After a couple months off, The Unboxing returns with two books and a few digital items. First, from Marvel, it's the SENSATIONAL SHE-HULK BY JOHN BYRNE OMNIBUS. I own this run in four formats now -- original comic books, two trade paperbacks, digital versions of those trades, and now this Omnibus. I can't help it; I love Byrne's She-Hulk! Heck, if IDW was ever to offer an Artist's Edition of pages from this run, I'd buy that, too!
Which turns out to be a nice segue to our next book, from IDW: DAVE COCKRUM'S X-MEN ARTIFACT EDITION. Prior to buying this, I owned exactly one Artist/Artifact Edition, which hit The Unboxing just about two years ago, and that was the JOHN BYRNE'S X-MEN ARTIFACT EDITION... so you can see where my tastes lie. Further, since I don't buy these things very often, I went ahead and splurged on the signed and numbered limited edition, which has a "virgin" wraparound cover, as well as a Chris Claremont autograph. I did the same thing with the Byrne book a couple years ago -- it was a Comic-Con exclusive, signed and numbered by Byrne.
Showing posts with label Dave Cockrum. Show all posts
Showing posts with label Dave Cockrum. Show all posts
Friday, July 24, 2020
Friday, June 9, 2017
SHATTUCK
About three years ago, I wrote about Wally Wood's CANNON comic strip, which was published by the Overseas Weekly some decades back. Wood also furnished two other strips to the Weekly back then: the very well-known SALLY FORTH, and the much more obscure SHATTUCK. Last year, Fantagraphics Books, who published the CANNON collection in 2014, issued a hardcover for SHATTUCK as well. I had enjoyed CANNON and SHATTUCK's price was right, so I went ahead and picked it up.
SHATTUCK is a western strip, and while the division of labor isn't perfectly spelled out, it seems that it was masterminded by Wood and produced by his studio: written by Nicola Cuti and drawn at various points by Howard Chaykin, Dave Cockrum, Syd Shores, and Jack Abel, with contributions from Wood himself as well.
The book's afterword notes that the story behind the strip's creation, and the people who worked on it, is probably of more interest and importance than the actual strip itself, and that may well be true. SHATTUCK isn't awful by any means; but it's not exactly groundbreaking, either. It tells the story of Merle Shattuck, an outlaw who kills the sheriff of a town called Sundown and then goes on the run.
SHATTUCK is a western strip, and while the division of labor isn't perfectly spelled out, it seems that it was masterminded by Wood and produced by his studio: written by Nicola Cuti and drawn at various points by Howard Chaykin, Dave Cockrum, Syd Shores, and Jack Abel, with contributions from Wood himself as well.
The book's afterword notes that the story behind the strip's creation, and the people who worked on it, is probably of more interest and importance than the actual strip itself, and that may well be true. SHATTUCK isn't awful by any means; but it's not exactly groundbreaking, either. It tells the story of Merle Shattuck, an outlaw who kills the sheriff of a town called Sundown and then goes on the run.
Sunday, March 20, 2016
UNCANNY X-MEN OMNIBUS VOLUME 3
Hardcover, 2016. Collects 1982-84's UNCANNY X-MEN #154 - 175, X-MEN ANNUAL #6 & 7, SPECIAL EDITION X-MEN #1, MARVEL GRAPHIC NOVEL #5, WOLVERINE #1 - 4, and MAGIK: STORM AND ILLYANA #1 - 4.
I like the X-Men, for the most part, throughout their entire history (at least up to around 2001 or so when I stopped following them regularly). But there are some eras I only tolerate, and others I consider definitive. For me, the most definitive period in X-Men lore is UNCANNY X-MEN issues 94 - 175 (technically I prefer to include 176 as well, but I won't quibble if a collection spanning that stretch omits it). This volume completes that run for me, and if Marvel never produces another UNCANNY X-MEN OMNIBUS, I'll be content.
While it's the Chris Claremont/John Byrne material which is the heart of those eighty or so issues, there's plenty to enjoy beyond Byrne's departure. Dave Cockrum, who shepherded in the era of the "new" X-Men with Len Wein and then Claremont on writing chores, returned as series penciler with issue 145, and the first chunk of his second run was included in the second UNCANNY X-MEN OMNIBUS. As I discussed when I covered that book a couple years ago, once upon a time Marvel's Omnibuses followed a pretty strict routine of cramming a few previously published Marvel Masterworks volumes into one book and sending it off to the printers, with no regard to story flow. This resulted in UNCANNY OMNIBUS volume 1 ending in the middle of the "Dark Phoenix Saga".
Not so anymore! UNCANNY OMNIBUS 2 broke the trend and reprinted only a portion of the seventh UNCANNY X-MEN MASTERWORKS, stopping after issue 153. The reason, as we see here, was to avoid separating the long "Brood saga" into two books. With some interludes for other adventures, the Brood storyline runs all the way from UNCANNY 154 through 167! And, thanks to modern Marvel's more enlightened decision-makers, the entire epic is reprinted here.
I like the X-Men, for the most part, throughout their entire history (at least up to around 2001 or so when I stopped following them regularly). But there are some eras I only tolerate, and others I consider definitive. For me, the most definitive period in X-Men lore is UNCANNY X-MEN issues 94 - 175 (technically I prefer to include 176 as well, but I won't quibble if a collection spanning that stretch omits it). This volume completes that run for me, and if Marvel never produces another UNCANNY X-MEN OMNIBUS, I'll be content.
While it's the Chris Claremont/John Byrne material which is the heart of those eighty or so issues, there's plenty to enjoy beyond Byrne's departure. Dave Cockrum, who shepherded in the era of the "new" X-Men with Len Wein and then Claremont on writing chores, returned as series penciler with issue 145, and the first chunk of his second run was included in the second UNCANNY X-MEN OMNIBUS. As I discussed when I covered that book a couple years ago, once upon a time Marvel's Omnibuses followed a pretty strict routine of cramming a few previously published Marvel Masterworks volumes into one book and sending it off to the printers, with no regard to story flow. This resulted in UNCANNY OMNIBUS volume 1 ending in the middle of the "Dark Phoenix Saga".
Not so anymore! UNCANNY OMNIBUS 2 broke the trend and reprinted only a portion of the seventh UNCANNY X-MEN MASTERWORKS, stopping after issue 153. The reason, as we see here, was to avoid separating the long "Brood saga" into two books. With some interludes for other adventures, the Brood storyline runs all the way from UNCANNY 154 through 167! And, thanks to modern Marvel's more enlightened decision-makers, the entire epic is reprinted here.
Sunday, October 11, 2015
UNCANNY X-MEN OMNIBUS, VOLUME 1
Hardcover, 2006. Collects 1975-1980's GIANT SIZE X-MEN #1, UNCANNY X-MEN #94-131, and UNCANNY X-MEN ANNUAL #3.
Well that's pretty straightforward, isn't it? Long before the X-Men became a bloated franchise with a dozen or more titles on sale each and every month, there was simply UNCANNY X-MEN. (Technically back then it was just called X-MEN, but I'll call it UNCANNY throughout all collected edition reviews to avoid confusion with 1991's sister title, X-MEN.)
This is the first printing of the first edition of the UNCANNY X-MEN OMNIBUS. I believe the first edition had a second printing at some point, and there's a more recent second edition which has something like one extra model sheet in the back, but for our purposes I'm covering the original, released in 2006 when Marvel's Omnibus program was in its infancy. The physical descriptions at the end may not be of much help to anyone looking to pick up the current printing of this volume, but my coverage of the contents should be accurate to what you'd get if you went out and grabbed the second edition.
And what of the contents? Well, as I've said before, although the X-Men of the nineties are the X-Men I grew up with, and are technically "my" X-Men... the X-Men of the seventies through the early eighties are the X-Men, as far as I'm concerned -- and what we have here is a handsome collection of their earliest adventures.
Since there's only one series collected here, with one "giant size" issue and one annual, the contents are pretty straightforward: We begin with GIANT-SIZE X-MEN #1, then proceed with UNCANNY X-MEN issues 94 - 124, ANNUAL #3, and finally issues 125 - 131.
Well that's pretty straightforward, isn't it? Long before the X-Men became a bloated franchise with a dozen or more titles on sale each and every month, there was simply UNCANNY X-MEN. (Technically back then it was just called X-MEN, but I'll call it UNCANNY throughout all collected edition reviews to avoid confusion with 1991's sister title, X-MEN.)
This is the first printing of the first edition of the UNCANNY X-MEN OMNIBUS. I believe the first edition had a second printing at some point, and there's a more recent second edition which has something like one extra model sheet in the back, but for our purposes I'm covering the original, released in 2006 when Marvel's Omnibus program was in its infancy. The physical descriptions at the end may not be of much help to anyone looking to pick up the current printing of this volume, but my coverage of the contents should be accurate to what you'd get if you went out and grabbed the second edition.
And what of the contents? Well, as I've said before, although the X-Men of the nineties are the X-Men I grew up with, and are technically "my" X-Men... the X-Men of the seventies through the early eighties are the X-Men, as far as I'm concerned -- and what we have here is a handsome collection of their earliest adventures.
Since there's only one series collected here, with one "giant size" issue and one annual, the contents are pretty straightforward: We begin with GIANT-SIZE X-MEN #1, then proceed with UNCANNY X-MEN issues 94 - 124, ANNUAL #3, and finally issues 125 - 131.
Wednesday, October 7, 2015
POWER MAN AND IRON FIST #50
LUKE CAGE: a child of the streets… DANIEL RAND: a son of the mystic city of K’un-Lun… Two men from different worlds—both reborn with strength and power beyond belief! And together, no one can stop them!
The Plot: At Jeryn Hogarth’s luxury apartment, a party is held to celebrate Luke Cage’s exoneration. Misty Knight and Colleen Wing offer him a position with their company, Nightwing Restorations, but Cage declines. Moments later, Cage’s girlfriend, Claire Temple, breaks up with him, having been used as a pawn against Cage one time too many.
Cage’s heartbreak is short-lived as his old foes, Stiletto and Discus, crash the party. The vigilantes believe Cage has dodged the law and want him dead. Danny Rand changes to Iron Fist to assist Cage against his enemies. The fight heads outside, where Iron Fist is nearly killed. Meanwhile, Cage takes out Discus. The arrival of the police startles Stiletto, who shoots Lt. Rafael Scarfe. Believing Scarfe dead, Misty prepares to execute Stiletto, but Cage stops her.
Scarfe, alive, chastises Misty and then Cage, Iron Fist, and the Daughters of the Dragon enjoy some champagne in the ruined apartment as Cage accepts the offer to join Nightwing Restorations.
”FREEDOM!”
Author: Chris Claremont | Artists: John Byrne & Dan Green
Lettering: Denise Wohl | Coloring: Francoise Mouly | Editor: Archie Goodwin
Author: Chris Claremont | Artists: John Byrne & Dan Green
Lettering: Denise Wohl | Coloring: Francoise Mouly | Editor: Archie Goodwin
The Plot: At Jeryn Hogarth’s luxury apartment, a party is held to celebrate Luke Cage’s exoneration. Misty Knight and Colleen Wing offer him a position with their company, Nightwing Restorations, but Cage declines. Moments later, Cage’s girlfriend, Claire Temple, breaks up with him, having been used as a pawn against Cage one time too many.
Cage’s heartbreak is short-lived as his old foes, Stiletto and Discus, crash the party. The vigilantes believe Cage has dodged the law and want him dead. Danny Rand changes to Iron Fist to assist Cage against his enemies. The fight heads outside, where Iron Fist is nearly killed. Meanwhile, Cage takes out Discus. The arrival of the police startles Stiletto, who shoots Lt. Rafael Scarfe. Believing Scarfe dead, Misty prepares to execute Stiletto, but Cage stops her.
Scarfe, alive, chastises Misty and then Cage, Iron Fist, and the Daughters of the Dragon enjoy some champagne in the ruined apartment as Cage accepts the offer to join Nightwing Restorations.
Sunday, June 1, 2014
THE UNCANNY X-MEN OMNIBUS, VOLUME 2
Hardcover, 2014. Collects 1980-1982's UNCANNY X-MEN #132 - 153, UNCANNY X-MEN ANNUAL #4 & 5, AVENGERS ANNUAL #10, MARVEL FANFARE #1 - 4, material from MARVEL TREASURY EDITION #26 & 27, MARVEL TEAM-UP #100, BIZARRE ADVENTURES #27, and PHOENIX: THE UNTOLD STORY #1
A while back, when I listed by Top Twelve Comic Book Runs of All Time, UNCANNY X-MEN #94 - 176 made the number one slot. And since this book contains issues 132 - 153, I can't complain about what's between the covers... much. The inclusion of annuals and bonus content like AVENGERS ANNUAL #10, MARVEL FANFARE #1 - 4, and various short stories from BIZARRE ADVENTURES, MARVEL TREASURY EDITION, and MARVEL TEAM-UP are much appreciated -- in particular the Nightcrawler story from BIZARRE and the Storm/Black Panther adventure from TEAM-UP -- neither of which, to my knowledge, have been collected before (outside of the ESSENTIALS format for the latter, at least). The book also contains the letter columns from all included issues, which is always a nice touch.
However there is one glaring absence among these supplementary tales. I don't clamor for every little guest appearance to be included in these books. I don't like the flow of the main narrative to be interrupted that much. But I would argue that the X-Men's appearance in SPIDER-WOMAN issues 37 and 38 are integral to the group's continuity and would fit nicely among the issues presented here. That two-parter is written by Chris Claremont, the X-Men's regular writer, and is a direct lead-in to UNCANNY X-MEN #148, presented herein. It features X-villains Juggernaut and Black Tom Cassidy, and introduces Banshee's daughter, Siryn, to whom Banshee is introduced in 148. The story's exclusion from this book is an utter, inexcusable shame.
A while back, when I listed by Top Twelve Comic Book Runs of All Time, UNCANNY X-MEN #94 - 176 made the number one slot. And since this book contains issues 132 - 153, I can't complain about what's between the covers... much. The inclusion of annuals and bonus content like AVENGERS ANNUAL #10, MARVEL FANFARE #1 - 4, and various short stories from BIZARRE ADVENTURES, MARVEL TREASURY EDITION, and MARVEL TEAM-UP are much appreciated -- in particular the Nightcrawler story from BIZARRE and the Storm/Black Panther adventure from TEAM-UP -- neither of which, to my knowledge, have been collected before (outside of the ESSENTIALS format for the latter, at least). The book also contains the letter columns from all included issues, which is always a nice touch.
However there is one glaring absence among these supplementary tales. I don't clamor for every little guest appearance to be included in these books. I don't like the flow of the main narrative to be interrupted that much. But I would argue that the X-Men's appearance in SPIDER-WOMAN issues 37 and 38 are integral to the group's continuity and would fit nicely among the issues presented here. That two-parter is written by Chris Claremont, the X-Men's regular writer, and is a direct lead-in to UNCANNY X-MEN #148, presented herein. It features X-villains Juggernaut and Black Tom Cassidy, and introduces Banshee's daughter, Siryn, to whom Banshee is introduced in 148. The story's exclusion from this book is an utter, inexcusable shame.
Subscribe to:
Posts (Atom)





