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Monday, September 12, 2022

MARVEL TWO-IN-ONE #35

"ENTER: SKULL THE SLAYER AND EXIT: THE THING!"
Writer/Editor: Marv Wolfman | Guest Artist: Ernie Chan
Letterer: John Costanza | Colorist: Michele Wolfman

The Plot: The Thing is summoned by the Air Force to Cape Canaveral, Florida in order to pilot an experimental plane into the Bermuda Triangle in search of a missing jet carrying a cobalt bomb. As he flies the craft, the Thing is attacked by a pterodactyl and pulled into a temporal warp. He crashes on an island in time to come to the aid of Skull, Ann, Jeff, and Doctor Corey, who are about to be executed by the Jaguar Priest.

The Thing, Skull, and company fight off the Jaguar Priest's minons and then escape into the jungle. They fight off a pterodactyl and then head to the Thing's crashed ship, but find it cannot be repaired. At Jeff's suggestion, the group heads out to find the Army plane that brought Skull and company to the island, in hopes of using some its parts to fix the jet. But on the way, they're attacked by a tyrannosaurus rex. The group escapes by jumping into a river -- but when they emerge from the water, they find themselves surrounded by a herd of brontosauruses.

Continuity Notes: The "missing plane carrying a cobalt bomb" thing was apparently a multi-title plotline! The Thing recalls that the Air Force thought it had been found in Chicago in POWER MAN #45, but that was a false alarm. Later when he crashes on the prehistoric island, the Thing compares it with an "other Earth" he visited in FANTASTIC FOUR #161. One panel later, a quick recap of Skull's situation references SKULL THE SLAYER #8. Leter in the issue, a footnote appears to SKULL #1 when Corey and Jeff discuss Skull's status as a wanted man.

Speaking of SKULL #8, it seems Captain Cochran was unceremoniously killed off since that issue ended. The revelation comes with a footnote from Marv Wolfman which seems to essentially say, "I didn't create that character and I have literally zero interest in writing him." It's kind of funny, though also a bit callous toward Bill Mantlo's storyline.
Also, while it appears that artist Ernie Chan received reference for what Skull's friends all looked like in their final issue, I'm not sure colorist Michele Wolfman got the memo. She sat out the series' final few issues, wherein the group all changed. But here, while drawn in the outfits they were wearing when SKULL ended, Wolfman colors them as if they're wearing their original outfits from before she left the series.

(Marv) Wolfman also seems to have disregarded Skull and Corey making peace with one another in Mantlo's issues, returning them to the hostile sniping they fired back and forth during the early issues of SKULL.
Doctor Corey says the he's been hanging out with Skull for two years, which... really makes no sense. It's definitely been two years in real world time since the first issue of SKULL THE SLAYER, but the events of that series' full eight issues elapsed over no more than a few days! So unless Skull and friends have been languishing in the Jaguar Priest's dungeon for two years -- which doesn't seem to fit with the way they're talking when we first encounter them -- then Wolfman is flat-out wrong with that bit of dialogue.

Is it Clobberin' Time? Jeez, I haven't had cause to use this category in about six years, and when I finally bring it back, the answer is -- no! (Though the Thing does make mention of "a couple a' heads [getting] clobbered.") Hopefully next issue...
My Thoughts: Ahh, the time-honored tradition of finishing off the threads of a cancelled series in another ongoing title! This is something comic creators have done for many years, though I feel like it was more prevalent in the seventies. Probably because a lot of the writers who had their series cancelled where also editors who therefore didn't need to fight anyone over porting their pet projects into their other titles. I seem to recall Wolfman doing something similar with his NOVA series -- when that was cancelled (after a much more respectable twenty-five issue run), he wrapped it up in FANTASTIC FOUR.

On one hand, I like this as something that is pretty much unique to comic books. You never (or very, very rarely) see TV shows wrap up threads from cancelled series. And I can't really think of any other medium where it's even a possibility! But it happens -- or at least used to happen -- often in comics. But on the other hand, I also look at the practice with a bit bemusement. It takes a certain degree of ego on the part of the writer to do it. They're essentially telling readers, "Hey, remember this cancelled series? Or more likely you don't, because you weren't reading it and that's why it was cancelled. But anyway, here's more of that thing that couldn't survive on its own, now tied to your favorite non-cancelled characters for a few issues!"
Nonetheless, while I don't know how readers in 1977 reacted to the sight of a year-gone ex-headliner popping up to hang out with the Thint for acouple issues, I'm happy here in 2022 to see Skull's saga given a proper resolution, even if it means Wolfman is going to swoop in and discard several bits and pieces of plot and character development he didn't like in order to do it.

8 comments:

  1. I'll just repost part of my comment from the last issue here:

    "Marv Wolfman books had a habit of being resolved in other titles after they got canceled. Nova was canceled mid story as well, and its dangling threads were resolved in Fantastic Four. Just a thing that happened back then, but it happened to Marv a lot!"

    Comics are pretty unique in that-the only non-comics example I can think of is Millennium, a show by X-Files creator Chris Carter, that was canceled and then had the story resolved in X-Files. (The show was a de-facto spin off of X-Files anyway, with some characters appearing on both, but it wasn't originally MEANT to be.) In the 70s, with books getting the axe fairly regularly mid-run, especially before Shooter took over, this happened a lot.

    I did read this, though, because while I loved weird and unusual books like that bi-monthly X-Men thing, Killraven, and the Defenders, my first comics love was the Fantastic Four, so Two-in-One was always a must purchase for me. I just accepted that I was meeting a bunch of characters in the middle of a story because that's how comics were back then. Between books getting canceled and unreliable newsstand distribution, you almost always were in mid story with SOMETHING. Wolfman's cavalier dealing with Mantlo's story is funny, and honestly, at that point in time, he could have gotten away with ignoring it!

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    1. Oh, and as soon as I post that, I thought of something; perhaps the most famous example of a book being canceled but having its plot threads resolved elsewhere was Warlock, which was canceled TWICE, and in both cases had plot threads resolved elsewhere. The more famous case, of course, was Jim Starlin taking an Avengers Annual and a Marvel Two in One Annual to wrap up not only Warlock's story but kill off, initially anyway, Thanos. Neither death, of course, stuck (though it took Starlin over a decade to undo them!)

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    2. Until the official crossover episode, which was supposed to resolve any dangling plot threads from the show Millennium and was a poorly done attempt, there weren’t any characters which appeared between the two shows.
      The one exception was the in-joke character Jose Chung, but he could be considered a multiversal anomaly (considering the content of the episodes in which he appeared for both TV shows).
      The two shows are just too distinct to feel that they could have coexisted in the same universe (until the official crossover episode, which was simply Chris Carter’s fan service).

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    3. It's funny, Jack -- after writing my reply to your comment last week, I thought more about that NOVA/FANTASTIC FOUR business. About a decade (or more) ago, marvel put out a trade called FANTASTIC FOUR: IN SEARCH OF GALACTUS. Written by Marv Wolfman, drawn mostly by John Byrne -- I decided to give it a read, and I was a little taken aback by the amount of Nova-centric stuff in those stories! In places, it felt like the FF were taking a backseat to Nova's storyline.

      I have no problem with comics picking up plot threads from cancelled series, other than -- as I noted above -- the slight hubris I feel when writers do it -- but the story of the cancelled character should not override the stories of the stars of the title!

      (Though of course I say that as someone who thought he was sitting down to read a Fantastic Four story and wound up reading a Nova story. In the case of Warlock, I love, love, LOVE Jim Starlin's saga, and I have no problem at all with Warlock and Thanos overtaking the Thing and the Avengers in those two annuals!)

      I was never into the X-FILES, but you guys made me think of another TV example (sort of)... THREE'S COMPANY spun off THE ROPERS, and then when THE ROPERS was cancelled after (I think) two seasons, Stanley and Helen came back to THREE'S COMPANY for one final appearance before vanishing entirely. Maybe not the same thing, as being characters in an episodic sitcom in the 1970s, they really had no "loose ends" to tie up -- but it did feel like the shows' creators trying to give them a bit of a sendoff after their unexpected cancellation.

      I still remember watching that episode in syndication as a kid and having my mind blown by the Ropers and Mister Furley appearing in the same episode. It was like worlds colliding!

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  2. It seems like Marvel Team-Up and Marvel Two-In-One became, de facto, the place to wrap up canceled series/characters’ stories. It wasn’t the sole outlet, but it seemed to have a higher percentage of this occurring.
    Which, it is a handy place for such, seeing as you can easily find a way to shoehorn in a character like Skull or the Golem for a random issue.

    Not only did Wolfman attempt to wrap up his outstanding ongoing plot for Nova haphazardly during his FF stint, but the story of Nova was completed, for a time, by Bill Mantlo in the pages of ROM.

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  3. There’s a curious history of comics referring to actual time elapsed when characters are brought back after not having been seen for years — and I’m not talking, like, Golden Age revivals — instead of keeping with the compressed timelines we expect in ongoing series, even if the characters are implicitly tied in some way to ones seen in continuing publication. I don’t see any reason why two years couldn’t have passed since we met the quartet in Skull #1, as the book wasn’t tied to the wider Marvel Universe that I recall, but I agree that if that’s really the case then the situation we find them in sure makes it looks like they were trapped in a repetitive, uninspired limbo. Which is particularly amusing given how much bat$#!% stuff went down in the short-lived series itself.

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    1. Yeah, I agree that in theory it's possible for two years to have elapsed since SKULL #1 -- if only Wolfman hadn't picked the characters up in pretty much the exact place where we last saw them! That, combined with the ultra-compressed timeline of the series' eight issues, are really my only... issue... with the idea.

      (I don't even think it's at odds with "Marvel Time" in this case, since the events of SKULL had zero interaction with the rest of the Marvel Universe, so there were no temporal benchmarks to judge anything by!)

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    2. I’m just upset that we never got a scene of… [looks up #8 for reference]… Cochran having the Incas build a telescope to scan the skies for new arrivals or a portal capable of sending him back to the outside world only to catch a quick glimpse of Winston Churchill.

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