FEBRUARY 2025

Happy belated New Year, everyone! Today is the first day of the rest of this blog's life. I'm still trying to figure out the new format, but at present I think I'm going to go with sort of an "Items of Interest" approach with little mini-headlines. For example...

A BOLD NEW ERA CALLS FOR A BOLD NEW BANNER!
Which is what I'm working on my spare time at the moment. I've been using those ol' John Byrne corner box heads from the late seventies/early eighties for quite a few years now, but I feel like it's time to retire them and sort of... personalize things a bit more. See, I don't talk about it all that much around here, but I like to draw. And so I figured maybe the banner should reflect that. To that end, I'm doing brand-new corner box heads in my own style, which will adorn the new banner once they're finished. Here's a sneak peek at the penciled versions of some of them:

(You'll note that I've started with the "unafilliated" characters and the Fantastic Four plus FF-adjacent characters. But there are more coming! I'm working on the Avengers right now.)

Now when I say "my style," I should clarify what I mean. I generally draw more cartoony than this, but I want to keep with the general aesthetic I've had here since the beginning. So cartoony is out, at least for this project, as I utilize my seldom-employed "super-hero" style -- which looks vastly different from my "everyday" drawings, and which takes about three times longer to boot! You may be able to tell that I'm obviously heavily influenced by Byrne (as well as some of my other favorites; Alan Davis and Mark Bagley top of the list), so ultimately what you see up top will not look all that drastically different from what you're used to. The main difference will be that I drew it myself!

But the other difference is that I'm changing up some of the looks and characters you'll see up there. I thought, after so long with the Bronze Age dominating the banner, that perhaps it's time I presented this blog adorned with the stars of "my" Marvel -- which is sort of a mix of eras. So you'll see the X-Men of the nineties, Avengers of various eras, some characters (chiefly Power Man, Iron Fist, and Moon Knight) who had their heydays in the seventies and early eighties, and some characters very much of the period when I read Marvel religiously in my teens, such as the Scarlet Spider, "Professor" Hulk, and the Thunderbolts. It'll be eclectic, but I think it will nicely represent my ideal or "iconic" Marvel Universe. I'll go into more detail when the banner is finished and published.

In other news...

WHAT HAVE I BEEN READING LATELY?
This site was always, first and foremost, about examining comics, graphic novels, and the like. And just because I've decided to retire from writing long-term in-depth posts about same, doesn't mean that I've stopped reading them! So as I put up these monthly-ish posts, I'm going to try to mention things I've read lately. We'll start with a tome I finished a while back: FLASH GORDON VOLUME 4: THE STORM QUEEN OF VALKIR from Titan Books. This installment picks up where my Flash Gordon review of a number of years past ended. Creator Alex Raymond has left the strip, turning artistic duties over to his former assistant, Austin Briggs. Scripter Don Moore remains aboard.

This was an odd one. For those who read along with my Flash posts way back when, you might recall that when Raymond departed, all seemed well for our hero and his friends. Ming the Merciless had been vanquished some time earlier, and more recently, Flash had also defeated a new warlord named Brazor to restore peace yet again to Mongo. Thus the next volume, which collects all of Briggs' run on the Sunday strips, begins with a bit of a clean slate, and an odd status quo -- Flash is the president of Mongo.

You may be wondering, isn't there someone more qualified to be president, like maybe Prince Barin and/or his wife, the reformed daughter of Ming, Princess Aura? When we last saw them, they were indeed leading a council that ruled over Mongo following Ming's overthrow. But Barin and Aura are nowhere to be seen in these stories. At all. They were regular recurring cast members for years while Raymond was on the strip. True, they'd drop out of sight for (sometimes very long) stretches at at a time while Flash went off his various expeditions, but they always came back. Yet here, in a run of four years, we never see or even hear of them once. It's bizarre, especially considering the original scripter is still on board!

So instead we have President Flash ruling Mongo and battling the latest warlord to challenge the peace: this time, it's Ming's heretofore unknown son, Kang the Cruel. Kang is the regular antagonist through Briggs' full run, though there are many stories interspersed between his run-ins with Flash. Stories in which Flash and Dale find themselves in strange lands, where strange princesses fall immediately in love with the dashing Flash. I guess even with a new artist, some things never change!

In the end, Flash defeats Kang and once again restores peace to Mongo, and continues on as president. Oh, and Professor Zarkov, as always, drops in and out of the story, frequently disappearing just long enough that you think the creators might have forgotten his existence, until suddenly reappearing.

Like I said, it's kind of odd, and it's just a long rehash; four more years repeating everything Alex Raymond did during his decade on the strip. I get that newspaper strips were disposable entertainment; you read your daily paper and threw it away, and I get that there would always be new readers who might have missed all this stuff the first time around. And further, I get that Raymond's run was a full ten years long, and Moore's is four or so. But nonetheless, the blatant reptition is kind of crazy! You'd think they'd at least try to do something different now and then.

ANYTHING ELSE?
For now, I don't think so. I'm easing into the new format here, so I'm going to keep this post fairly brief. (This was brief?!) Next month, I think I'll have more to talk about, so I hope you'll join me!

FLASH GORDON: KINGS CROSS #1 - 5

Written by: Jeff Parker & Jesse Hamm | Drawn by: Jesse Hamm
Colored by: Grace Allison | Lettered by: Simon Bowland
Packaged & Edited by: Nate Cosby

I don't really follow Dynamite much. I peruse their Comixology sales now and then, but I don't pay a lot of attention with what they're doing with their various licenses -- I just buy stuff that looks interesting. And FLASH GORDON: KINGS CROSS looked like something I might enjoy. Starring some of King Features' most popular comic strip heroes and drawn in a really clean, cartoony style, it looked like a lot of fun. So I picked it up and let it sit for a while, finally reading it recently.

...And boy was I confused! At first I thought we were jumping into some new epic en media res, with the characters having already met at various points in the past and lots of references to things that had already happened, but had never actually been published. Sort of like George Lucas's concept for the original STAR WARS: joining the saga as if it were the middle of an ongoing movie serial. So I figured things like the presence of a black Phantom and a Phantom-in-training named Jen would be explained as we went along, and the oblique references to unseen past events would be fleshed out.

This was my impression, at least, until partway through the second issue when a footnote appeared. "Check KINGS QUEST 1 - 5 for that epic tale!", it said.

KINGS... QUEST? Wow, they're really going all-in on pretending there were stories that preceded this one! A fake footnote! Clever, I thought. But still... I figured maybe I should just Google this to be sure.

SPRINGTIME GRAB BAG

It's time once more for that annual tradition where I dig through the various and sundry comics I've bought but have yet to read, and review some of them. This year, I've got offerings in the queue from DC, Dark Horse (sort of), and Dynamite.

We'll start on Monday with the first DC offering, a crossover I would've gone nuts for as a child: HE-MAN/THUNDERCATS. I bought this one a few years ago via Comixology, I think around the same time I also picked up BATMAN/TEENAGE MUTANT NINJA TURTLES ADVNTURES, but I just never got around to it until now.

We'll follow that up with another crossover, also half from DC: WONDER WOMAN/CONAN. The Conan half of the story comes from Dark Horse, back when they still had the license. And then we'll keep the Conan theme running with a book I grabbed in a Comixology sale when Dark Horse lost that license: CONAN: THE DAUGHTERS OF MIDORA & OTHER STORIES. But our Hyborian Age antics won't end there! The following week, we'll read our first of two books from Dynamite: RED SONJA: THE BALLAD OF THE RED GODDESS, written by Sonja's co-creator, Roy Thomas.

After that, it's one final Dynamite offering: FLASH GORDON: KING'S CROSS, a limited series which sort of revisited the concept of the 1980s DEFENDERS OF THE EARTH cartoon series, in that it teams up King Features' best-known comic strip action stars -- Flash, the Phantom, and Mandrake the Magician. And then we'll hop over to IDW for a look at last year's STAR TREK/TRANSFORMERS series.

All of this will take us through April, and when it's done I'll reveal what's coming up next: something from the House of Ideas, a place we haven't visited in over a year, if you can believe it!

FLASH GORDON PART 10

“TRIUMPH IN TROPICA”
by Alex Raymond & Don Moore

And now we reach the finale of Alex Raymond’s ten-year run on FLASH GORDON. When last we left our heroes, Flash and Dale had made their way into Tropica’s capitol with the assistance of an elderly woman named Tartara and her perennially shell-shocked son, Timor.

Timor quickly turns coward and tries to hand Flash and Dale over to King Brazor’s secret police, but our heroes escape with the assistance of a criminal named Trico. Trico introduces Flash to the Underground, a resistance group working against Brazor. Flash quickly assumes command of the Underground. Meanwhile, Brazor plots Desira’s execution. Flash and Trico work to rescue her, even as news from the front lines comes in: the army of Gundar, which had lain siege to the capitol, has been wiped out.

Amid all this, a female member of the Underground, Gypsa — a beautiful dancer — has made clear her lust for Flash. But, in a surprising twist, there’s no zany misunderstanding on anyone’s part. Flash shuts Gypsa down, Dale retains control of her emotions, and Gypsa — after a brief flash of anger — takes it all in stride, continuing to assist Flash in his mission. It’s all quite refreshing.

FLASH GORDON PART 9

“JUNGLES OF MONGO” | “FIERY DESERT OF MONGO” | “BATTLE FOR TROPICA”
by Alex Raymond & Don Moore

“Jungles of Mongo” is a relatively short arc compared with Flash’s other recent adventures. It picks up, naturally, directly where “Queen Desira” left off, with Flash, Dale, Zarkov, and Desira having escaped Prince Brazor’s castle into the jungle of Desira’s kingdom. They fight off wild animals and make their way through a bizarre underground cavern where gravity is flipped in reverse, before finding an outpost of Desira’s army. There, they’re nearly turned over to Brazor, who has convinced Desira’s subjects that she died and that anyone claiming to be her is an imposter, but manage an escape into the “Fiery Desert of Mongo”.

This story arc opens with Flash and company fighting against nature in Mongo’s harshest locale yet. The desert presents a dragon, a lava river, and even a “waterfall” of fire as obstacles for the group. Eventually, low on water and supplies, their mounts dead from heat and exhaustion, things look bad for our heroes — until they’re found by a bandit king named Gundar.

This leads into yet another pastiche for Raymond to explore. It’s not quite as overt as some of the previous ones, but the castle inhabited by Gundar and his men carries a sort of “Arabian Knights” vibe. Gundar proves to be an honorable villain as, even while openly planning to turn Flash and Desira over to Brazor, he has the prisoners looked after by his personal physician, fed, and quartered in some very nice guest rooms.

FLASH GORDON PART 8

“RETURN TO EARTH” | “QUEEN DESIRA”
by Alex Raymond & Don Moore

At the end of “The Fall of Ming”, Zarkov picked up signals from Earth and learned that the planet was in the throes of a new World War (though it’s not the World War II that was raging when Alex Raymond crafted these stories; rather it’s a fictionalized war against something called the Red Sword). Seeing his homeworld in danger, Flash had Zarkov and the scientists of Mongo build a ship to take him home, and he, Dale, and Zarkov boarded the craft with advanced Mongo weaponry to aid in the good fight.

“Return to Earth” opens as our heroes splash down in the Atlantic Ocean, where they’re picked up by an American ship and brought back to Washington. Though the government has doubts about their stories of Mongo, our heroes are turned over to an old colleague of Doctor Zarkov, named Grubich, for care.

For the first time, a fairly large plot hole emerges in the otherwise mostly cohesive FLASH GORDON narrative. Though there have been minor hiccups here and there, nothing has been as overt as this: when the strip debuted in 1934, Earth was in a panic because the planet Mongo was hurtling toward it. Zarkov was a world-renowned scientist who developed a rocket he believed could move the incoming planet off course. As we know, Zarkov was successful -- but the rocket crash-landed on Mongo instead, marooning Zarkov, Flash, and Dale there for quite some time.

Now, as we return to Earth, it seems the world has forgotten Mongo ever existed. Besides that, the government appears to have no idea who Zarkov is despite his earlier fame. Plus, as we’ll soon learn in the subsequent story arc, Mongo is apparently nowhere near Earth, and it’s quite a long journey to get back there!

FLASH GORDON PART 7

“POWER MEN OF MONGO” | “FALL OF MING”
by Alex Raymond & Don Moore

Following a year’s worth of strips set in Mongo’s frozen northlands, Alex Raymond returns Flash and Doctor Zarkov to more familiar surroundings as they join up with the surviving members of Flash’s Freemen (a group which hadn’t been seen in well over a year at this point!) and head into Mingo City with plans to rescue Dale.

Interestingly, Frigia was left in sort of a state of flux by these developments. A love triangle had popped up between Flash, Dale, and Queen Fria, but Dale was soon kidnapped and Flash set out immediately to rescue her. Typically when Raymond has moved Flash from one locale to another, he’s wrapped up loose ends before doing so. Running things this way, leaving us uncertain as to whatever happened with Fria following Flash’s departure, is an unusual way to go, but is also probably more realistic than Flash tying everything up with a bow everywhere he stops.

At any rate, Flash has moved on from Frigia’s politics and so will we. Following a botched attempt to rescue Dale, Flash and Zarkov meet up with the “Power Men” who operate Mingo’s electrical systems and who promptly join up with Flash in his rebellion. Operating out of the Power Men’s underground electrical works, Flash and Zarkov succeed at their second attempt to save Dale from Ming, and we even get to see Zarkov join in the action as he rescues Flash and Dale, unconscious, from Ming’s forces at one point.

FLASH GORDON PART 6

“THE TYRANT OF MONGO” | “ICE KINGDOM OF MONGO”
by Alex Raymond & Don Moore

“The Tyrant of Mongo” is less a single story arc than a bundle of smaller plots joined together by the overarching theme of Ming as Flash’s main antagonist. Though Ming has obviously always been involved in the ongoing saga, and even encountered Flash face-to-face multiple times, and although he has waged war against Flash’s kingdom, of Kira, deposing our hero and sending him into hiding, this may be the first time Ming brings his full hatred to bear on our hero in a nonstop series of conflicts.

Having been expelled from their underground catacombs by Ming’s floodwaters, Flash, Dale, Zarkov, Sonja, and a few of the freemen wander ashore on an island which houses the tombs of Mongo’s nobility. They befriend the cryptkeeper and soon begin waging a guerilla war against Mingo City from their new secret base. Flash leads a raid to sink several of Ming’s “rocket submarines” while they’re sitting in port, but hijacks one such craft for himself after winning its crew over to the cause of the freemen.

Subsequently, Ming makes a trip to the island to inter his uncle (who Ming himself has had executed for plotting against him). The Freemen attack, leading to one of the most iconic scenes in all of FLASH GORDON lore (so iconic that even I, who knew essentially nothing about Flash coming into this series, was aware of it): Flash faces Ming in a saber duel. Ming is ultimately captured and his forces driven off, and Raymond and Moore continue to deepen their characterization of Mongo and its people, as we meet an honorable commander in Ming’s army, Lin-Chu, who parlays with Flash and even considers him a worthy foe.

FLASH GORDON PART 5

“OUTLAWS OF MONGO”
by Alex Raymond & Don Moore

When last we left Flash Gordon and friends, the villainous Grombo had escaped from Barin’s forest kingdom despite our heroes’ best efforts. As the “Outlaws of Mongo” story arc opens, Grombo is found in the neighboring desert land by some of Ming’s people — and Alex Raymond continues to play with various pastiches by presented Ming’s desert warriors as, essentially, Foreign Legionnaires.

Grombo brings word that Flash, missing in action since Ming conquered his cave kingdom, is still alive and living in Barin’s castle. When Ming gets wind of this, he demands Barin turn Flash and Dale over to him, but Barin refuses. Flash, realizing Ming won’t rest until he’s captured, leaves Barin’s kingdom under cover of night, and when Ming calls Barin again, the prince declares that he honestly does not know where Flash is.

But Flash’s mistake was in leaving Dale behind. Ming quickly changes gears and demands her instead, planning to use her as bait to capture Flash. When Barin refuses this request as well, Ming declares war on the treetop kingdom. Flash, in the desert, sees Ming’s forces marching on Barin and does his best to stop them, but in the end he’s captured. Ming calls off his invasion of Barin’s realm as Flash is brought before him and sentenced to death.

FLASH GORDON PART 4

“FOREST KINGDOM OF MONGO” | “TUSK-MEN OF MONGO” | “BEAST MEN OF MONGO”
by Alex Raymond & Don Moore

One of the things I like about these FLASH GORDON strips — and I’m certain something Alex Raymond probably enjoyed as well — is that the setting of Mongo allows Raymond to send our heroes off into all manner of different locales and environments. We’ve seen Ming’s city, a tribute to the splendor of ancient Rome, while Ming and his people clearly draw inspiration from “the mysterious Orient”. There was the futuristic city of Hawkmen as well, not to mention the caverns of Flash’s short-lived kingdom of Kira. Now we move into King Barin’s forest kingdom, which actually comes across more like a jungle and allows Raymond to cast Flash as a Tarzan stand-in for several weeks.

I suppose some could call this a cheat — Raymond has decided his strip will feature the best of all worlds and so, rather than doing something in the vein of PRINCE VALIANT and being stuck forever in the middle ages, he can venture into that genre for a while, then within a couple weeks dip his toe into science fiction instead. Personally, I just think it’s a canny move on Raymond’s part: by setting his story on a world where all these genres exist side-by-side in a huge mash-up, he’s ensured that he’ll never get bored with his premise since his premise can be literally whatever he wants it to be from story arc to story arc!

So: following their escape from Ming in the previous arc, Flash, Dale, and Zarkov are shot down by the warlord’s air force while en route to Barin’s kingdom. They brave the wilds, but Zarkov is set upon by a group of rabid squirlons and descends into madness even as Ming’s forces firebomb the area where our heroes’ ship crashed. The end result is that Zarkov staggers away, rambling, under the impression that Flash and Dale are dead. Eventually he runs across a group of Barin’s men, out searching for the group, and tells them exactly that.

FLASH GORDON PART 3

“AT WAR WITH MING” | “UNDERSEA KINGDOM OF MONGO”
by Alex Raymond & Don Moore

Following from the prior story arc, which saw Flash finally installed as King of the cavern land of Kira, Flash receives a note from Ming in which the emperor says he doesn’t believe Flash won over Queen Azura, and the despot will not recognize Flash as ruler of Kira until he executes her. Flash, being a careful, level-headed ruler, immediately declares war on Ming for this outrage.

…Look, I know this is an action/adventure serial, and as such, there should be some form of action and/or adventure every week, but Flash seems way out of line here. And we’ve seen this impetuous, impulsive side of oour hero before, but it’s usually in the heat of the moment as he’s forced to come up with a game plan on the fly or something. But here he’s won his freedom from Ming, he’s tamed his kingdom, and he’s more or less dropped off the merciless warlord’s radar. You’d think he might want to lay low for a while and build up his strength before racing into a foolhardy war against the emperor of the world!

But such prudence is not the way of Flash Gordon, so a war begins. Ming marshals the various kingdoms of Mongo loyal to his banner, while Flash receives aid from King Vultan and the Hawkmen, plus Prince Barin (now wearing a spiffy Robin Hood getup since becoming ruler of Mongo’s tree kingsom) and his forces. Unfortunately none of these are enough to save Flash from the treachery of Aura, who — though she has apparently settled into her role as Barin’s bride — still harbors loyalty to her father. Aura gives away Flash’s battle plans to Ming, who wipes out his army and takes him captive.

FLASH GORDON PART 2

“TOURNAMENTS OF MONGO”
“THE CAVERNS OF MONGO” | “WITCH QUEEN OF MONGO”
by Alex Raymond & Don Moore

In the climax of the previous story arc, Doctor Zarkov’s scientific acumen saved the city of Hawk Men from plummeting to the surface of Mongo, thus winning Flash and company the eternal gratitude and friendship of King Vultan, ruler of the Hawk Men. As the “Tournaments of Mongo” arc opens, Ming arrives in the floating city to take back his bride, Dale — but Vultan declares Dale under his protection and proposes a contest to determine the freedom of both her and Flash. Ming agrees and begins the “Tournament of Death”.

Though it’s not exactly spelled out in narration, it seems that the tournament is intended for those people of Mongo with nothing to lose in life: convicts, the poor, etc. The rules are simple: any number of contestants enter, and following a series of challenges, there can be only one living victor. The champion may then select a woman of his choice as his bride, and will be awarded one of Mongo’s kingdoms to rule.

In addition to Flash, the rebel Prince Barin also enters the tournament, disguised with a mask. We learn over the course of the challenges that Barin is in love with Ming’s daughter, Princess Aura, and that he is the rightful ruler of Mongo, a position Ming somehow usurped from him. In the end, it’s down to Flash and Barin, and when the prince is unmasked, the people of Mongo cheer for both of them to win the tournament. Backed into a corner by this overwhelmingly popular support, Ming allows both men to live. Flash chooses Dale as his bride, while Barin picks Aura. Ming awards the men their kingdoms, two of the planet’s most untamed: Barin will rule the Forests while Flash will have the Caverns.

FLASH GORDON PART 1

“ON THE PLANET MONGO” | “MONSTERS OF MONGO”
by Alex Raymond & Don Moore

These initial FLASH GORDON strips, comprising nearly the entire year of 1934 — January 7th through November 18th — introduce us in very quick order to our hero and his situation. And I mean very quick order. The first strip presents us with the news that a newly discovered planet is hurtling toward Earth, and the world’s preeminent scientific mind, Doctor Hans Zarkov, is working to knock it off course. We then meet renowned Yale polo star Flash Gordon and his girlfriend, Dale Arden, aboard an airplane which is struck by a meteor presaging the larger planet’s impact. They bail out, conveniently landing near Zarkov’s lab, and the addled scientist forces them aboard his rocket at gunpoint, then takes off on a collision course with the mystery planet.

I'll repeat: that's all one strip — thirteen panels! Fortunately, subsequent installments are a bit more reasonably paced, and really, it's easy to realize why the story needs to begin in such a seemingly rushed fashion. This isn't a twenty-some page comic book or a novel or a half-hour TV show or a two hour movie. It's half a page in the local newspaper, and it's the very first installment of a new feature. Once the strip is established, it can afford to be more leisurely with its storytelling, but in order to get that far, it needs to hook new readers immediately, and so we wind up with the above.

So — Zarkov’s plan is a success and the other planet, Mongo, is diverted from its crash-course with Earth. But Zarkov himself perishes when his rocket crashes, and Flash and Dale find themselves marooned on Mongo. What follows is a long and winding serial which sees the pair captured, separated, recaptured, escaped, and more, in a series of non-stop, genuinely exciting cliffhangers which introduce them to the varied species which call Mongo home.

THE SUMMER OF FLASH GORDON

Though he worked in comic strips for years before launching FLASH GORDON and had another successful strip, RIP KIRBY, for a decade after FLASH ended until his untimely death in 1956, I think it's generally agreed that FLASH GORDON was Alex Raymond's magnum opus. The character's adventures have been translated into other languages and adapted into movie serials, comic books, novels, big screen motion pictures, animated cartoons, and television series. FLASH inspired STAR WARS, for Pete's sake! And virtually all the adaptations draw their inspiration from Raymond's decade on the strip over any of the other material presented in its sixty years of existence.

As I discussed last weekend, lately I've been big into newspaper action/adventure comic strips, and I decided to write about one this year. SHATTUCK this past Friday was a warm-up for this: ten weeks looking at Alex Raymond's full original run on FLASH GORDON. I'll be using Titan Books' hardcovers for this project, and each post will cover between one and three story arcs. (The original strips weren't identified by story arc titles so far as I know, but in the intervening decades, the various plotlines have been divided up into arcs which seem to be universally agreed upon by one and all.)

Beginning this Friday, we'll travel to the myterious planet Mongo with renowned Yale polo star Flash Gordon, his girlfriend Dale Arden, and their trusty ally, Doctor Hans Zarkov. I hope you'll be along for the ride, too.

Available on Amazon: Volume 1 | Volume 2 | Volume 3

CUCKOO FOR COMIC STRIPS

For some reason, lately I've been almost infatuated with newspaper action/adventure strips of yore. If you'll pardon several paragraphs of self-indulgence, I'm going to try to figure out exactly how I got to this point.

I think I can pinpoint the kernel of when it started, at least. At some point about five or six years ago, I was, "researching" sword-wielding barbarian gals in the mold of Red Sonja (as you do), and I came across a character named Axa, the heroine of a post-apocalyptic wasteland who starred in a strip for Britain's Sun newspaper back in the early eighties. The strip, created and illustrated by Enric Romero with scripts from Donne Avenell, had been released in the United States many years earlier, but those collections were long out of print. However I found some scans online and read nearly the entire Axa canon in short order. I really liked Romero's mostly realistic artwork in the black-and-white format, and I found the daily newspaper strip format pretty interesting. It didn't hurt that the strip was "mature" (i.e. juvenile) in nature, with the title character constantly losing her top in battle.

Somewhere around that same time, circa 2009/2010, Marvel released two volumes collecting the original Spider-Man newspaper strip run by Stan Lee and John Romita. However these books were panned by critics for their presentation of the material, so I skipped them -- but they stuck in my mind as something I might be interested in checking out someday. (And, as noted a while back, I have in fact gotten into these strips by way of IDW's more recent Library of American Comics reprints of the same material.)