BATMAN #307 & #308

"DARK MESSENGER OF MERCY!"
"THERE'LL BE A COLD TIME IN THE OLD TOWN TONIGHT!"
Writer: Len Wein | Artists: John Calnan & Dick Giordano
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Julius Schwartz

As mentioned a couple weeks back, from this point forward, we'll be seeing a lot of Len Wein. He wrote BATMAN for nearly two years, covering issues 307 through 327. His run begins inauspiciously, though, with "Dark Messenger of Mercy". It seems (as glimpsed briefly in Wein's framing sequence to DETECTIVE COMICS #477), someone is wandering around, murdering Gotham City's vagrants and leaving gold coins to cover their closed eyes. Batman of course gets involved, visits Commissioner Gordon, meets a homeless community living beneath Gotham, and ultimately brings the killer to justice.

Wein throws in a twist and has Batman use some legitimate detective work to solve the case, so those are a couple of pluses in this tale's favor -- but overall, it's just kind of boring. It feels like a sub-par done-in-one from the early part of the seventies; something Denny O'Neil or Frank Robbins would've produced with the help of Bob Brown or Irv Novick. In fact, the only thing that helps this issue to not feel like such a one-off is Wein's introduction of a sub-plot. Specifically, Bruce Wayne learns in the story's opening pages that reclusive billionaire Gregorian Falstaff has bought Gotham's Ambassador Hotel and moved himself into the upper floors. The Falstaff plot will sporadically carry on (and on, and on) for the entirety of Wein's run, and not even be resolved until his successor, Marv Wolfman, takes over writing chores on BATMAN!

Bruce learns about Falstaff from his newly introduced right-hand man, a Wayne Foundation executive named Lucius Fox. Fox, here in his very first appearance, will prove to be Wein's most enduring contribution to Batman's mythos, appearing in several movie and TV spinoffs beginning somewhere around the early nineties with BATMAN: THE ANIMATED SERIES. He was, of course, famously portrayed by Morgan Freeman in Christopher Nolan's "Dark Knight" trilogy in the mid-00s.

DC SPECIAL SERIES #15 & DETECTIVE COMICS #481

As noted last time, we'll spend much of the next few months with Len Wein on BATMAN, but we will also look in once in a while at DETECTIVE COMICS, written (mostly) by Denny O'Neil. But first, we have an issue of DC SPECIAL SERIES which was cover dated for the same month as the second part of Wein's Clayface III story that we examined last week. Then, further down the page, we'll check out DETECTIVE COMICS #481 -- cover dated the same month as Wein's first issue of BATMAN, which we'll examine next week.

"I NOW PRONOUNCE YOU BATMAN AND WIFE!"
Writer: Denny O'Neil | Penciler: Michael Golden | Inker: Dick Giordano
Letterer: Milt Snappin | Colorist: Cory Adams | Editor: Julius Schwartz

FYI, this cover has nothing to do with the story we're about to discuss. DC SPECIAL SERIES was evidently an anthology of some sort, and the cover refers to a different tale within the issue.

Nearly seven years after he last wrote Ra's al Ghul, and with other writers -- such as Len Wein and Archie Goodwin -- having built on the al Ghul saga in the meantime, Denny O'Neil returns to his signature Batman villain. There's no Neal Adams this time, though the consolation prize isn't bad, as the great Michael Golden provides pencils.

O'Neil jumps straight into the action here, as Batman has a brief encounter with a petty hood on Gotham's streets, then returns to the Batcave, where his is immediately drugged and kidnapped by Talia and League of Assassins. The Caped Crusader awakens sometime later on Ra's al Ghul's yacht, just as the Demon's Head completes a wedding ceremony marrying Batman and Talia. Al Ghul leave the pair to consummate their union, but Batman knocks Talia out (by punching her in the face!) and then escapes the yacht via helicopter.