Monday, February 26, 2024

BATMAN #338

"THIS SPORTING DEATH!"
Script: Gerry Conway | Plot Assist: Roy Thomas
Artists: Irv Novick & Frank McLaughlin
Letters: John Costanza | Colos: Adrienne Roy | Editor: Dick Giordano

The Plot: Late at night on the field of Gotham Stadium, a man in sports gear kills a sportswriter named Hank Klugmann. Later, Commissioner Gordon calls Batman to assist with the investigation, which is the latest in a series of sports-related murders. The next morning, Bruce Wayne inspects the field in the daylight, but finds no leads. Later that night, the Batman stakes out a Sunday Night Hockey game. The mysterious "Sportsman" skates onto the ice and blows up star player Pierre Foote with an exploding basketball. Batman chases the Sportsman out of the arena, but the villain escapes by throwing a razor-edged tennis raquet at the Caped Crusader.

The next day, Bruce Wayne visits Gotham's Sports World Mall, looking for leads on the raquet. As he asks a saleswoman about it, a shop buyer named Martin Mantle makes a break for it. Bruce follows, but loses Mantle. He changes to Batman and finds the Sportsman terrorizing the mall patrons. Batman falls into a pitching machine's net, and elicits a confession from the Sportsman -- he was an unathletic child, and his father, a sports physician, concocted a formula to make an athlete of anyone. He injected young Mantle with the formula, and the boy grew up to become a sports star, dominating every school and collegiate sport in which he participated. But eventually he learned that the formula in his veins was killing him, and he became the Sportsman to take revenge on all the sporting world.

Batman then triggers the pitching machine, which launches a ball at Mantle. Briefly stunned, the Sportsman is easily dispatched by Batman and arrested by the police.
Continuity Notes: As with last week's issue of BATMAN, this is a done-in-one with no continuity to speak of.

My Thoughts: I have a theory... so far we've looked at a number of Gerry Conway Batman stories. Most were pretty good, but a small handful haven't been. And of those, two of them are co-plotted by Roy Thomas! I kind of feel like Conway is phoning it in a bit at this point. This Sportsman story is really pretty lame. Again we have a villain with a bizarre motive and a zany backstory, plus a rather lackluster "mystery" -- exactly like the previous issue. I just have this impression that Conway is a bit aimless here, or perhaps overly busy (I don't know what else he was up to at this point) to the extent that he is soliciting assistance from Thomas for his plots, and turning in some very half-baked scripts just to get the issues out.

I know things will get better; I've read that this run is actually quite good. But at this point, in the early going, it's become a little dire. And I have a hard time reconciling this version of Conway with the guy who wrote the earliest stories we examined! It's like night and day. However, as with last issue's story, I can at least say that the artwork is good here, supplied by mainstay 1970s Batman penciler Irv Novick and his regular inker of the day, Frank McLaughlin (recall that this duo illustrated nearly the entire Len Wein and Marv Wolfman BATMAN runs when I looked at those issues some years back).
And unfortunately, our Robin backup story, written by Conway with art from Don Newton and Steve Mitchell, fares little better. To be fair, it definitely is superior to the lead story, as was the case last week. But the quality of "Killer Under the Big Top" has taken a bit of a dip following from last issue's part one. Here, Robin confronts circus owner Lourna Hill, but someone sics a pair of lions on both of them. Robin catches up with Magnificent Melanie, the lion tamer, but she says she only did it because she thought Robin was helping the police build a case against her lover, Dick Grayson's friend, Waldo the Clown.

Soon after, Waldo comes around in the hospital (apparently Robin really hit him hard when he caught him last issue!), and says that in the lead-up to the muder of his rival, Jo-Jo, the two argued over their respective feelings for Melanie, and then as Jo-Jo stormed off, someone tossed a gun to Waldo, and then it went off and Jo-Jo died. Only the gun wasn't aimed at Jo-Jo when it fired! So Robin further investigates, finds a gun hidden under a bleacher seat, and deduces that Jo-Jo rigged that gun to kill himself right when he tossed the other gun to Waldo. It turns out Jo-Jo had terminal cancer, so he decided to frame his rival for Melanie's affection. But apparently all this circumstantial evidence is enough for the police to drop any charges against Waldo, and he goes free.
I mean, it's not awful, and it's not as downright bizarre as the Sportsman story, but I still feel that it doesn't live up to the promise of last issue's first part. But anyway, next week we jump back over to DETECTIVE COMICS, and Gerry Conway will be flying solo again without Roy Thomas, so let's see if things start to improve!

6 comments:

  1. It seems as if Conway was writing half of the comics published by DC at this point. He was also writing Justice League, Wonder Woman, Legion of Superheroes, maybe even more monthly books. That could certainly explain why Conway seemed overworked, or needed some assistance from Thomas when taking over on Batman after starting on Detective.

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    1. Wow! That sounds similar to his time at Marvel in the mid-70s. I believe when he stepped down from the editor-in-chief position (after something like only a month or two), he started writing about half the Marvel line.

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  2. I’m sure it wasn’t planned this way but the juxtaposition of the covers to #337 and #338 is neat — first Batman reared back on his skis as the snowman looms, then surging forward from the same side of the image to confront someone on ice skates.

    We get more glosses on real-world figures with various dopey names. I guess the most interesting is Hank Klugmuun, presumably named for Jack Klugman as he played sportswriter Oscar Madison on The Odd Couple.

    Conway, and Thomas I guess, inventing the Sportsman character is curious because a long-time if relatively little-seen villain named Sportsmaster already existed — not that he’d fit the backstory here, and of course there are plenty of characters with similar schticks around; heck, we saw another example of that last issue.

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    1. I meant to mention the Sportsmaster connection -- or lack thereof -- when I wrote this post! I feel like they could've simply reinvented him as "Sportsmaster II" or something, similar to how there were two Clayfaces in continuity at this point in time. (Which I've always found odd; the original Clayface, Basil Karlo, appeared in the November 1980 issue of DETECTIVE COMICS, two years after Len Wein created a new Clayface in 1978! And it wasn't a case of using the new story to write out or kill off the original, either. It was just another story of the original Clayface even after another guy had taken on the identity.

      (The other thing I find amusing about it is that neither of the Clayfaces running around at this time are the best-known Clayface, Matt Hagen! Though I am aware that Hagen only became best-known a decade later due to BATMAN: THE ANIMATED SERIES, where the visual and name of the Hagen version were merged with the backstory of the Karlo version. But still!)

      I also somehow didn't make the Klugman(n) Konnection, so than you for that!

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    2. One might gather from the lack of use (or reinvention of) Sportsmaster here and failure to reference Mister Freeze the issue before that Conway was establishing his own, rather stand-alone world for this run, an extreme example perhaps being the Eisner homage — but that’s belied to an extent by the recent Blockbuster two-parter and the next issue you’ll cover.

      So far Conway’s mix of continuity with a done-in-one, anything-goes approach in the style of Bob Haney is really confounding me. I think it might partly stem from the early stories being done as inventory or just not knowing exactly what the status quo would be when they saw print, depending on the start and length of his tenure, but it’s still weird.

      In the words (er, characters…) of an emoticon that my mom finds hilarious: ¯\_(ツ)_/¯

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    3. Hank’s last name is generally spelled “Klugmuun” throughout but there’s at least one panel (in the issue as printed, anyway; dunno about the digital edition) where the second u also has a diagonal line as if it had previously been an n and was changed without correction fluid. Such tortuous homophony reminds me of how Mad would replace proper names in parodies with awkwardly spelled phonetic versions if there were no jokey actual-word substitutions — like, to give an example of both approaches, “Michael Keaton” could become “Mikuul Cretin”.

      My next band will indeed be called Tortuous Homophony.

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