BATMAN BY MIKE W. BARR & ALAN DAVIS: DETECTIVE COMICS # 572, 573, 574

"THE DOOMSDAY BOOK"
Writer: Mike W. Barr | Pencilers: Alan Davis, Terry Beatty, Carmine Infantino
Inkers: Paul Neary, Dick Giordano, Al Vey | Colorists: Adrienne Roy, Carl Gafford
Letterers: John Workman, Todd Klein, Romeo Francisco | Editor: Denny O'Neil

"THE MAD HATTER FLIPS HIS LIDS" | "...MY BEGINNING...AND MY PROBABLE END"
Writer: Mike W. Barr | Penciler: Alan Davis | Inker: Paul Neary
Colorist: Adrienne Roy | Letterer: Richard Starkings
Editor: Denny O'Neil

Art by Mike Kaluta

DETECTIVE COMICS #572 is a "jam" issue, celebrating the title's fiftieth anniversary, and starring three of the book's regular featured characters of decades past: Batman (of course), the Elongated Man, and Slam Bradley, who I had never heard of before. Upon looking him up, I've learned that he starred in DETECTIVE #1, and has appeared sporadically in the DC Universe since.

Beyond the above group, the story also stars Sherlock Holmes, who, it seems, is a real person in the DC world. Watson's chronicles of Holmes' cases are treated here as works of non-fiction, and everyone views Holmes as a well-known historical figure. It's a conceit I enjoyed, and it fits just fine into a shared universe like this one. However, Barr goes overboard with the idea here, revealing in the story's finale that Holmes is still alive and fairly spry at well over a hundred years of age, due essentially to nothing more than clean living.

BATMAN BY MIKE W. BARR & ALAN DAVIS: DETECTIVE COMICS # 569, 570, 571

"CATCH AS CATSCAN" | "THE LAST LAUGH" | "FEAR FOR SALE"

Writer: Mike W. Barr | Penciler: Alan Davis | Inker: Paul Neary

Colorist: Adrienne Roy | Letterer: John Workman | Editor: Denny O'Neil

Mike W. Barr and Alan Davis have a slightly peculiar run on DETECTIVE COMICS. Their issues begin after CRISIS ON INFINITE EARTHS, in the rebooted world of "Batman: Year One" and other such stories. They are telling tales featuring the Batman teamed with post-Crisis Jason Todd, the angry brat who would eventually perish by the Joker's hand.

And yet, no one seemed to tell them this. These stories might as well be set in the pre-Crisis universe. Indeed, they draw upon pre-Crisis continuity, such as the fact that Catwoman is reformed and aware of Batman's secret identity. Robin here has not become the unlikable character who would eventually be killed off -- he is very much like the classic Dick Grayson Robin, in fact.

CAPTAIN BRITAIN PART ELEVEN - EXCALIBUR CLASSIC, VOL. 1

From Captain Britain's perspective, EXCALIBUR picks up with our hero deep in sorrow over the apparent death of his twin sister, Betsy, now known as Psylocke of the X-Men.  Brian Braddock has turned to the bottle for solace, and Meggan is unable to snap him out of his alcoholic funk.  Deciding she needs help to get through to Brian, Meggan travels to the Muir Island Research Centre in Scotland to enlist the aid of Kitty Pryde, who she apparently met behind the scenes during Cap's recent encounters with the X-Men.

Soon, Opal Luna Saturnyne sends the Technet to capture Rachel Summers -- Phoenix, who she views as a threat to all reality.  Kitty and her other former teammate, Nightcrawler, team up with Meggan and eventually Cap and Rachel, to best the Technet and a group of creatures called the Warwolves, sent by Mojo to capture Rachel for his own reasons.  In the aftermath of their team-up, Cap, Meggan, Nightcrawler, Kitty, and Rachel choose to honor the memories of their loved ones by banding together as a new super-group: Excalibur.

AN EXCALIBUR PRIMER

I tend to write my posts here assuming some pre-existing comic book knowledge on the part of the reader, but at the same time I don't want to confuse anybody.  So, as I did last week with TRANSFORMERS, I'll be tossing out little nuggets like this one before starting a new review series (or in this case continuing one that has moved into the pages of a new title).  If you're already an Excalibur Expert, please feel free to skip the below, though I would advise reading at least the final paragraph.

Art by Alan Davis and Paul Neary

CAPTAIN BRITAIN PART SIX - A CROOKED WORLD

The CAPTAIN BRITAIN OMNIBUS

In roughly 2002 or so, Marvel published a CAPTAIN BRITAIN BY ALAN MOORE & ALAN DAVIS trade paperback. It contained only the material the two Alans produced together, but nothing else. I have no idea why they didn't include this small handful of stories, illustrated by Davis and written by Dave Thorpe, as well. They do a great deal to set up the Moore-Davis run (which will be covered in the next post).

As the Alan Davis era begins, we find Captain Britain and Jackdaw on their way home from Otherworld, when they are sidetracked by a trip to a parallel Earth. Along the way, Cap's costume inexplicably changes to the Davis-designed look -- a superior costume in my opinion, but the arbitrary change is somewhat jarring. Cap simply says something to the effect of, "my costume -- it's changing!" as they pass between dimensions, and that's the end of it.

CAPTAIN BRITAIN PART FIVE - ALONGSIDE MERLIN'S CHAMPION, THE BLACK KNIGHT

Art by Staz Johnson

Following his appearance in MARVEL TEAM-UP, Captain Britain disappeared for about two years, as Marvel U.K. quit its practice of producing original content.  Previously, it was unlikely that Cap's adventures had proceeded in real time, as most chapters led directly into the next.  However, around this time, when Marvel U.K. began to craft new stories once more, the new creators behind the captain eschewed "Marvel Time" and declared that our hero had been missing in action for the same two years his series had been on hiatus.

In the pages of Marvel U.K.'s HULK comic, Cap returned to fight alongside the Black Knight, a once and future member of the Avengers, headlining his own weekly 1-page strip.  The stories were written by Steve Parkhouse and illustrated by John Stokes.  Stokes's pencil art was inked by Paul Neary, who would soon become the editor-in-chief of Marvel U.K.  Neary's career has spanned decades since, with a stint drawing CAPTAIN AMERICA for Marvel in the U.S., a long stretch as the regular inker of superstar artist Alan Davis, a second term as the EiC of Marvel U.K., and currently, another long stretch as the regular inker of superstar artist Bryan Hitch.