TRANSFORMERS: WAR WITHIN: THE AGE OF WRATH #4 - 6

Though Dreamwave's WAR WITHIN: THE AGE OF WRATH mini-series ended in 2004 with issue 3 when the publisher went bankrupt, issues 4 through 6 were all solicited and in subsequent years Simon Furman made his scripts and/or synopses for the issues available to the public at conventions. All solicits and additional information courtesy of the Transformers Wiki, though they can be found elsewhere online as well.

Writer: Simon Furman | Pencils: Joe Ng | Inks: Tracy Ho

Issue 4 Solicit: ALONE! Stranded on a strange alien world, far, far from Cybertron, Turbomaster Flash is about to realize there really is no place like home... even when home is ruled by arch tyrant Megatron and his legions of clone warriors. The terrible truth behind the invasion and conquest of Cybertron is finally revealed. Now all Flash has to do is stay alive long enough to tell someone!

Issue 5 Solicit: HE'S BACK! Optimus Prime, right? Well... maybe. But then again... maybe not! Blaster's desperate bid to free the enslaved Autobots lies in ruins, his and his entire team's lives are Megatron's to take at his will. But in their darkest hour, a hero returns to the fray, a force too powerful to be contained even by death's dark dominion. Prepare to be shocked senseless all over again!

Issue 6 Solicit: Last Stand! Finally... the battle you've been waiting for! Optimus Prime returns to take on his archenemy Megatron. But is Prime the 'bot he was? Scarred mentally and physically by his nightmarish exile, Prime plainly may not be up to the job! But if he can't beat Megatron and stop the rise of his second-generation clone army ... who can?

FANTASTIC FOUR #294 & #295

"HERO WORSHIP" | “WELCOME TO THE FUTURE!"
Plotter: John Byrne (#294) | Scripter: Roger Stern | Penciler: Jerry Ordway
Inker: Al Gordon | Letterer: John Workman | Colorist: Glynis Oliver
Editor: Michael Carlin | Editor-in-Chief: Jim Shooter
Special Thanks to John Byrne (#295)

The Plot: (Issue 294) Inside the futuristic upper Central City within the black dome, the Fantastic Four and Wyatt are assaulted and soon defeated by misshapen mutants. The creatures’ priestess recognizes them, however, and brings them before the city’s Coordinator, Harvey Jessup. The FF learn that Jessup constructed the black barrier as a way to protect Central City from nuclear holocaust, but where his intention was to isolate the city while time passed much faster outside, the opposite occurred.

But Jessup, now an old man brought in and out of suspended animation for certain important situations, refuses to believe Reed and attacks the FF with his “ultimate adjudicator” helmet.

(Issue 295) Sue saves the FF from the ultimate adjudicator by using her power to slowly turn them invisible, making it appear they’ve been disintegrated. The group soon encounters a woman named Murna, once the city’s high priestess. She reveals She-Hulk is beneath the city in suspended animation. While Johnny, Wyatt, and Murna go to save She-Hulk, Reed and Sue go after Jessup.

She-Hulk is freed and the two groups reunite as Sue and Reed battle Jessup’s minions. Murna links Reed’s and Jessup’s minds and Jessup finally realizes the truth of his mistake. As he dies, he places Murna, his daughter, in command of the city. Reed then uses Jessup’s device to shunt the dome 10,000 years into the future, even as the FF rescue all the original citizens of Central City, hidden underground in suspended animation.

Once more in the real world, Reed realizes Jessup’s lying to his subjects were not all that different from Reed withholding the truth from Ben about the nature of his transformation. Now aware that the Thing is out there somewhere, injured, Reed makes plans to go find him.

Sub-Plots & Continuity Notes: In issue 294, Sue conveniently forgets everything that happened to the FF over the past, oh, ten minutes, and asks Wyatt to explain it all to her. The recap is much less painful in issue 295, where an omniscient narrator simply describes the past couple installments’ events on the first page before jumping into the action.

Jessup’s mutants are all genetically altered to be bizarre representations of the Fantastic Four, and his “Things” wear helmets of the type Ben used in early FF issues (and more recently in Byrne’s FANTASTIC FOUR #239).

MY FIVE FAVORITE COMIC BOOK ARTISTS

It's been some time since I did a little list like this, but for whatever reason, not long ago I was thinking about which artists I consider to be my favorites of all time in the comic book field. It honestly didn't take much thought at all to come up with five; these guys all came to mind immediately with very little head-scratching or consideration over anyone else. So in alphabetical order, here they are:

• Mark Bagley: I first encountered Bagley as the regular artist on AMAZING SPIDER-MAN when I became a regular ongoing reader with issue 360 (which was a fill-in, but Bagley returned for the next installment). At the time I wasn't all that enamored with him; he seemed to draw people's heads too small for their bodies sometimes, and as his time on AMAZING went along, he drew Spider-Man's eyes larger and larger until they seemed to take up about 75 percent of his head. But over the years, on THUNDERBOLTS and his subsequent work for Marvel, I've come to love his expressive style. I really like the way he draws musculature; his characters are all sinew and strength, and I love the way he draws faces these days. Plus, in Tom DeFalco's COMICS CREATORS ON SPIDER-MAN book, he admitted that he loves drawing "big, strong buxom women", which is always a plus in my book. Bagley is one of only two artists who I will always check out on Marvel Unlimited even if I have no interest in reading the actual issue he drew (the other of those two is #3 below).

TRANSFORMERS: WAR WITHIN: THE AGE OF WRATH #3

Writer: Simon Furman | Pencils: Joe Ng | Inks: Tracy Ho & Erik Sander
Additional Inks: Ferd Poblete | Colors: Rob Ruffalo & Eric Burns | Letters: Ben Lee

The Plot: At Autobot resistance headquarters, Percetptor gathers the Turbomasters and explains that he plans to locate the missing Optimus Prime. Meanwhile, Nightbeat and his group inspect their captured air warrior clone, but it comes back to life and attacks them. Elsewhere, Perceptor describes his plan to locate Prime.

Meanwhile, Shockwave berates Rumble and Frenzy over apparently disrupting his analysis of the clones, then leaves them to finish cataloguing all known Autobot casualties. But as they reach Grimlock's name on the list, something behind them explodes, leaving a face-shaped mark in the wall.

Nightbeat and friends continue to wage a losing battled against their clone opponent until it inexplicably stops fighting and shuts down once more. Blaster and Perceptor discuss strategy while the Turbomasters play a game of high-speed hide-and-seek. But when Turbomaster Flash returns to Perceptor's briefing chamber, where a space bridge portal is open to facilitate the search for Optimus, he somehow drives through and winds up in another location.

Continuity Notes: The story opens with news anchor Slamdance recapping Starscream's slaughter of the Transformer high council in issue 1.

The Autobot resistance is operating out of Iacon, which seems kind of foolhardy, given that was always the Autobots' headquarters.

We learn that Optimus Prime and Megatron were believed killed in the space bridge accident that claimed them circa THE DARK AGES #1, which is why no one search for them until now. But, with Megatron back, Perceptor believes Optimus Prime is out there someplace as well. And, just before Flash vanishes through the space bridge portal, a readout on Perceptor's monitor indicates that he may have been located.

FANTASTIC FOUR #293

"CENTRAL CITY DOES NOT ANSWER!"
Writer/Penciler: John Byrne | Inker: Al Gordon
Letterer: John Workman | Colorist: Glynis Oliver
Editor: Mike Carlin | Editor-in-Chief: Jim Shooter

The Plot: Wyatt Wingfoot receives a call from She-Hulk informing him that Reed Richards’ hometown of Cental City, California has vanished into a giant black dome. Wyatt fetches the rest of the Fantastic Four and they depart for the city.

Meanwhile, She-Hulk and the West Coast Avengers investigate the dome. Iron Man assembles a device which allows him entrance, but when he emerges after less than a second, he claims that he was inside for three weeks. Wonder Man takes Iron Man back to WCA headquarters to recharge, leaving She-Hulk and Tigra behind to watch as the dome begins growing. It quickly swallows She-Hulk.

The FF and Wyatt arrives and Tigra informs them of the situation. Wasting no time, the team enters the dome to find Central City has been built upward into a futuristic metropolis apparently devoid of inhabitants. As they explore, the FF are startled to come across replicas of the Baxter Building and a large statue devoted to them.

THE UNBOXING - DECEMBER 2016

The final unboxing of the year is an all-Marvel extravaganza. First up is LUKE CAGE, IRON FIST, AND THE HEROES FOR HIRE volume 1. This mouthful of a title reprints the first half of the late nineties series that was originally called simply HEROES FOR HIRE. I seem to recall this series was advertised as being written by Roger Stern, but John Ostrander eventually stepped in instead and, with Pascual Ferry on art chores, provided a very fun, often funny eighteen-issue series spotlighting several of Marvel's B- and C-list stars. This was one of my favorite Marvel series as it was coming out and it's great to have it collected (in full as of next month, as the second volume was fast-tracked for release in January).

TRANSFORMERS: WAR WITHIN: THE AGE OF WRATH #2

Writer: Simon Furman | Pencils: Joe Ng | Inks: Ferd Poblete
Additional Inks: Tracy Ho & Erik Sander | Colors: Josh Burcham, Sig Torre, & Ruffs
Letters: Ben Lee

The Plot: Megatron leads the Decepticons once more, and the Autobots serve him as slave labor. After torturing Starscream, Megatron chats with Shockwave about a cloning experiment.

Meanwhile, Megatron's clone warriors chase down the Autobot Getaway. Elsewhere, the Autobots work under Decepticon supervision deep beneath Cybertron's surface. When Brawn rebels, he is shocked into submission. At the same time, Getaway continues his escape. Megatron receives a report from Soundwave stating that the Autobots have dug a shaft all the way to the center of Cybertron.

Getaway lures the Decepticon clones into an Autobot ambush, and they are wiped out -- save one for study by Perceptor.