WOLVERINE & GAMBIT: VICTIMS

"PART ONE: IN HARM'S WAY" | "PART TWO: IN DEEP"
"PART THREE: NO WAY OUT" | "PART FOUR: A WOMAN SCORNED"
Words and Pictures: Jeph Loeb & Tim Sale
Lettering: Richard Starking and Comicraft | Colors: Gregory Wright
Separations: Digital Chameleon (issues 1 & 2) & Malibu's Hues (issues 3 & 4)
Editor: Mark Powers | Editor-in-Chief: Bob Harras

Come with me now to the nineties, a decade extremely near to my comic book reading heart but one which I've covered very little (if at all?) since beginning this blog. In 1995, the X-Men were in a state of flux. The post-Chris Claremont era's status quo had changed somewhat following the "Age of Apocalypse" crossover, and it was an exciting time to be an X-fan. Xavier's School for Gifted Youngsters had moved to Massachusetts under the stewardship of Banshee and the reformed Emma Frost. The name "Onslaught" (Who was he? What was he?) was on everyone's lips. And Wolverine was devolving by the day into a feral shadow of his former self.

Which brings us to VICTIMS, by Jeph Loeb and Tim Sale. At the time Loeb was the regular writer of both X-MAN and CABLE. Over at DC, he had teamed with artist Sale on a handful of projects including three well-regarded BATMAN: HAUNTED KNIGHT Halloween one-shots, but, aside from a short annual backup story starring Bishop (more on that below), this was the duo's first work for Marvel.

Loeb and Sale use Wolverine's deteriorating humanity as the springboard for their story, as Gambit learns that an old friend in the London police is the latest victim in a string of modern day "Jack the Ripper" murders. Gambit heads to England to investigate and runs afoul of the law, as well as Wolverine, who is apparently the killer.

MARVEL BY JEPH LOEB & TIM SALE

As seems to be the case with many fans, I find a great deal of Jeph Loeb's writing pretty awful. But somehow, when partnered with artist Tim Sale, his work usually rises to the point that, if not brilliant, I would at least call it "very good". I love the duo's team-ups over at DC. BATMAN: THE LONG HALLOWEEN was probably the very first hardcover reprint I ever purchased, back in 2000 or so. I actually find its sequels, DARK VICTORY and CATWOMAN: WHEN IN ROME, even more enjoyable, and they reside right next THE LONG HALLOWEEN on my bookcase, along with SUPERMAN FOR ALL SEASONS.

But Loeb and Sale have done similarly good work at Marvel, and that's what I'm going to cover for the next few Fridays. We'll start with 1995's WOLVERINE & GAMBIT: VICTIMS, followed by HULK: GRAY, DAREDEVIL: YELLOW, and SPIDER-MAN: BLUE from 2001 - 2004. Please note that I'm covering those last three not in release order, but in order my preference, finishing with my favorite of the trio.