SKULL THE SLAYER #4

"TIME OUT OF MIND!"
Together again for the fourth time!
Author: Steve Englehart | Artists: Sal Buscema & Mike Esposito
Letterer: Irving Watanabe | Colorist: Don Warfield | Editor: Marv Wolfman

The Plot: In ancient Egypt, Skull and Doctor Corey battle the Pharaoh's soldiers, determining during the fight that the men are robots -- but the heroes are overwhelmed and captured. They are brought before the Phaoaoh himself, an extraterrestrial named Slitherogue, who explains that the "Tower of Time" is a creation of his people in preparation for conquering all of Earth's historical eras. Then, to demonstrate his power, Slitehrogue kills Jeff.

Skull, Corey, and Ann spend the night in a cell, and the next morning are sent to work building the pyramids, under the watch of Slitherogue's robots. When Skull sees an opening for escape, he, Ann, and Corey race off into the desert. But Ann falls and breaks her leg. Skull declares that she must be left behind, but Corey stays to defend her. Corey and Ann are both killed, while Skull tumbles into the time portal, falling to a new level. He emerges in the quarters of Merlin the wizard and the Black Knight. After a brief skirmish with Black Knight, Skull agrees to work with Merlin to overthrow Slitherogue.

Meanwhile, Morgan Le Fay summons Slitherogue and asks his help in slaying her enemies, Merlin and King Arthur. Sensing that Skull is in this time as well, Slitherogue agrees to aid her.

DETECTIVE COMICS #475 & #476

"THE LAUGHING FISH!" | "SIGN OF THE JOKER!"
Writer: Steve Englehart | Penciller: Marshall Rogers | Inker: Terry Austin
Letterer: Ben Oda & Milt Snappin | Colorist: Marshall Rogers | Editor: Julius Schwartz

The Steve Englehart/Marshall Rogers run on DETECTIVE COMICS comes to its conclusion with a two-part classic pitting Batman against the Joker. This time, the Clown Prince of Crime has infected the world's fish with a variation on his Joker venom, giving every fish a hideous grin. Joker's plan is to copyright the "laughing fish" and rake in the bucks every time somebody buys one.

It's an utterly nonsensical plan -- something the narration calls out a couple times -- but that's the point. The Joker is, at this point in continuity, one hundred percent insane. I'm not sure when it was decided that the character was clinically insane... I know he wasn't in his earliest appearances, since at one point Bob Kane and Bill Finger sent him to the electric chair (and if a criminal is certified insane, they can't receive the death penalty), but by the seventies, he's absolutely there. It was Denny O'Neil and Neal Adams who had the character escape from an upstate asylum in "The Joke's Five-Way Revenge", but I just don't know if it was ever previously stated that he was crazy.

But in any case, "The Laughing Fish/Sign of the Joker" is absolutely the craziest we've seen him in our jaunt through the seventies -- and while I do like the idea that he would come up with a scheme that makes not an ounce of sense to any normal-thinking human, I can't say that I wholeheartedly approve of Englehart's version of an insane Joker. I'd go so far as to say that, more than "Joker's Five-Way Revenge", this is where the modern-day Joker, a character who makes me extremely uncomfortable, was born. In fact, I can pretty much pinpoint the exact panel when it happens:

DETECTIVE COMICS #473 & #474

"THE MALAY PENGUIN!" | "THE DEADSHOT RICOCHET"
Story: Steve Englehart | Art: Marshall Rogers | Embellisher: Terry Austin
Letterers: Milt Snappin & Ben Oda | Editor: Julius Schwartz

One of the things I like about Steve Englehart's eight-issue DETECTIVE COMICS run is the way he divvies up his enemies for Batman into a few categories. There are new/original villains: Doctor Phosphorous and Rupert Thorne. There are obscure villains: Hugo Strange, who at the time hadn't been seen in over thirty-five years, and Deadshot, who we'll get to below. And then there are the classics: Joker, who we will look at next week, and Penguin, who pops up in the first of this week's installments. If you're gonna do a short run on a superhero, that's nearly the perfect way to handle it (the only thing I might change from this formula would be to use at least one villain from another hero's rogues' gallery to mix it up a tiny bit more).

Englehart also finds time for one good old-fashioned Batman and Robin team-up during his brief time on the title, which is much appreciated. Robin factored into last week's Hugo Strange two-parter, but he was flying solo there, rescuing Batman from Strange's dungeon. Here, he's still in town following that adventure, assisting his partner with the loose end of tracking Strange down. "The Malay Penguin!" opens with two of Rupert Thorne's men disposing of Strange's body in the Gotham River. The hoods are accosted by the Dynamic Duo (after dumping the corpse, so Batman doesn't yet realize Strange is dead), but Batman and Robin are forced to depart when the police arrive. It seems Rupert Thorne has revoked their status as duly deputized agents of the law, and despite Commissioner Gordon's friendly presence at the top of the Gotham P.D., the heroes are now considered vigilantes.

DETECTIVE COMICS #471 & #472

"THE DEAD YET LIVE" | "I AM THE BATMAN!"
Author: Steve Englehart | Artists: Marshall Rogers & Terry Austin
Letterer: John Workman | Colorist: Marshall Rogers | Editor: Julie Schwartz

As we saw last time, most of the pieces were placed for the famous Steve Englehart run on DETECTIVE COMICS with issues 469 and 470. However, the run is actually usually referred to as the Steve Englehart/Marshall Rogers run, and there was still one fairly big piece missing as of last week. You can't have an Englehart/Rogers run without Rogers, after all!

But that problem is remedied immediately from the first atmosphere-oozing page of DETECTIVE 471, and suddenly Englehart's story snaps into focus. Doctor Phosphorous was a misfire, perhaps, even though it laid some important seeds for what was to follow. But now those seeds have sprouted, and thanks to Rogers and inker Terry Austin, they're beautiful to behold!

And now the story: it begins with Rupert Thorne declaring war on Batman. As mentioned last time, the corrupt city council boss had previously left the Caped Crusader alone, but following Doctor Phosphorous's attempt to turn the council against Batman, coupled with recent financial troubles making the city harder to control, Thorne has decided that Gotham's hero is too much of a loose cannon and must be eliminated.

DETECTIVE COMICS #469 & #470

"...BY DEATH'S EERIE LIGHT!" | "THE MASTER PLAN OF DOCTOR PHOSPHOROUS!"
Presenting: The Batman you've been waiting for by:
Author: Steve Englehart | Artist: Walt Simonson | Inker: Al Milgrom
Colorist Marshall Rogers & Jerry Serpe | Editor: Julius Schwartz

We spoke a few weeks ago about Len Wein's brief attempt to "Marvelize" Batman in his "Bat-Murderer" story arc. But, as I noted at that time, Wein's instilling of Marvel-style plotting into the Caped Crusader's world felt unofficial, like it was his idea and not a mandate from editorial.

Steve Englehart's Batman run, on the other hand, was, as I understand it, a deliberate attempt by DC to "Marvelize" their comics -- however they didn't hire Enghlehart to do it to Batman! From what I've read, DC wanted Englehart to bring his experience and sensibilities from writing AVENGERS to JUSTICE LEAGUE OF AMERICA. Englehart agreed on the condition that he be allowed to write Batman as well. Thus, in addition to tackling JLA for a year, Englehart was also given eight issue of DETECTIVE COMICS on which to ply his trade.

(And it's neither here nor there, but Englehart had decided around the same time to retire from comics, so he wrote all his DETECTIVE issues in full script format and turned them in advance, then moved out of the country before they were even drawn!)

Look, I've gone on record here as not being much of a fan of Steve Englehart. I spoke to that point when I looked at Marvel's "Evolutionary War" annuals a few years back. But, for the most part, I actually really love his DETECTIVE COMICS run. That said, the run begins inauspiciously, with a pretty unremarkable two-part adventure, notable only for setting up sub-plot points which play heavily into the remainder of the run.

MASTER OF KUNG FU OMNINBUS VOLUME 1

Hardcover, 2016. Collects 1973-76's SPECIAL MARVEL EDITION #15 & 16, MASTER OF KUNG FU #17 - 37, GIANT SIZE MASTER OF KUNG FU #1 - 4, GIANT-SIZE SPIDER-MAN #2, and material from IRON MAN ANNUAL #4.

I've never read Marvel's MASTER OF KUNG FU, but I've heard very good things about it. And it's rare, though not unheard of, that I pick up a high-end collection for a series I've never so much as touched. To the best of my recollection, the only other times I've done so were with DC's NEW TEEN TITANS OMNIBUS series and Marvel's STAR WARS: THE ORIGINAL MARVEL YEARS OMNIBUS series. Of those, the former was critically and commercially acclaimed, while the latter -- well, it's some of the earliest Expanded Universe STAR WARS and I'd wanted to read it for years.

MASTER OF KUNG FU definitely falls into the "critically acclaimed" category. In certain scholarly comic book circles, it's ranked up there with the best of Marvel's late seventies/early eighties output; regarded at least as highly as the Claremont/Byrne X-MEN, Miller DAREDEVIL, and Simonson THOR. Still, given my lack of familiarity with the material, I probably would've waited for the inevitable Epic Collection trade paperbacks instead, except -- according to collection editor Cory Sedlmeier, these books are "...a special opportunity you don't want to miss out on." Working on the well-known knowledge that Marvel lost the rights to Fu Manchu, a prominent character in the series, decades back, and using that info to read between the lines, one might infer that perhaps Marvel has acquired a limited one-time reprint license, and after these Omnibus volumes are published, they may go out of print forever.

So, working from that assumption and trusting the numerous voices which have declared this one of the greatest Marvel runs of all time, I've bought volume 1 sight unseen and pre-ordered volume 2 as well, with full intentions to go for volume 3 too, when it's solicited.

WEST COAST AVENGERS ANNUAL #3

"HEADS YOU LOSE--!"
Story: Steve Englehart | Layouts: Al Milgrom | Finishes: Gerry Taloc
Letters: Bill Oakley | Colors: Marc Siry | Editor: Mark Gruenwald
Editor-in-Chief: Tom DeFalco

The Plot: At his citadel in the Savage Land, the High Evolutionary oversees several technicians working on his project. One tech, Bill Foster, smuggles a note out of the facility in the armor of one of the Evolutionary's Gatherers as they depart for a mission. The Gatherers head to Wakanda to steal the Black Panther's vibranium, but the Panther and his men defeat them and the Panther locates the note, which warns the world is in danger and recommends calling Hank Pym for help.

Panther places a call to the West Coast Avengers, and they soon arrive, but without the recently departed Pym. As the Avengers and Panther catch up, Wakanda is attacked by the Senses, more of the High Evolutionary's warriors. The Avengers and Black Panther defeat the Senses, but one of the Evolutionary's other men teleports in during the fight and secretly steals some vibranium.

With the Senses thwarted and the vibranium seemingly safe, the Avengers depart to investigate coordinates from Foster's note, but find only a large crater in the Savage Land.

"TAILS YOU WIN!"
Story: Steve Englehart | Layouts: Al Milgrom | Finishes: Chris Ivy
Letters: Bill Oakley | Colors: Marc Siry | Editor: Mark Gruenwald
Editor-in-Chief: Tom DeFalco

Mockingbird, Moon Knight, and Tigra, formerly of the West Coast Avengers, fly over the Savage Land in a quintet and land to investigate its unexpected restoration. There they bump into Ka-Zar, who tells them of the High Evolutionary. The three ex-Avengers investigate his citadel, and the Evolutionary realizes they could thwart his plans. He throws the trio into a set of deathtraps. While the Avengers fight their way free, Bill Foster goes looking for them.

All three heroes escape their traps and Mockingbird is the first to locate the High Evolutionary. She fights him but he grows to mammoth size to finish her off. Foster arrives then and reveals his other identity as Giant-Man, growing to challenge the Evolutionary. When the Evolutionary receives word from his agent, Foks, that the vibranium has been seized, he retreats from his base. Foster, Moon Knight, Tigra, and Mockingbird escape the citadel just before it self-destructs. The quartet leaves the Savage Land mere moments before the West Coast Avengers arrive to find the recently formed crater.

FANTASTIC FOUR ANNUAL #21

Or, THE POST THAT STARTS OUT AS A REVIEW OF FANTASTIC FOUR ANNUAL #21 BUT DEVOLVES INTO A PETTY RANT ABOUT STEVE ENGLEHART.

"CRYSTAL BLUE PERSUASION!"
Story: Steve Englehart | Breakdowns: Kieron Dwyer | Finishes: Joe Sinnott
Letters: Ken Lopez | Colors: Gregory Wright | Editor: Ralph Macchio
Editor-in-Chief: Tom DeFalco

The Plot: The Fantastic Four return to their headquarters after a mission in space and spend some time relaxing. They're about to leave on their next mission, to the Negative Zone, when the Inhuman royal family arrives and requests that Crystal return to the Moon with them and reunite with her estranged husband, the mutant Quicksilver. Crystal refuses and a fight breaks out between the FF and Inhumans.

Meanwhile, on the Moon, the High Evolutionary sends his Gatherers and Eliminators into the Inhuman city of Attilan to steal the Inhumans' Terrigan Mist. The Watcher, Uatu, appears to converse with the Evolutionary while his men carry out their mission. Within Attilan, Quicksilver mounts a resistance.

On Earth the fight comes to an end when the Inhumans are informed of the attack on their city. The royal family and Fantastic Four all return to Attilan together and battle the High Evolutionary's forces. The Gatherers and Eliminators are routed and return to the High Evolutionary, who teleports away with them. The Thing attempts to get the Watcher to reveal their destination, but he refuses. Another Watcher appears, but is also silent at Uatu's command.

In the aftermath of the fight, Black Bolt flies Crystal away and asks her to stay among the Inhumans. His guilt-trip works, and she chooses to remain and try to work things out with Quicksilver.

SILVER SURFER ANNUAL #1

"ADAM"
Story: Steve Englehart | Pencils: Joe Staton | Inks: Joe Rubinstein
Letters: Ken Bruzenak | Colors: Tom Vincent | Editor: Craig Anderson
Chief: Tom DeFalco

The Plot: The High Evolutionary appears to the Eternals of Olympia and explains his plan to them, then asks that they map the Silver Surfer's DNA for him. Meanwhile, as the Surfer arrives at Earth, the Super-Skrull materializes before him in orbit of the planet. Surfer and Skrull fight briefly but are interrupted by the Eternals, who spirit them down to Olympia. There, the pair is placed into separate pyramid scanning devices. When the Eternals' probe harms the Skrull, the Surfer aids him in escaping his containment and a fight breaks out.

As the battle proceeds, Super-Skrull flees, but the Eternals give chase. They catch the Skrull but the Surfer catches them, and allows the Skrull to depart. The Surfer then makes peace with the Eternals and leaves as well.

Continuity Notes: The High Evolutionary explains that the Eternals and Deviants are offshoots of the same race, created by the Celestials on Earth. Later, we learn from the Eternals that the Skrulls are Deviants of their own race.

The Surfer and Galactus's herald, Nova, recently found the Contemplator in SILVER SURFER #12. The Surfer is headed to Earth to find the son of Mantis following her death, though oddly there is no footnote to explain this.

Super-Skrull materializes out of the Van Allen Radiation Belt around Earth, and spends a page recapping his history over the past decade of appearances: In MARVEL TEAM-UP #62, he was converted to pure energy by the cavourite crystal. His form was restored by Sasquatch in ALPHA FLIGHT #9 (at which point he learned he had cancer), but in the very next issue, #10, Sasquatch converted the Skrull back to energy and beamed him into the radiation belt.