PORTUGUESE MEDLEY | A SECOND OF ETERNITY
Artwork: Philippe Aymond | Colors: Sébastian Gérard | Script: Jean Van Hamme
Artwork: Philippe Aymond | Colors: Sébastian Gérard | Script: Jean Van Hamme
LADY S. book 5 begins with our heroine, now going by her birth name of Shania following her exile from the United States in the last volume, working as an interpreter at the European Parliament. But we learn in short order that she's actually there as an agent of CATRIG, which she has finally joined full-time. Her true purpose in this role is to draw out a Farik, Hassine, a known terrorist spotted in the area. And she does so, thanks to her roommate hooking up with his friend, leading to a double-date for Shania and Farik.
But the plot thickens when Shania's long-thought-dead father, Abel Rivkas, apparently resurfaces at the United States embassy in Lisbon. Shania heads there immediately with Ralph Ellington, the CIA field agent-turned-archivist who has popped up in most of her adventures, to confirm her father's identity. But unknown to Shania, Farik hid a disc in her handbag during their date when he saw the police nearby, anticipating that his friend, who had slept with her roommate, would be able to later retrieve it.
So the terrorists head to Lisbon as well, on Shania's trail to recover the disc. But Shania finds it in her bag and turns it over to the authorities before her meeting with the man who, indeed, turns out to be her biological father. What follows is a relatively light-hearted (for the most part) Lady S. adventure, as the CIA, working in conjunction with CATRIG for a change, easily outwits the semi-incompetent terrorists. The best analogy I can come up with is that this one feels like an episode of 24, if 24 was a dramedy. In fact, the nice balance of comedy with intrigue may very well make this my favorite Lady S. story to date.



