"A MAN CALLED MOLE!"
Writers: Gerry Conway & Roy Thomas | Inker: Adrian Gonzales
Letterer: Ben Oda | Colorist: Adrienne Roy | Editor: Dick Giordano
take great pleasure in introducing Gene Colan, Penciler
The Plot: At night in Gotham, a stockbroker named William Elder is killed by a creature from underground. The next morning, Batman investigates the body with Commissioner Gordon. The next night, a psychiatrist, Doctor Kurtzman, is killed in the same way. But this time, Batman is on patrol and reaches the doctor's office. He enters a hole left by Kurtzman's assailant, and battles a monster calling himself the Mole underground. But the Mole, who seems to know Batman, escapes. Later, Batman recalls fighting a tunnel-digging hoodlum called the Mole, and calls Gotham State Prison to check on him. The warden says that the Mole's parole was recently denied by a board consisting of Elder, Kurtzman, and chemical mogul Sandra Clarke.
Bruce Wayne brings Sandra to Wayne Manor to keep her safe from the Mole, but he also plants a story in the newspaper indicating that she will be staying there to recuperate from an illness. That night, the Mole tunnels into the Batcave and makes his way to the manor, where he attacks Sandra and brings her underground. There, he tells her that after his parole was denied, he tunneled out of prison, but was soaked by tainted sewage and mutated into a monster. Batman arrives and defeats the Mole, who falls into an underground river, seemingly killed. Batman takes Sandra to safety and then goes to bed.
Continuity Notes: Gene Colan joins BATMAN as the new regular penciler, a role he will maintain for a number of years -- though he will hop titles to do so, becoming the DETECTIVE COMICS penciler after a few issues. But on that series, he will outlast Gerry Conway's tenure on the title and continue to draw it under the next writer, Doug Moench, right up until the CRISIS ON INFINITE EARTHS reboot in 1986! What I repeat now is hearsay, but I believe I recall that Colan, a longtime Marvel stalwart and favorite of Stan Lee's, was dismissed from the House of Ideas in the early eighties by editor-in-chief Jim Shooter, for "cutting corners" on his assignments.