SUPERMAN #20 & ADVENTURES OF SUPERMAN #443

“DOOM IN THE HEARTLAND!”
Story & Pencils: John Byrne | Inks: Karl Kesel & Byrne
Lettering: John Costanza | Coloring: Petra Scotese
Assistant Editing: Renee Witterstaetter | Editing: Michael Carlin
Kibitzing: Paul Kupperberg

The Plot: Jonathan and Martha Kent arrive at Lana Lang’s home, where she reveals Supergirl to them in the back yard. Later, Superman arrives in Smallville and changes to Clark Kent for a picnic with Lana. But soon, he finds himself involved in a battle between the Doom Patrol and Metallo. Lana overhears a radio broadcast and decides Superman is in trouble. She reveals herself as Supergirl and takes of to go aid him.

But Superman defeats Doom Patroller Cliff “Robotman” Steele, who had been under Metallo’s thrall, and the rest of the Doom Patrol helps him to take out the villainous cyborg. Metallo explodes, and though the heroes find most of his parts, his head remains unaccounted for.

Sub-Plots & Continuity Notes: The fates of Jonathan, Martha, and Lana go unrevealed this issue; one moment they’re speaking with Supergirl, then the scene cuts away and “Lana” is actually Supergirl for the rest of the story.

In Metropolis, Maggie Sawyer meets with her medical examiner, who tells her a recently deceased man was “scared to death” while we readers are shown a voodoo doll in the foreground.

WONDER WOMAN #18 & #19

“CREATURES OF THE DARK” | “THE WITCH ON THE ISLAND”
Written & Penciled by: George Pérez
Finished by: Dick Giordano (#18) & Frank McLaughlin (#19)
Lettered by: John Costanza | Colored by: Carl Gafford
Edited by: Karen Berger

The Plot: (issue 18) Diana awakens in a hospital and as she departs with Julia, Vanessa, and Stavros, she meets the wealthy Theophilus Ventouras and his nephew Demetrios. Ventouras invites Diana to his estate for dinner and to peruse his library to learn about the mysterious island which may have caused her blackout. Soon, Diana and friends visit Julia’s parents, who welcome her into their home. Stavros soon leaves for a secret meeting with a man named Gregori, who wants to keep Diana safe from the “island witch”. Gregori’s safehouse is attacked and the group inside splits up, Stavros returning to his home with one of Gregori’s guards.

Diana and Julia dine at Ventouras’s estate, and after they leave, Ventouras’s butler reveals the corpse of Demetrios, who he believes murdered by Gregori and his rebels. Ventouras transforms into a werewolf and departs, seeking revenge. Driving home, Diana and Julia spot Stavros’s house ablaze. Knowing Vanessa was visiting Stavros, Diana leaps into action. She rescues Stavros from the house, but he says that Vanessa escaped when the house was attacked. Diana finds Vanessa and protects her from Ventouras and an army of demonic animals, but she is ultimately knocked out and taken away by the creatures, revealed as servants of the island witch, Circe.

WRATH OF THE SPECTRE: ADVENTURE COMICS #437, 438, 439, 440, WRATH OF THE SPECTRE #4

"THE HUMAN BOMBS AND...THE SPECTRE"
"THE SPECTRE HAUNTS THE MUSEUM OF FEAR"
Script: Michael Fleisher | Art: Ernie Chan & Jim Aparo
Art Continuity: Russell Carley | Letters: Jim Aparo | Colors: Adrienne Roy
Editor: Joe Orlando

Ernie Chan (credited as Ernie Chua) provides guest pencils for two consecutive stories, and the work is excellent. A few years ago I read the majority of the BATMAN and DETECTIVE COMICS issues published in the seventies, and Chan had a long run on the character around that time. He was inked most frequently, as I recall, by Frank McLaughlin during that run, and while the work was good, it can't even begin to compare with Jim Aparo over Chan. Aparo's heavy blacks maintain the visual continuity from previous Spectre chapters, while Chan's layouts lose nothing from the previous all-Aparo chapters.

The stories are more of Fleisher's usual, featuring a gang who turns people into human bombs (and poor Gwen just happens to be one of them), and then a deranged taxidermist who kills people in order to stuff them and add them to his "exhibits". All villains meet suitably grisly ends.