SPIDER-MAN NEWSPAPER STRIP PART 6

SEPTEMBER 11th, 1978 – NOVEMBER 19th, 1978
NOVEMBER 20th, 1978 – JANUARY 28th, 1979
By Stan Lee & John Romita

Spider-Man’s latest newspaper adventure finds his greatest fear realized, as a mysterious young woman discovers his street clothes — with ID inside, thus revealing his secret identity to her — in an alleyway while he’s busy stopping a robbery across the street. The entire story hinges on a silly premise, though: Peter, wired late at night after finishing his thesis, decides to go outside and clear his head. Literally every other time he’s done this in the history of creation, it’s meant some web-slinging across the city. But tonight, for some bizarre reason, he decides to go for a jog instead, which leads to his needing to change into Spider-Man when he spots the robbery in progress.

But, false premise aside, this is a pretty fun story as the woman, an ex-model named Vera Arlen, blackmails our hero with her knowledge of his true identity into harassing her former employer, beauty magnate Raymond Dexter, who replaced her as his company’s top model with a younger woman when the public demanded a new face for his products. Vera, leaving Dexter’s office in a huff, was disfigured by some chemicals and holds him responsible.

Thanks to the circles in which Dexter travels, there are some fun seventies styles on display in this arc. Big, wavy hair on all the men and women, open shirts for everyone (again, men and women alike, so cleavage connoisseur Stan* was probably pleased with this one), etc. In fact, this is probably the most seventies-looking of all the story arcs so far — and to me, as a lover of that decade’s distinctive, if often tacky, visuals, that’s never a bad thing.

THE UNBOXING - UPDATE

You may have noticed my last "Unboxing" post was in July. Three months have passed since, with no sign of a new one!

Well, in theory I haven't stopped doing Unboxing posts -- but a confluence of events have led to the feature's absence recently. First and foremost, Marvel, DC, and the rest just haven't been offering a whole lot of stuff that piques my interest. As anyone who drops by here knows, my main comic book tastes lean toward the Bronze Age through the nineties with a strong emphasis on Spider-Man and the X-Men, and there hasn't been a ton of material on that front lately. Which isn't to say I don't have things coming -- there are four Omnibuses and two trade paperbacks on the horizon, but at the moment that's about it.

The other reason I haven't been receiving as much is that, as noted several times in recent months, I discovered the appeal of digital comics late last year. Digital collections are great for stuff I have less emotional investment in. Where before, I might have grabbed a random trade collecting classic Marvel or DC stuff I'd never read, now I'll do it digitally instead, either via Marvel Unlimited or Amazon/Comixology. It's a much smaller monetary investment in something I'm unsure of, and it takes up no physical space on my shelf. Plus, I'm especially inclined now to try digital for stuff from the non-Big Two. IDW, Image, Dark Horse, Dynamite, whatever -- with rare exceptions, it's digital all the way as far as I'm concerned.

Thus I've more-or-less decided that, except for material I absolutely know I want to own -- which, since I have a great deal of the other stuff I'd want on my shelves already, is mainly classic Spider-Man, nineties X-Men, seventies Batman, and maybe a handful of other things at this point -- I'm likely to go digital in the future. No more blind buys of trades, or especially Omnibuses, on material I've never read, unless it's something universally acclaimed which I know I want, like MASTER OF KUNG FU or (spoiler alert for a future Unboxing) JUSTICE LEAGUE INTERNATIONAL.

Of course there are other, non-comic book things I buy. All those newspaper strip collections I've talked about recently for example, and certain other collections of material I'm trying out, outside of the superhero genre, which aren't available digitally at all. Plus every Christmas my wife gives me the two Carl Barks Duck books released by Fantagraphics in the preceding year. But I don't receive regular monthly pre-ordered shipments of those things; I usually watch the Amazon Marketplace for deals after they've been released, saving up gift cards to blow on them. Maybe I'll start doing Unboxings for those as I receive them, to supplement the regular stuff. Or perhaps I can do a monthly "Digital Unboxing", though that doesn't seem nearly as fun (and I buy most of my digital stuff on sale too, so it would rarely be current).

I'll figure something out. But for now, just know that I haven't forgotten the Unboxing, and it hasn't forgotten you. It'll be back, maybe next month or maybe in December. We'll just have to wait and see.

G.I. JOE VS. THE TRANSFORMERS II #2

Written by Dan Jolley
Pencils by E.J. Su, Tim Seeley, Emiliano Santalucia, & Guido Guidi
Inks by Andrew Pepoy & Sean Parsons | Letters by Dreamer Design
Colors by Jeremy Roberts & Val Staples | Edits by Mark Powers

The Plot: In the 1930s, Beachhead, Roadblock, the Baroness, and a Cobra Viper named Percy locate Optimus Prime and restore him to robot mode. In the present day on Cybertron, Ultra Magnus informs Stalker that the force field he's using to protect the Autobots and Joes will fail in six hours, meaning the various time-teams have that long to return before the Decepticons attack.

Back in the past, Roadblock and the Baroness infiltrate a gangster's nightclub and find their way to four more Transformers who turn out to be Sunticons Wildrider, Breakdown, Dead End, and Drag Strip. The Stunticons chase Optimus Prime and his human allies across town until they bump into Motormaster. As soon as Motormaster is transformed back to robot mode, the entire group vanishes back to the present.

Meanwhile (sort of), Barbecue, Spirit, Doctor Mindbender, Tomax, and Xamot materialize in an apocalyptic future.

Continuity Notes: Roadblock, pretending to be Miles Davis, plays trumpet for an all-black band as part of his cover.

G1 References: Not really any to speak of here.

G.I. References: Likewise.

SPIDER-MAN NEWSPAPER STRIP PART 5

APRIL 10th, 1978 – JULY 2nd, 1978
JULY 3rd, 1978 – SEPTEMBER 10th, 1978
By Stan Lee & John Romita

Before we get started this week, let’s have a few observations about comic strip Peter Parker and how he differs from his comic book counterpart.

Back around the point where Mary Jane left the strip and the direction began to shift more onto Peter’s social/love life, John Romita slightly tweaked his iconic character design for our hero. Peter’s hair became a bit shaggier to fit the style of the times, and he began to dress in more contemporary fashions, including trendy open collared shirts. This is no longer the shy bookworm of the Ditko era, or even the reserved, if slightly more outgoing, young man from Romita’s time drawing AMAZING SPIDER-MAN. This appears to be a Peter Parker comfortable in his own skin, up on the latest trends, and a bit more dashing than usual.

And along with Romita’s visual redesign, Stan Lee’s scripts reflect a new Peter, as well. He’s still kind of mopey and angst-ridden in private, but he’s also far more outgoing than I can recall seeing him in prior Lee stories. Certainly, to reflect the strip’s interest in bringing a new love interest into practically every story arc, he’s become more comfortable with the ladies. When he met Tana in “Time of the Terrorist”, Peter immediately and without reservation invited her to sit at his table in the library, then told his classmate Carole in no uncertain terms that he wanted to meet the exotic stranger. In the final strip of the Mysterio arc, a Sunday page, Peter boarded his flight back to New York and found himself seated beside a beautiful woman with whom he immediately struck up a conversation by way of a good old-fashioned pick-up line.

This is a Peter Parker I’m not used to seeing, but as an alternate universe exercise, he’s fun to watch. This Peter has allowed Spider-Man’s cockiness to spill over into his personal life, turning him into a trendy, confident ladies’ man. I guess for a character headlining his own soap opera strip, that makes sense. And for however long this Peter lasts, I look forward to following him.

G.I. JOE VS. THE TRANSFORMERS II #1

Written by Dan Jolley
Pencils by E.J. Su, Tim Seeley, Emiliano Santalucia, & Guido Guidi
Inks by Andrew Pepoy & Sean Parsons | Letters by Dreamer Design
Colors by Jeremy Roberts & Val Staples | Edits by Mark Powers

The Plot: G.I. Joe thwarts a Cobra arms deal while Cobra Commander meets with Destro. The Commander has gotten wind of a private lab in Boston which has used Cybertronian technology to open a wormhole to Cybertron. He convinces Destro to help him steal the device. G.I. Joe's undercover agent, Chuckles, reports this new scheme to headquarters as he escapes Destro's mansion.

Eventually the Joes burst in on Cobra as they attempt to harness the wormhole tech. Joes and Cobras alike are transported to Cybertron, where the wormholes go wild and send several Transformers back to Earth at various points in the timestream. Aided by Ultra Magnus and Perceptor, groups of Joes and Cobras are transported back in time to recover the missing robots.

In the California Bay Area of the 1970s, Lady Jaye, Storm Shadow, Snake-Eyes, and Zartan recover Jazz, Bumblebee, Hot Rod, and Blitzwing, and return to the present. Meanwhile, the Baroness, Roadblock, Beachhead, and a Cobra Viper appear in another timeframe in the middle of a skirmish between two groups of mobsters.

Continuity Notes: We're told that it's been two years since the previous G.I. JOE VS. THE TRANSFORMERS miniseries. In that time, the Joes have integrated Transformer technology into their own gear. We see two of the large mechs left behind by the Autobots when the prior story ended, and the Joes have a number of smaller enhancements as well, such as portable force shields.

SPIDER-MAN NEWSPAPER STRIP PART 4

DECEMBER 18th, 1977 – FEBRUARY 11th, 1978
FEBRUARY 12th, 1978 – APRIL 9th, 1978
By Stan Lee & John Romita

Per an ad reprinted in the IDW AMAZING SPIDER-MAN NEWSPAPER STRIPS Volume 1 collection, Spider-Man’s next storyline is titled “The Time of the Terrorist” and it features a bit of a departure in style, ultimately heralding something of a new direction (at least temporarily), for the ongoing serial. We begin with a brief Christmas interlude as Peter does some shopping and reflects on his supporting cast, then wonders why Mary Jane hasn’t called since her return from Miami. This is followed by MJ announcing to Peter that she’s taken a new job as an assistant to Kraven, and will be leaving immediately to tour with him!

As noted last time, the comic strip’s version of Kraven is less a super-villain and more a showman who happens to enjoy hunting Spider-Men on the side, so while Peter is troubled by MJ’s choice, there’s not much he can do about it. Thus, Lee and Romita write Mary Jane – who had already been a minor player for the past few storylines – completely out of the ongoing strip for the foreseeable future.

This allows them to change up their formula, and the strip’s concept along with it. Suddenly that MARY WORTH/soap opera style that Lee had wanted from the start begins to take shape. While there are some costumed Spider-action scenes to be found throughout this arc, it focuses primarily on Peter Parker and his love life. It also takes place over a longer period of time than most of the other arcs to date, which typically seemed to cover only a day or a few days at most.

G.I. JOE VS. THE TRANSFORMERS #6

Written by Josh Blaylock
Pencils by Mike S. Miller | Inks by Cory Hamscher & Armando Durruthy
Letters by Dreamer Design | Colors by Lynx Studio with HI FI Colour Design
Edits by Mark Powers

The Plot: With Cobra and the Decepticons mostly routed, Hawk informs the Joes and Autobots of the incoming nuclear missiles. Wheeljack proposes a plan to stop them and teams up with Mainframe and Sci-Fi to commandeer the energy satellite in orbit. After fighting off a group of Cobras including Storm Shadow and Firefly, Wheeljack accomplishes his goal and the missles are destroyed before reaching Cobra Island. However the satellite goes wild, suddenly beaming random energy blasts down at Cobra Island.

Cobra Commander hooks up with Starscream and the duo flees the island together. Megatron attempts to retreat, but is stopped by G.I. Joe and then defeated by Optimus Prime. Prime grabs Megatron's fusion cannon and uses it to destroy the satellite.

Later, the Autobots leave Earth in a newly-constructed spacecraft, having gifted G.I. Joe with Cybertronian technology. Meanwhile, Megatron and Starscream hide out on Earth, and a cabal of U.S. scientists examine the fallen Decepticons recovered from Cobra Island.

Continuity Notes: Trailbreaker, who was decapitated last issue, is glimpsed fighting alongside his fellow Autobots. This would seem to be an art mistake.

G1 References: Megatron wields the energy morning star which made a single appearance in the G1 animation but somehow became one of his iconic weapons in the ensuing decades.