to reach Bob Diamond by phone, so they send him a telegram. But up in Canada, Bob has been buried by an avalanche during the filming of his movie. At the hospital, Jack of Hearts' power goes out of control until White Tiger calms him down -- but moments later, costumed men arrive, demanding that Jack be turned over to them.

(DEADLY HANDS #26) At the hospital, the White Tiger, Blackbyrd, and D'Angelo fight the newcomers, eventually defeating them. In Africa, Abe fights Mole, somehow catching a bullet from the criminal's gun. Mole falls into a pit of snakes and dies as Brillalae crowns Abe winner of the duel. In New York, Lin and Lotus recieve word that Bob was lost in an avalanche, while in Canada, Bob emerges from beneath the snow to find the film crew has departed, and he is alone in the wilderness.

(DEADLY HANDS #27) Searching the South Bronx for the mysterious "Tigre", White Tiger, D'Angelo, and Blackbyrd meet a girl named "Cheeky" playing handball at the local junior high school. The group then heads on to a bar, where they question the patrons and get into a fight that leaves nearly everyone dead, save our heroes and the bartender, Whitewash. While Blackbyrd and D'Angelo question Whitewash, White Tiger leaves the bar and bumps into Cheeky. She has a handball someone asked her to get autographed by the Tiger, but it explodes in her hands, killing her.

SONS OF THE TIGER PART 9

As presented in DEADLY HANDS OF KUNG FU Nos. 21, 22, & 23.

"TO CLAW THE EYES OF NIGHT!"
Story: Bill Mantlo | Art: George Pérez & Jack Abel

"WHO IS THE WHITE TIGER?"
Story: Bill Mantlo | Art: Keith Giffen & Rico Rival

"REVENGE IS THE JACK OF HEARTS"
Story: Bill Mantlo | Art: Gil Kane & Rico Rival

The Plot: (DEADLY HANDS #21) The police attempt to arrest Hector, but when he feels the tiger amulets beginning to change him into White Tiger, he runs and transforms in an alleyway outside his family apartment. Meanwhile, Abe Brown is aboard his flight to Morocco when a group of men attack him for the suitfcase that was swapped for his own at the airport. Abe fights the men off, but only after they kill the pilots and all flight attendants. As Abe opens the case and finds a black costume inside, the plane begins plummeting toward Earth. In New York, Bob Diamond decides to go do a movie in Canada, while the White Tiger eludes the police only to find himself up against the Prowler. Prowler and the Tiger fight to a standstill and the police arrive, informing the Tiger that both he and Hector have been cleared in connection with the death of young Manny Lopez. The vigilantes part ways and the Tiger changes back into Hector, who has once again blacked out and has no memory of his name being cleared.

(DEADLY HANDS #22) While Hector's mother and sister wonder where he is, Hector finally realizes that he is the White Tiger when he sees a newspaper photo of the Tiger wearing his amulets. Meanwhile, Detective D'Angelo and his boss discuss the Tiger when Blackbyrd interrupts them, looking for information about the vigilante as well. Elsewhere, Abe manages to land the plummeting airliner in the Sahara desert, while in New York, Lotus and Lin Sun look for jobs. Meanwhile, the White Tiger approaches Hector's father, Nestor, and tells him that Hector is okay. But as soon as he leaves, the Tiger is attacked by the costumed Jack of Hearts.

(DEADLY HANDS #23) Jack of Hearts fights White Tiger, claiming that the Tiger is behind his father's recent murder. Meanwhile, Abe leaves the crashed plane in pursuit of one of the men who attacked him -- Mole, who has taken the mystery suitcase. Abe and Mole are found and taken by a group of bedouins, while aboard the plane, two of Mole's compatriots, Table-Top and Scratch, come around and head out after the others. In New York, Lin and Lotus see a news report about the plane crash. Knowing Abe was aboard, they call Bob, up in Canada shooting his movie, for help. Meanwhile, White Tiger convinces Jack of Hearts that he didn't kill anyone, just as Jack passes out due to their battle. Detective D'Angelo, Blackbyrd, and Hector's sister, Awilda, then show up.

SONS OF THE TIGER PART 8

As presented in DEADLY HANDS OF KUNG FU Nos. 19 & 20.

"AN ENDING!" | "THE BEGINNING"
Story: Bill Mantlo | Art: George Pérez & Jack Abel
Additional Dialogue: Yvette O. Pérez

The Plot: (DEADLY HANDS #19) The Sons of the Tiger meet at their dojo, where Bob Diamond attacks Lin Sun over Lin's love for Lotus. Abe attempts to intervene and is knocked aside by Bob, leading Abe to remove his amulet and storm off. Lotus tells Bob that she and Lin are in love, then she, too, departs. Bob and Lin fight, with Lin ultimately gaining the upper hand and savagely beating his friend. Lin stops himself from hurting Bob further, and the men finally come to a sort of peace, leaving the dojo together. Lin discards all three tiger amulets in a trash can as they go. Soon after, the amulets are found by a young man named Hector Ayala, who dons them and transforms into the White Tiger.

(DEADLY HANDS #20) At a train yard in the South Bronx, White Tiger attempts to stop a street gang from murdering a night watchman, but in the ensuing chaos, the watchman winds up killing a young child running with the gang. White Tiger then departs and returns to the Ayala family apartment, where he reverts to Hector, with no memory of his nocturnal exploits. The next morning, Bob and Lotus say their goodbyes and Lotus leaves the Sons' brownstone with Lin Sun -- while elsewhere, Abe is leaving for a vacation when he bumps into a beautiful woman at the airport who distracts him and switches his suitcase for her own. The next morning at the Ayala apartment, a police detective arrives to arrest Hector in connection with the previous night's killing.

SONS OF THE TIGER PART 7

As presented in MARVEL TEAM-UP nos. 39 & 40 and DEADLY HANDS OF KUNG FU no. 18.

"ANY NUMBER CAN SLAY!" | "MURDER'S BETTER THE SECOND TIME AROUND!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letterer: Karen Mantlo | Colorists: Don Warfield (issue 39) & Janice Cohen (issue 40)
Editor: Marv Wolfman

The Plot: (MTU #39) On a New York City rooftop, Spider-Man evades an assassination attempt, while elsewhere in Manhattan, the Human Torch is captured by the Enforcers and their leader, the Big Man. That night, Spidey runs across the villains attempting to auction off the Torch at an abandoned warehouse, and intervenes to free him. The Torch and the Web-Slinger defeat the bad guys, but are surprised when Sandman and the Crime Master enter the fray.

(MTU #40) The villains decide to team up and capture the Human Torch, forcing Spider-Man to surrender. But next door to the warehouse, the Sons of the Tiger are practicing in their dojo. They leave to investigate the sounds of battle from the warehouse, and free Spider-Man and the Torch. The villains escape, and the Torch departs for a date, leaving Spider-Man to search for the bad guys -- and he finds them, but only after they've captured the Sons of the Tiger. Spidey breaks in to save his new friends, and Crime Master shoots the Big Man during a scuffle. Eventually the heroes win the day and Spidey unmasks both crime lords, revealing Crime Master to be the son of the original, deceased Crime Master, and the now-dead Big "Man" to be the daugther of the original, deceased Big Man.

"FISTS OF DARKNESS, FISTS OF DEATH!"
Story: Bill Mantlo | Art: Pat Broderick & Terry Austin

The Plot: At a subway station, the Sons of the Tiger and Blackbyrd team up with Danny "Iron Fist" Rand to save a woman's life and stop a hitman from escaping New York. The group goes to a bar afterward, where Blackbyrd follows a hunch and is attacked by a gangster named Snake Eyes and his men, the Black Hand, in an alleyway outside. The Sons and Iron Fist come to Blackbyrd's rescue, and during the fight, Snake Eyes reveals he is a cyborg. Iron Fist kills him in battle, and the group heads back into the bar.

SONS OF THE TIGER PART 6

As presented in DEADLY HANDS OF KUNG FU Nos. 16 & 17.

"CHAPTER I: THE RITES OF EVERY CITIZEN!"
Story: Bill Mantlo | Art: George Pérez & Stan Gan

"CHAPTER TWO: POLITICS OF DEATH!"
Story: Bill Mantlo | Art: George Pérez & Jack Abel

The Plot: (DEADLY HANDS #16) Blackbyrd recruits the Sons of the Tiger to assist a prisoners' rights watchdog group in investigating an upstate prison rife with corruption. The Sons go to the jail under cover of performing a martial arts exhibition for the inmates, with Blackbyrd as their "manager". It quickly becomes apparent that the entire prison staff is corrupt, and a fight breaks out between the Sons, Blackbyrd, and the prisoners on one side and the guards on the other -- resulting in the warden calling in the National Guard.

(DEADLY HANDS #17) The National Guard fires tear gas into the prison, leading the Sons to separate, taking prisoners to the infirmary for treatment while also going after the guards. When an elderly inmate is killed saving Lin Sun's life, Lotus kills his murderer with a machine gun. Abe tries to call the governor, while the National Guard enters the prison and meets up with the guards' leader, Ryder. Ryder leads the soldiers into battle, resulting in a bloodbath that kills several inmates and some of his own men. When Ryder snaps and kills the soldiers' colonel for ordering a ceasefire, Blackbyrd kills Ryder. The governor calls off the National Guard, and everyone leaves the prison.

SONS OF THE TIGER PART 5

As presented in DEADLY HANDS OF KUNG FU Nos. 12 - 14.

"THE CRACK OF THE WHIP"
Story: Bill Mantlo | Art: George Pérez & The Tribe

"DEATH IS MY CO-STAR!"
Story: Bill Mantlo | Art: George Pérez & Jack Abel

"THE VALLEY OF ANCESTORS"
Story: Bill Mantlo | Art: George Pérez & Dan Adkins

The Plot: (DEADLY HANDS #12) Abe Brown witnesses the murder of a woman while walking through Times Square, and soon finds himself teamed up with the man who had been hired to protect her, a private detective named Nathaniel "Blackbyrd" Byrd. Blackbyrd explains that the woman worked at a nuclear site in New Mexico, where she was contaminated. She turned whisteblower, so the company killed her to keep her quiet. Abe and Blackbyrd eventually avenge the girl, bringing the corrupt company's misdeeds to light.

(DEADLY HANDS #13) Bob Diamond, working on a movie in New York's Chinatown, comes aross a murdered man on-set -- the second death since production began. Bob and Lotus Shinchuko investigate the killings, antagonized at every turn by NYPD officer D'Angelo. Eventually, Bob find that the killer is Mr. Curtis, who wrote, directed, and starred in the original version of the movie from 1925, and who wants to stop production on this remake because it might bring to light the fact that the original film was created as a cover-up for Chinatown's illicit black market. In the end, Curtis dies trying to escape from Bob and D'Angelo.

(DEADLY HANDS #14) While meditating, Lun Sun finds himself in the astral plane, wandering alongside a samurai. Lin helps the samurai fight off a group of bandits, then follows him to a village which has been razed by the forces of Death. Death confronts Lin and the samurai, but Lin takes Death's life and then leaves the astral plane, returning to Earth with a physical gift from the samurai: his sword.

SONS OF THE TIGER PART 4

As presented in DEADLY HANDS OF KUNG FU Nos. 9 - 11.

"SLAUGHTER IN CENTRAL PARK!"
Writer: Bill Mantlo | Artists: George Pérez & Mike Esposito

"THEY WHO DWELL WITHIN!"
Plot: Bill Mantlo & George Pérez
Writer: Bill Mantlo | Art: George Pérez & Mike Esposito

"GLADIATORS IN THE CRYPT OF TOMORROW
Story: Bill Mantlo | Art: George Pérez & Tony DeZuniga

The Plot: (DEADLY HANDS #9) The Sons of the Tiger escape from the collapsing 59th Street Bridge with the mystery woman who triggered the explosion in tow. Bob Diamond rents space in a brownstone for the group, and they head there to recuperate. Bob and the woman, Lotus, head into Central Park for a walk, and some time later, Bob returns, badly beaten. Abe Brown runs into the park to find Lotus waiting in ambush. She nearly kills him, but Lin Sun comes to his rescue, defeating Lotus and vowing an end to the Sons' feud with the Silent Ones.

(DEADLY HANDS #10) Lin removes the device which the Silent Ones have used to control Lotus. The group returns to their brownstone, where Lotus goes to stay with the landlady while Lin, Bob, and Abe use the tiger amulets to enter another plane of existence. There, they battle aspects of themselves and eventually arrive at the stronghold of the Silent Ones.

(DEADLY HANDS #11) The Silent Ones reveal their plan to inhabit the Sons' bodies and return to Earth with intentions to conquer it. The Sons fight back, and ultimately defeat the Silent Ones, then return to Earth.

SONS OF THE TIGER PART 3

As presented in DEADLY HANDS OF KUNG FU Nos. 6 - 8.

"THE WAY OF THE JACKAL!"
Story: Jim Dennis | Art: George Pérez & Frank Springer

"TIGERS IN A MIND-CAGE!"
Writer: Bill Mantlo | Artists: George Pérez & Bob McLeod

"STORM OF VENGEANCE!
Story: Bill Mantlo | Art: George Pérez & Al Milgrom

The Plot: (DEADLY HANDS #6) The Sons of the Tiger enter a New York martial arts tournament in order to draw attention to themselves as bait for the Seven Silent Ones. During the Tournament, Lin Sun humiliates a student of a large man named Paan. Later, Paan lures Bob Diamond into a trap and captures him, then uses Bob to bring Lin and Abe Brown into his clutches. Paan forces Lin to fight several of his students at once, while Bob and Abe watch. But eventually the Sons of the Tiger unite to defeat the villains.

(DEADLY HANDS #7) In their hotel room, the Sons are visited by a man named Harrison Budge, who gases and abducts them. In an undisclosed location, Budge sends the Sons separately into three chambers where they face their inner demons. After overcoming these fears, the Sons reunite to confront Budge. He sets robots against them, but the Sons defeat the mechanoids and capture Budge.

(DEADLY HANDS #8) Back at their hotel once more, the Sons attempt to interrogate Budge -- but their efforts are interrupted by a gang of ninjas. Budge escapes during the fight and the Sons pursue, finding a clue that leads them to Welfare Island beneath the Queensboro Bridge. There, they fight and defeat Budge again, and then are attacked by a massive sumo warrior. The Sons claim victory over this new foe as well, and a mystery woman appears, triggering a bomb that blows up one of the bridge's supports.

SONS OF THE TIGER PART 2 - THE MASTER PLAN OF FU MANCHU

As presented in DEADLY HANDS OF KUNG FU SPECIAL No. 1.

"TITLE PAGE" & "EPILOG"
Script: Tony Isabella | Art: John Buscema
Featuring supporting characters created by Sax Rohmer.

"CHAPTER 1: IRON FIST"
Script: Doug Moench | Art: Frank McLaughlin & the Crusty Bunkers

"CHAPTER 2: THE SONS OF THE TIGER!"
Script: Chris Claremont | Art: Herb Trimpe

"CHAPTER 3: THE HANDS OF SHANG-CHI, MASTER OF KUNG FU
Script: Doug Moench | Art: Mike Vosburg & Dan Adkins

For its first "Summer Special", DEADLY HANDS OF KUNG FU presents a serial starring all of of Marvel's 1970s martial arts characters in a "non" team-up, pitting them against the insidious Doctor Fu Manchu, archenemy and father of Shang-Chi. The story begins with a one-page prologue, a pin-up showing the Sons of the Tiger, Iron Fist, and Shang-Chi, with Fu Manchu's face hovering above them, as narration briefly explains who all our our protagonists are. From there, we move into the serial proper, starting with Iron Fist:

The Plot: Iron Fist is wandering the back alleys of New York when he comes across a Chinese U.N. delegate on the verge of death. Befor the man expires, he tells Iron Fist that his five compatriots were abducted. Iron Fist battles two of the kidnappers, who show up in search of the now-deceased delegate. One of the villains escapes, and Iron Fist pursues him to a warehouse, where he battles the kidnappers' master, a sumo warrior named Tsu-Gamo. Iron Fist defeats Tsu-Gamo and his men, but finds that the delegates have been spirited away.

Subsequently, Abe Brown, Lin Sun, and Bob Diamond arrive in New York for a martial arts tournament, but find themselves attacked at the airport by agents of Lo Chin and the Seven Silent Ones. The Sons defeat the men and escape, and the next morning see a news report about the missing Chinese delegates. When China's deputy foreign minister appears onscreen from the United Nations, Lin's tiger amulet tingles. He leads Bob and Abe to the U.N. to investigate, where they attempt to stop Chinese agents from kidnapping the American delegation. But the Sons fail, and the Americans are taken, leading the president to demand their return, lest China face the consequences. And unknown to all, the "Chinese" are actually agents of Fu Manchu's Si-Fan organization.

SONS OF THE TIGER PART 1

As presented in DEADLY HANDS OF KUNG FU Nos. 1, 3, and 4.

"THE SONS OF THE TIGER!" | "THE TRAIL OF THE NINJA!"
"NIGHT OF THE DEATH-DREAM!"
Author: Gerry Conway | Editor & Advisor: Roy Thomas
Artists: Dick Giordano & Frank McLaughlin (pts. 1 & 2) | Don Perlin & Dan Adkins (pt. 3)

The Plot: (DEADLY HANDS #1) One night in San Francisco's Chinatown, on his way home from a martial arts tournament, a young man named Lin Sun is attacked by a group of ninjas. He fights them off, but upon entering the dojo where he trains, finds his Master Kee dying thanks to the ninjas. Kee tells Lin to take the three jade tiger amulets that he keeps in the dojo, and to go seek out the school's two other best students, Abe Brown and Bob Diamond -- then Kee dies in Lin's arms. Lin takes the amulets and locates Abe first, helping him to fight off a group of drug dealers. The two move along to the penthouse apartment of Bob, a movie star, and save him from a ninja attack as well.

Bob and Abe each take one amulet and the trio sets out for the only ninjutsu school in San Francisco, where they fight its master, Sui Tu Kama. Using the mystical amulets to triple their individual fighting skills, the "Sons of the Tiger" defeat Kama and his ninja followers, and discover a hidden opium den in the dojo as well. Abe believes Master Kee has been avenged, but Lin states that Kama had a master, and vows to find him.

(DEADLY HANDS #3) Following a lead, Lin Sun arrives at Janto Imports on the San Francisco waterfront. He is attacked by ninjas and holds his own, but is eventually defeated. Meanwhile, Abe and Bob, who abandoned Lin to continue his mission alone after they felt they had sufficiently avenged Master Kee, have a change of heart and go after their friend. They find Lin about to be killed by an old man named Lo Chin and his minions. Abe and Bob rescue Lin and the group fights together once more, defeating Lo Chin's men and destroying his stolen sonic cannon -- but in the aftermath of the fight, Lo Chin has vanished.

(DEADLY HANDS #4) Following yet another lead, the Sons arrive at the airport, where they try to stop Lo Chin from boarding a plane. But the craft takes off with Lin having chased Lo Chin aboard. Bob and Abe hitch a ride as it rises into the air, leading to a battle aboard the plane. Eventually it crashes, apparently with Lo Chin aboard, but the Sons bail out to watch the wreckage burn.

THE SONS OF THE TIGER

Okay, this is something I've wanted to read for decades. Back when I was a kid, Marvel used to cram every year's annuals with backup stories. In Spider-Man's case, that usually meant short tales starring characters in his orbit. Not necessarily always members of his supporting cast, but sometimes other heroes he ran into, but who didn't have their own series. One of these was the Prowler, who featured in two or three annual backups in the late eighties/early nineties. And one of the Prowler backups, "Jaded Perceptions" from 1993's SPECTACULAR SPIDER-MAN ANNUAL #13, featured the Prowler's brother, Abe Brown, who co-owned a martial arts dojo with his friend Lin Sun -- and who, it turned out, had been a hero-type himself years earlier, alongside a group of his fellow martial artists.*

See, the Prowler's real name, long establsihed since Stan Lee and John Romita introduced him in the sixties, was Hobie Brown. And in the seventies, Marvel published a serial in their DEADLY HANDS OF KUNG FU magazine called "The Sons of the Tiger". (Bear with me here; this will all make sense in the end. I hope.) That serial starred a trio of martial artists: Abe Brown, Lin Sun, and Bob Diamond. So eventually, circa 1989, somebody at Marvel realized that they had this character named Hobie Brown and they had this character named Abe Brown. Both were black men. They had the same last name. Why not make them brothers?

Yeah, it seems weird on its face. Brown isn't exactly an uncommon last name that would make you think two characters of the same ethnicity sharing it simply had to be related. But if that hadn't happened, I never would've learned about the Sons of the Tiger. That story I mentioned, "Jaded Perceptions", features Abe and Lin explaining their backstory from DEADLY HANDS OF KUNG FU. And I don't know why, but twelve-year-old me just thought the Sons sounded really cool. Three martial artists with magical jade amulets doing kung-fu on the mean streets of San Francsico and New York (among other places) -- what's not to love? (It should be noted that I have long been a fan of "exploitation" cinema, but apparently I was a fan of it in comic book form before I even knew what it was!)

BOB MORANE RESURRECTION VOLUMES 1 & 2

"RARE EARTH" | "THE VILLAGE THAT DIDN'T EXIST"
Writers: Luc Brunschwig & Aurélien Ducoudray
Artist: Dimitri Armand | Colorist: Hugo Facio
Based on the novels of Henri Vernes

As I discovered (and mentioned) while looking at the third RIC HOCHET book a few weeks ago, this Bob Morane character was a contemporary of Ric's, having been created around the same time -- albeit in a series of novels rather than comics. But Morane eventually branched out into graphic novels as well (plus a TV show and other media adaptations over the decades). However, unlike Ric, who appeared to remain forever set in the 1960s (at least in the recent books I looked at), Morane's adventures seem to always be set in the modern day (again, at least per these two new volumes).

And as it happened, I had picked up two BOB MORANE books -- the only two available in English, so far as I can tell -- in some Comixology sale or another a while back. The stories were originally published in 2017 and 2018, respectively, and comprise one single story arc which, while somewhat resolved by the end of book two, ends on a bit of a cliffhanger.

Book one opens with our hero, French soldier Bob Morane, standing trial over an event that occurred in the recent past, when he was part of a U.N. peacekeeping detail in Nigeria. We quickly learn that Morane defied orders to save the life of a Nigerian presidential candidate, which landed him in hot water with his superiors. But when that candidate, Oussman, is elected, he negotiates Morane's pardon and invites the ex-soldier to come work with him as an advisor. The story then skips ahead six years, as we find that a French tech company, Belfon, is working to provide aid to Nigeria, under Morane's auspices.

MISS OCTOBER VOLUME 4

"A COP AND A GENTLEMAN"
Writer: Stephen Desberg | Artist: Alain Queireix | Colorist: Kattrin

You may recall that when I looked at MISS OCTOBER book one a few weeks back, I noted that the opening scene was set at UCLA in 1963, as Viktor attempted to steal some artwork but triggered an alarm and was cornered outside by Detective Clegg Jordan. The action then jumped back two years to 1961, which is where we spent the bulk of book one, as well as all of books two and three. Well, book four opens on that night in 1963 once more, as Clegg lets Viktor go just before Ariel and several officers show up. Clegg then places Ariel under arrest for... the murder of Clegg's own wife, Margeaux! And with that, we're off and running into the final MISS OCTOBER installment.

We learn, in short order via flashbacks and exposition, that four months ago, Margeaux called Ariel, begging to see him again. They met and got it on, and then a photographer burst into the room and snapped several photos of the pair in coitus. Margeaux didn't really want Ariel back; she wanted to humuliate and blackmail him for the way he had treated her. It is based on this that Clegg arrests Ariel, but the LAPD chief knows the evidence is flimsy -- but, hating Ariel nearly as much as Clegg does, he gives Clegg one week to find concrete proof.

Meanwhile, during the four months since Margeaux's murder, Viktor and Clegg have been carrying on an affair. Clegg wants to marry her, but Juanita, who has carried a torch for Clegg for a long time, finds out that Clegg is in love with Viktor. Knowing about Viktor's secret life as a thief, Juanita makes plans to frame her -- but Clegg finds out. And this is where the story, which seemed more-or-less neatly wrapped up in the previous volume, takes some very dramatic turns as it careens toward its conclusion.