ADVENTURE COMICS #435, 436, 437, 441, 442, & 443

”AS THE UNDERSEA CITY SLEEPS” | “THE KING IS DEAD; LONG LIVE THE KING!”
Story: Steve Skeates | Art: Mike Grell | Editor: Joe Orlando

“A QUIET DAY IN ATLANTIS”
Script: Paul Levitz | Art: Mike Grell | Editor: Joe Orlando

Déjà vu! I already wrote about these three issues of ADVENTURE COMICS a few years ago when I covered The Spectre by Michael Fleisher and Jim Aparo! But, even while the Spectre was the lead feature in the bimonthly series, Aquaman served for a time as his backup serial before eventually — as well see below — graduating to top billing.

Unfortunately these early Aquaman tales are nothing to get too excited about. I've known for years that Black Manta is Aquaman’s main villain; his Joker or Lex Luthor, of you will. But to read these stories, one would get the impression that he's the Sea King’s only antagonist! He appears in all three stories, and unfortunately they're all pretty pedestrian. And, mind you, this is partly Aquaman’s fault, as it’s established in the first story that when he captures Black Manta, he just tosses him back out into the sea rather than incarcerate him anywhere.

Anyway, I can only assume things will pick up moving forward; otherwise what's the point of collecting this stuff in a trade paperback?

WRATH OF THE SPECTRE: ADVENTURE COMICS #431, 432, 433, 434, 435, 436

The Spectre, created in 1940 by Superman co-creator Jerry Siegel, was revived in 1974 to headline DC's ADVENTURE COMICS anthology series. The Spectre's alter ego, NYPD homicide detective Jim Corrigan, was murdered by gangsters and returned to Earth by God's hand as an avenging ghost, on a mission to rid the world of all evil.

Legend has it that DC editor Joe Orlando was mugged, and decided afterward that he wanted a superhero who could operate outside the law and bring brutal vengeance down on criminals who had otherwise escaped justice. The dormant character of the Spectre was re-tooled to become the vehicle for Orlando's revenge fantasies, in a series written by Michael Fleisher and illustrated masterfully by Jim Aparo.