MAY 2025 - I DON'T WATCH TV ANYMORE

At least not like I used to. I grew up watching TV. As a child, I was enamored with my Saturday morning and weekday afternoon cartoons, as you might expect. Everything from HE-MAN AND THE MASTERS OF THE UNIVERSE, THUNDERCATS, and TRANSFORMERS to SUPER FRIENDS to THE SMURFS and GARFIELD AND FRIENDS. I also followed the adventures of THE DUKES OF HAZZARD and THE A-TEAM in live action. I watched TV all the time through elementary school, high school, and college. I took in the TV shows my parents grew up with via "Nick at Nite" and weekday syndication (I have very specific memories of watching THE ANDY GRIFFITH SHOW anytime I was home sick during elementary school). There were the TGIF sitcoms on ABC (PERFECT STRANGERS was always my favorite). Must-See TV on NBC. STAR TREK: THE NEXT GENERATION and DEEP SPACE NINE during the nineties "Golden Age" of first-run syndication. In terms of animation, you had BATMAN: THE ANIMATED SERIES, X-MEN, and SPIDER-MAN on Fox Kids when I was in middle school and high school. Then DRAGON BALL Z and GUNDAM WING, among many others, on Toonami during college and beyond.

Then the early twenty-first century brought me THE OFFICE, PARKS AND RECREATION, 30 ROCK, MODERN FAMILY, and more in the comedy genre, as well as 24, PRISON BREAK, LOST, and a slew of other network dramas with a similar serialized feel. In a way, these were -- to me, at least, someone who didn't watch the pay cable channels like HBO and Showtime -- the precursors to "prestige" or "peak" television. Which I'm not sure why we call it that; it was never all good -- but by the later part of the 2000s, I was watching it. I was engrossed with MAD MEN, BREAKING BAD, and THE WALKING DEAD on AMC, and JUSTIFIED on FX, as well as -- having finally gotten an HBO subscription -- BOARDWALK EMPIRE and GAME OF THRONES.

I watched a lot of TV around that time, in the aughts and into the teens. And I liked most all of it. MAD MEN is one of my all-time favorite television experiences ever. I love that show; at the risk of a little hyperbole, I'd even say that I cherish it (or at least I do the first three seasons; I find that my interest plummets the further the narrative moves into the sixties). Likewise, JUSTIFIED, which I adored. GAME OF THRONES was great for the first several years. BREAKING BAD was amazing, but not something I'm particulary attached to; I can't really ever see myself watching it again. And I will never understand how THE WALKING DEAD became the cultural juggernaut that it remains to this day. I gave up on that one a few seasons in; it was too dark and depressing for me. The final scene I ever watched was when a certain baseball bat connected with a certain beloved character's face, and I never looked back (though I did often question why I had even stuck with it for that long, in hindsight).

SECRET AGENT X-9 PART 3

APRIL 21ST, 1935 - July 27TH, 1935
JULY 29th, 1935 - SEPTEMBER 21ST, 1935
SEPTEMBER 23RD, 1935 - NOVEMBER 16TH, 1935
By Alex Raymond w/Leslie Charteris

X-9 parts ways with his sidekick, Sidney George Harper Carp, as this arc begins. Carp is headed "down south" to look into some investments, while X-9 returns to Washington for a new assignment. And thanks to the departure of Dashiell Hammett, it feels like a new beginning for the strip. Immediately, Alex Raymond rectifies some of Hammett's prior mistakes. For one thing, we finally actually see X-9's boss, "the Chief", showing at long last that our hero really does report to someone in the government. The Chief takes statements from some Texas Rangers who are on the trail of a group of bank robbers called the Iron Claw Gang, and a young man they kidnapped, Philip Shaw -- the son of a banker who was killed in a robbery.

In Texas, X-9 learns that the robbers are after some untapped oil mines which Shaw and his father owned. But Shaw doesn't know where they are -- however, he tells the robbers that there's a map hidden in the bank. Carp returns around this point; through sheer coincidence he happens to be in the vicinity of the robbery. X-9 also has an assistant for this case, a beautiful Federal agent named Ruth Meredith. It's kind of funny; every storyline so far has featured an attractive girl -- but unlike, say, the Spider-Man strip, where Peter Parker would be floored by every chick he met and frequently wind up making out with them, X-9 remains entirely chaste at all times. It's like the strip wanted to introduce a new love interest in each arc, but couldn't actually do anything with them due to the moral standards of the time. It's weird.

That said, young Phillip Shaw does fall for Ruth when she and Carp show up to save him from the gang, and the two become a duo for the remainder of the storyline, jumping in and out of trouble at every turn as they try to reunite with X-9. (Which, by the way, is kind of refreshing to see in something from this era. Ruth comes across as a pretty confident and capable operative, not needing to be rescued by anyone -- and in fact doing some rescuing herself -- as she tries to protect Phillip.)

SECRET AGENT X-9 PART 2

DECEMBER 17TH, 1934 - MARCH 9TH, 1935
MARCH 11th, 1935 - APRIL 20th, 1935
By Dashiell Hammett & Alex Raymond

Secret Agent X-9's next storyline is easily the most 1930s-ish piece of fiction you'll ever find, if for no other reason that than it features a spunky newsboy named -- wait for it -- "Harmonica Slick" abetting our hero. The arc focuses on a girl named Jill, the center of a bitter custody battle between her working-class mother and her wealthy aunt. The aunt had previously disowned her son for marrying a simple factory worker, but now that he's dead, she wants the fruit of his loins to raise in a life of privilege. But naturally, Jill's mom would like to keep her daughter.

Enter X-9 (still going by the name of Dexter, though he made clear in the very first story arc that it was merely one of may aliases he's used). For reasons never explained, he arrives to sit in the gallery at the hearing -- and it's fortunate that he does, for Jill is soon kidnapped by mobsters working for the notorious "Rocks Greer". Greer wants to hold the girl for ransom, and X-9 sets off on the crook's trail with Harmonica Slick by his side. Eventually, after several harrowing chases and narrow escapes, X-9 catches up with the criminals and rescues Jill -- but Greer escapes.

I can't say there's much to write home about here. The story is fine, and I'm sure it was probably of more interest to the people of 1934, since from what I've gathered over the years, they ate this sort of thing up (orphans and kids playing the harmonica, I mean). But, as with the prior two storylines, it's pretty unspectacular. Indeed, thus far the only saving grace to the strip has been Alex Raymond's artwork. I mentioned last time that I'd discuss it this week, so let's do so now.

SECRET AGENT X-9 PART 1

JANUARY 22ND, 1934 - SEPTEMBER 11TH, 1934
SEPTEMBER 12TH, 1934 - DECEMBER 15TH, 1934
By Dashiell Hammett & Alex Raymond

Secret Agent X-9 begins his newspaper run in grand fashion, with a storyline that runs over nine months and sees him tangling with a local mob as he works to solve the murder of a wealthy magnate.

Strangely, I'm not sure yet exactly what X-9 is supposed to be. I mean, obviously he's a secret agent. He spends this storyline going by the name of "Dexter", but he mentions more than once that it's an alias and says at one point that he's used so many names, he doesn't remember what his real one is. He reports to a mysterious "Chief" and a quick flash of his ID is all it takes for the cops to immediately snap to attention and begin taking orders from him.

It all adds up so far, right? He's clearly some kind of super G-Man with top security clearance. But if that's the case, then why does the soon-to-be-murdered Mister Tarleton Powers ring him up at home and ask him for protection like he's a common private detective? Is that part of his cover? It's never explained. But in any case, it's a good thing this random old guy does call our protagonist, because he's quickly swept up in the murder investigation, which leads him to uncover a plot by local gangsters, led by "The Top", to hijack a shipment of gold bullion coming into the United States.

SECRET AGENT X-9

Reading all those Spider-Man newspaper strips has me in the mood to keep going along those lines, so I've grabbed a small stack of books that has been sitting in my bookcase, unread, for a few years now: the adventures of SECRET AGENT X-9 (a.k.a. SECRET AGENT CORRIGAN).

I'll forgive you if you've never heard of this strip. I hadn't heard of it either, until I began researching Alex Raymond when I reviewed his ten-year run on FLASH GORDON back in 2017. It seems that around the same time he was drawing Flash's Sunday adventures on the planet Mongo, Raymond also illustrated another strip for the King Features Syndicate. This one, a detective serial, ran as a daily strip, and Raymond drew it from its inception in January of 1934 up through October of 1936. (The decade on Flash also started in January of '34.)

Surprisingly, the first X-9 storyline is written by none other than Dashiell Hammett, of THE MALTESE FALCON fame, among much more. According to the foreword in IDW's collection of the vintage X-9 strips, Hammett had repeated disagreements with King Features about the strip, while Raymond often found himself unhappy with Hammett's scripts. So when Hammett finally departed the series, Raymond himself took over as writer for the remainder of his run.

SECRET AGENT X-9 didn't end with Raymond's departure, however. The strip continued until it was cancelled in 1996! I have no idea why I had never heard of it until just a few years ago, but there you have it. It doesn't appear much of the strip is reprinted outside of Raymond's work, though, aside from one very big exception: IDW has also collected thirteen more years of the strip, 1967 through 1980 -- a run written by Archie Goodwin and drawn by Al Williamson.

As a huge fan of the Goodwin/Williamson STAR WARS newspaper strip*, which I read in its rejiggered comic book format and reviewed here way back in 2014, this little tidbit was a revelation to me, and I eagerly grabbed all five of IDW's volumes collecting that run, right around the same time I picked up the Raymond book. Like I said up top, I've had these volumes sitting on my shelf for for about three years now, and I've finally decided to read them.

And to think I never would've known about any of this if it weren't for Flash Gordon! (Indeed, I kind of love weird interconnected coincidences like this. FLASH GORDON was part of George Lucas's inspiration for STAR WARS. The STAR WARS newspaper strip introduced me to the Archie Goodwin/Al Williamson team. I read FLASH GORDON because I knew it inspired STAR WARS. And because of FLASH GORDON, I discovered that Goodwin and Williamson had collaborated on another strip. It's not exactly what you'd call full circle -- more like "full zig-zag" -- but I like it.)

So, for the next several weeks starting Monday, we'll delve into the world of SECRET AGENT X-9 circa 1934-1936, followed by the renamed SECRET AGENT CORRIGAN adventures from 1967 - 1980. (And fret not if this sort of thing isn't your cup of tea -- I'm fully aware that it's sort of a niche thing and most readers come here for super hero stuff. Well, good news -- in just about three or four more weeks, I'll be ready to announce the triumphant return of regular, ongoing Friday posts, which will cover some Marvel material -- though not necessarily in the way you might expect!)

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* For the chronologically inclined, Goodwin and Williamson started their team-up on the STAR WARS strip in 1980 -- so they jumped straight from CORRIGAN to STAR WARS without missing a beat, and their newspaper strip partnership therefore lasted for a whopping seventeen years, up to the STAR WARS strip's cancellation in 1984.

FLASH GORDON PART 10

“TRIUMPH IN TROPICA”
by Alex Raymond & Don Moore

And now we reach the finale of Alex Raymond’s ten-year run on FLASH GORDON. When last we left our heroes, Flash and Dale had made their way into Tropica’s capitol with the assistance of an elderly woman named Tartara and her perennially shell-shocked son, Timor.

Timor quickly turns coward and tries to hand Flash and Dale over to King Brazor’s secret police, but our heroes escape with the assistance of a criminal named Trico. Trico introduces Flash to the Underground, a resistance group working against Brazor. Flash quickly assumes command of the Underground. Meanwhile, Brazor plots Desira’s execution. Flash and Trico work to rescue her, even as news from the front lines comes in: the army of Gundar, which had lain siege to the capitol, has been wiped out.

Amid all this, a female member of the Underground, Gypsa — a beautiful dancer — has made clear her lust for Flash. But, in a surprising twist, there’s no zany misunderstanding on anyone’s part. Flash shuts Gypsa down, Dale retains control of her emotions, and Gypsa — after a brief flash of anger — takes it all in stride, continuing to assist Flash in his mission. It’s all quite refreshing.

FLASH GORDON PART 9

“JUNGLES OF MONGO” | “FIERY DESERT OF MONGO” | “BATTLE FOR TROPICA”
by Alex Raymond & Don Moore

“Jungles of Mongo” is a relatively short arc compared with Flash’s other recent adventures. It picks up, naturally, directly where “Queen Desira” left off, with Flash, Dale, Zarkov, and Desira having escaped Prince Brazor’s castle into the jungle of Desira’s kingdom. They fight off wild animals and make their way through a bizarre underground cavern where gravity is flipped in reverse, before finding an outpost of Desira’s army. There, they’re nearly turned over to Brazor, who has convinced Desira’s subjects that she died and that anyone claiming to be her is an imposter, but manage an escape into the “Fiery Desert of Mongo”.

This story arc opens with Flash and company fighting against nature in Mongo’s harshest locale yet. The desert presents a dragon, a lava river, and even a “waterfall” of fire as obstacles for the group. Eventually, low on water and supplies, their mounts dead from heat and exhaustion, things look bad for our heroes — until they’re found by a bandit king named Gundar.

This leads into yet another pastiche for Raymond to explore. It’s not quite as overt as some of the previous ones, but the castle inhabited by Gundar and his men carries a sort of “Arabian Knights” vibe. Gundar proves to be an honorable villain as, even while openly planning to turn Flash and Desira over to Brazor, he has the prisoners looked after by his personal physician, fed, and quartered in some very nice guest rooms.

FLASH GORDON PART 8

“RETURN TO EARTH” | “QUEEN DESIRA”
by Alex Raymond & Don Moore

At the end of “The Fall of Ming”, Zarkov picked up signals from Earth and learned that the planet was in the throes of a new World War (though it’s not the World War II that was raging when Alex Raymond crafted these stories; rather it’s a fictionalized war against something called the Red Sword). Seeing his homeworld in danger, Flash had Zarkov and the scientists of Mongo build a ship to take him home, and he, Dale, and Zarkov boarded the craft with advanced Mongo weaponry to aid in the good fight.

“Return to Earth” opens as our heroes splash down in the Atlantic Ocean, where they’re picked up by an American ship and brought back to Washington. Though the government has doubts about their stories of Mongo, our heroes are turned over to an old colleague of Doctor Zarkov, named Grubich, for care.

For the first time, a fairly large plot hole emerges in the otherwise mostly cohesive FLASH GORDON narrative. Though there have been minor hiccups here and there, nothing has been as overt as this: when the strip debuted in 1934, Earth was in a panic because the planet Mongo was hurtling toward it. Zarkov was a world-renowned scientist who developed a rocket he believed could move the incoming planet off course. As we know, Zarkov was successful -- but the rocket crash-landed on Mongo instead, marooning Zarkov, Flash, and Dale there for quite some time.

Now, as we return to Earth, it seems the world has forgotten Mongo ever existed. Besides that, the government appears to have no idea who Zarkov is despite his earlier fame. Plus, as we’ll soon learn in the subsequent story arc, Mongo is apparently nowhere near Earth, and it’s quite a long journey to get back there!

FLASH GORDON PART 7

“POWER MEN OF MONGO” | “FALL OF MING”
by Alex Raymond & Don Moore

Following a year’s worth of strips set in Mongo’s frozen northlands, Alex Raymond returns Flash and Doctor Zarkov to more familiar surroundings as they join up with the surviving members of Flash’s Freemen (a group which hadn’t been seen in well over a year at this point!) and head into Mingo City with plans to rescue Dale.

Interestingly, Frigia was left in sort of a state of flux by these developments. A love triangle had popped up between Flash, Dale, and Queen Fria, but Dale was soon kidnapped and Flash set out immediately to rescue her. Typically when Raymond has moved Flash from one locale to another, he’s wrapped up loose ends before doing so. Running things this way, leaving us uncertain as to whatever happened with Fria following Flash’s departure, is an unusual way to go, but is also probably more realistic than Flash tying everything up with a bow everywhere he stops.

At any rate, Flash has moved on from Frigia’s politics and so will we. Following a botched attempt to rescue Dale, Flash and Zarkov meet up with the “Power Men” who operate Mingo’s electrical systems and who promptly join up with Flash in his rebellion. Operating out of the Power Men’s underground electrical works, Flash and Zarkov succeed at their second attempt to save Dale from Ming, and we even get to see Zarkov join in the action as he rescues Flash and Dale, unconscious, from Ming’s forces at one point.

FLASH GORDON PART 6

“THE TYRANT OF MONGO” | “ICE KINGDOM OF MONGO”
by Alex Raymond & Don Moore

“The Tyrant of Mongo” is less a single story arc than a bundle of smaller plots joined together by the overarching theme of Ming as Flash’s main antagonist. Though Ming has obviously always been involved in the ongoing saga, and even encountered Flash face-to-face multiple times, and although he has waged war against Flash’s kingdom, of Kira, deposing our hero and sending him into hiding, this may be the first time Ming brings his full hatred to bear on our hero in a nonstop series of conflicts.

Having been expelled from their underground catacombs by Ming’s floodwaters, Flash, Dale, Zarkov, Sonja, and a few of the freemen wander ashore on an island which houses the tombs of Mongo’s nobility. They befriend the cryptkeeper and soon begin waging a guerilla war against Mingo City from their new secret base. Flash leads a raid to sink several of Ming’s “rocket submarines” while they’re sitting in port, but hijacks one such craft for himself after winning its crew over to the cause of the freemen.

Subsequently, Ming makes a trip to the island to inter his uncle (who Ming himself has had executed for plotting against him). The Freemen attack, leading to one of the most iconic scenes in all of FLASH GORDON lore (so iconic that even I, who knew essentially nothing about Flash coming into this series, was aware of it): Flash faces Ming in a saber duel. Ming is ultimately captured and his forces driven off, and Raymond and Moore continue to deepen their characterization of Mongo and its people, as we meet an honorable commander in Ming’s army, Lin-Chu, who parlays with Flash and even considers him a worthy foe.

FLASH GORDON PART 5

“OUTLAWS OF MONGO”
by Alex Raymond & Don Moore

When last we left Flash Gordon and friends, the villainous Grombo had escaped from Barin’s forest kingdom despite our heroes’ best efforts. As the “Outlaws of Mongo” story arc opens, Grombo is found in the neighboring desert land by some of Ming’s people — and Alex Raymond continues to play with various pastiches by presented Ming’s desert warriors as, essentially, Foreign Legionnaires.

Grombo brings word that Flash, missing in action since Ming conquered his cave kingdom, is still alive and living in Barin’s castle. When Ming gets wind of this, he demands Barin turn Flash and Dale over to him, but Barin refuses. Flash, realizing Ming won’t rest until he’s captured, leaves Barin’s kingdom under cover of night, and when Ming calls Barin again, the prince declares that he honestly does not know where Flash is.

But Flash’s mistake was in leaving Dale behind. Ming quickly changes gears and demands her instead, planning to use her as bait to capture Flash. When Barin refuses this request as well, Ming declares war on the treetop kingdom. Flash, in the desert, sees Ming’s forces marching on Barin and does his best to stop them, but in the end he’s captured. Ming calls off his invasion of Barin’s realm as Flash is brought before him and sentenced to death.

FLASH GORDON PART 4

“FOREST KINGDOM OF MONGO” | “TUSK-MEN OF MONGO” | “BEAST MEN OF MONGO”
by Alex Raymond & Don Moore

One of the things I like about these FLASH GORDON strips — and I’m certain something Alex Raymond probably enjoyed as well — is that the setting of Mongo allows Raymond to send our heroes off into all manner of different locales and environments. We’ve seen Ming’s city, a tribute to the splendor of ancient Rome, while Ming and his people clearly draw inspiration from “the mysterious Orient”. There was the futuristic city of Hawkmen as well, not to mention the caverns of Flash’s short-lived kingdom of Kira. Now we move into King Barin’s forest kingdom, which actually comes across more like a jungle and allows Raymond to cast Flash as a Tarzan stand-in for several weeks.

I suppose some could call this a cheat — Raymond has decided his strip will feature the best of all worlds and so, rather than doing something in the vein of PRINCE VALIANT and being stuck forever in the middle ages, he can venture into that genre for a while, then within a couple weeks dip his toe into science fiction instead. Personally, I just think it’s a canny move on Raymond’s part: by setting his story on a world where all these genres exist side-by-side in a huge mash-up, he’s ensured that he’ll never get bored with his premise since his premise can be literally whatever he wants it to be from story arc to story arc!

So: following their escape from Ming in the previous arc, Flash, Dale, and Zarkov are shot down by the warlord’s air force while en route to Barin’s kingdom. They brave the wilds, but Zarkov is set upon by a group of rabid squirlons and descends into madness even as Ming’s forces firebomb the area where our heroes’ ship crashed. The end result is that Zarkov staggers away, rambling, under the impression that Flash and Dale are dead. Eventually he runs across a group of Barin’s men, out searching for the group, and tells them exactly that.

FLASH GORDON PART 3

“AT WAR WITH MING” | “UNDERSEA KINGDOM OF MONGO”
by Alex Raymond & Don Moore

Following from the prior story arc, which saw Flash finally installed as King of the cavern land of Kira, Flash receives a note from Ming in which the emperor says he doesn’t believe Flash won over Queen Azura, and the despot will not recognize Flash as ruler of Kira until he executes her. Flash, being a careful, level-headed ruler, immediately declares war on Ming for this outrage.

…Look, I know this is an action/adventure serial, and as such, there should be some form of action and/or adventure every week, but Flash seems way out of line here. And we’ve seen this impetuous, impulsive side of oour hero before, but it’s usually in the heat of the moment as he’s forced to come up with a game plan on the fly or something. But here he’s won his freedom from Ming, he’s tamed his kingdom, and he’s more or less dropped off the merciless warlord’s radar. You’d think he might want to lay low for a while and build up his strength before racing into a foolhardy war against the emperor of the world!

But such prudence is not the way of Flash Gordon, so a war begins. Ming marshals the various kingdoms of Mongo loyal to his banner, while Flash receives aid from King Vultan and the Hawkmen, plus Prince Barin (now wearing a spiffy Robin Hood getup since becoming ruler of Mongo’s tree kingsom) and his forces. Unfortunately none of these are enough to save Flash from the treachery of Aura, who — though she has apparently settled into her role as Barin’s bride — still harbors loyalty to her father. Aura gives away Flash’s battle plans to Ming, who wipes out his army and takes him captive.

FLASH GORDON PART 2

“TOURNAMENTS OF MONGO”
“THE CAVERNS OF MONGO” | “WITCH QUEEN OF MONGO”
by Alex Raymond & Don Moore

In the climax of the previous story arc, Doctor Zarkov’s scientific acumen saved the city of Hawk Men from plummeting to the surface of Mongo, thus winning Flash and company the eternal gratitude and friendship of King Vultan, ruler of the Hawk Men. As the “Tournaments of Mongo” arc opens, Ming arrives in the floating city to take back his bride, Dale — but Vultan declares Dale under his protection and proposes a contest to determine the freedom of both her and Flash. Ming agrees and begins the “Tournament of Death”.

Though it’s not exactly spelled out in narration, it seems that the tournament is intended for those people of Mongo with nothing to lose in life: convicts, the poor, etc. The rules are simple: any number of contestants enter, and following a series of challenges, there can be only one living victor. The champion may then select a woman of his choice as his bride, and will be awarded one of Mongo’s kingdoms to rule.

In addition to Flash, the rebel Prince Barin also enters the tournament, disguised with a mask. We learn over the course of the challenges that Barin is in love with Ming’s daughter, Princess Aura, and that he is the rightful ruler of Mongo, a position Ming somehow usurped from him. In the end, it’s down to Flash and Barin, and when the prince is unmasked, the people of Mongo cheer for both of them to win the tournament. Backed into a corner by this overwhelmingly popular support, Ming allows both men to live. Flash chooses Dale as his bride, while Barin picks Aura. Ming awards the men their kingdoms, two of the planet’s most untamed: Barin will rule the Forests while Flash will have the Caverns.

FLASH GORDON PART 1

“ON THE PLANET MONGO” | “MONSTERS OF MONGO”
by Alex Raymond & Don Moore

These initial FLASH GORDON strips, comprising nearly the entire year of 1934 — January 7th through November 18th — introduce us in very quick order to our hero and his situation. And I mean very quick order. The first strip presents us with the news that a newly discovered planet is hurtling toward Earth, and the world’s preeminent scientific mind, Doctor Hans Zarkov, is working to knock it off course. We then meet renowned Yale polo star Flash Gordon and his girlfriend, Dale Arden, aboard an airplane which is struck by a meteor presaging the larger planet’s impact. They bail out, conveniently landing near Zarkov’s lab, and the addled scientist forces them aboard his rocket at gunpoint, then takes off on a collision course with the mystery planet.

I'll repeat: that's all one strip — thirteen panels! Fortunately, subsequent installments are a bit more reasonably paced, and really, it's easy to realize why the story needs to begin in such a seemingly rushed fashion. This isn't a twenty-some page comic book or a novel or a half-hour TV show or a two hour movie. It's half a page in the local newspaper, and it's the very first installment of a new feature. Once the strip is established, it can afford to be more leisurely with its storytelling, but in order to get that far, it needs to hook new readers immediately, and so we wind up with the above.

So — Zarkov’s plan is a success and the other planet, Mongo, is diverted from its crash-course with Earth. But Zarkov himself perishes when his rocket crashes, and Flash and Dale find themselves marooned on Mongo. What follows is a long and winding serial which sees the pair captured, separated, recaptured, escaped, and more, in a series of non-stop, genuinely exciting cliffhangers which introduce them to the varied species which call Mongo home.

THE SUMMER OF FLASH GORDON

Though he worked in comic strips for years before launching FLASH GORDON and had another successful strip, RIP KIRBY, for a decade after FLASH ended until his untimely death in 1956, I think it's generally agreed that FLASH GORDON was Alex Raymond's magnum opus. The character's adventures have been translated into other languages and adapted into movie serials, comic books, novels, big screen motion pictures, animated cartoons, and television series. FLASH inspired STAR WARS, for Pete's sake! And virtually all the adaptations draw their inspiration from Raymond's decade on the strip over any of the other material presented in its sixty years of existence.

As I discussed last weekend, lately I've been big into newspaper action/adventure comic strips, and I decided to write about one this year. SHATTUCK this past Friday was a warm-up for this: ten weeks looking at Alex Raymond's full original run on FLASH GORDON. I'll be using Titan Books' hardcovers for this project, and each post will cover between one and three story arcs. (The original strips weren't identified by story arc titles so far as I know, but in the intervening decades, the various plotlines have been divided up into arcs which seem to be universally agreed upon by one and all.)

Beginning this Friday, we'll travel to the myterious planet Mongo with renowned Yale polo star Flash Gordon, his girlfriend Dale Arden, and their trusty ally, Doctor Hans Zarkov. I hope you'll be along for the ride, too.

Available on Amazon: Volume 1 | Volume 2 | Volume 3

CUCKOO FOR COMIC STRIPS

For some reason, lately I've been almost infatuated with newspaper action/adventure strips of yore. If you'll pardon several paragraphs of self-indulgence, I'm going to try to figure out exactly how I got to this point.

I think I can pinpoint the kernel of when it started, at least. At some point about five or six years ago, I was, "researching" sword-wielding barbarian gals in the mold of Red Sonja (as you do), and I came across a character named Axa, the heroine of a post-apocalyptic wasteland who starred in a strip for Britain's Sun newspaper back in the early eighties. The strip, created and illustrated by Enric Romero with scripts from Donne Avenell, had been released in the United States many years earlier, but those collections were long out of print. However I found some scans online and read nearly the entire Axa canon in short order. I really liked Romero's mostly realistic artwork in the black-and-white format, and I found the daily newspaper strip format pretty interesting. It didn't hurt that the strip was "mature" (i.e. juvenile) in nature, with the title character constantly losing her top in battle.

Somewhere around that same time, circa 2009/2010, Marvel released two volumes collecting the original Spider-Man newspaper strip run by Stan Lee and John Romita. However these books were panned by critics for their presentation of the material, so I skipped them -- but they stuck in my mind as something I might be interested in checking out someday. (And, as noted a while back, I have in fact gotten into these strips by way of IDW's more recent Library of American Comics reprints of the same material.)