CONAN: THE DAUGHTERS OF MIDORA AND OTHER STORIES

I grabbed this digital volume in a sale when Dark Horse's Conan license ended a couple years ago. It contains a number of stories of varying length, which were originally published between 2004 and 2012. So without further ado, let's dive in!

"TROPHY"
Script by Tim & Ben Truman | Art by Marian Churchland
Letters by Brandon Graham

This eight-page tale is a short, light-hearted opening to the volume, but it's a nice showcase of what Conan is all about, hitting all the major marks. Conan, lugging a sack with him, wanders into a desert village and stops at a fancy inn for some refreshment. He regales the patrons with stories of how he acquired the various treasures in his bag, getting them drunker and drunker until they all pass out -- at which point he purloins their valuables and departs for the next inn on the road.

Like I said, it hits all the marks: Conan the wanderer, coming out of the desert to civilization. Conan the barbarian, as we see, through his stories, scenes in which he kills various powerful warriors through increasingly creative and violent means. Conan the carouser, drinking heavily and enthralling a roomful of revelers with his tales. And Conan the thief, making off with their belongings after his stories are done. If somebody knew nothing about Conan, this would be a nice little primer for the character -- which is possibly why it was placed first in this collection!

HE-MAN MINICOMICS 1983

"HE-MAN MEETS RAM-MAN!" | "THE ORDEAL OF MAN-E-FACES!"
"THE TERROR OF TRI-KLOPS!" | "THE MENACE OF TRAP JAW!"
"THE TALE OF TEELA!" | "THE MAGIC STEALER!" | "THE POWER OF... POINT DREAD!"

Writer: Gary Cohn | Pencils: Mark Texeira
Inks: Tod Smith | Colors: Anthony Tollin

Following from the first round of "storybook style" 1982 minicomics by Don Glut and Alfredo Alcala, 1983 brings the first MASTERS OF THE UNIVERSE pack-ins which can actually be called comic books. With Gary Cohn taking over writing chores from Glut, we also have Mark Texeira, who would come to prominence drawing GHOST RIDER in the nineties, turning in some of the earliest work of his career as artist.

Cohn and Texeira continue the setup established by Glut and Alcala, presenting Castle Grayskull as a mysterious edifice neutral to both good and evil, and giving us a fairly barren and lawless Eternia -- but they also provide glimpses of an established civilization, which the initial minicomics skipped. In 1982, a reader could've been forgiven for believing He-Man, Man-At-Arms, Teela, Skeletor, Beast Man, Mer-Man, and the Goddess were the only seven living beings on the planet. But now, thanks to Cohn fleshing out Glut's original vision, we see that's not the case.

The year's seven stories are mostly all devoted to spotlights on characters and/or vehicles introduced in 1983, with one minicomic explaining the origin of a 1982 character. The first outing, "He-Man Meets Ram-Man!", sees He-Man get into a skirmish with a bull-headed wanderer named Ram-Man. Skeletor then tricks Ram-Man into believing He-Man lives inside Castle Grayskull, and uses Ram-Man's power in an attempt to break into the fortress. But He-Man arrives and saves the day, and Ram-Man realizes he was in error when he took He-Man for an enemy. Right off the bat, this story gives us a look at the denizens of Eternia, as He-Man stops by a village during his journeys to save it from from a monster. We also see the Sorceress (alternately referred to as the Goddess in a couple of this year's tales), still depicted as Teela in her snake armor but presented as a different character, though she no longer has green skin as was the case in 1982.

PUNISHER ANNUAL #1

"EVOLUTIONARY JIHAD"
Script: Mike Baron | Pencils: Mark Texeira | Inks: Scott Williams
Letters: Jim Novak | Colors: Janet Jackson | Editor: Carl Potts
Editor-in-Chief: Tom DeFalco

The Plot: The Punisher has arrived in Bogota, Colombia, to take out a drug lord called El Caiman. But El Caiman's town is assaulted by "Eliminators" and Punisher saves the life of El Caiman's daughter, Lucinda, in the crossfire. She takes the Punisher back to her father's estate, where he meets El Caiman and agrees to a truce until the Eliminators are defeated. The estate comes under attack and El Caiman, Punisher, and Lucinda retreat to the drug lord's farm for their last stand. There, with El Caiman's full armory at his disposal, the Punisher defeats the Eliminators.

Their mutual foes gone, El Caiman turns on the Punisher and attempts to kill him, but Punisher turns the tables and blasts El Caiman's "fish tank", releasing his menagerie of deadly sea creatures, which kill the crime boss while Punisher spirits Lucinda to safety. As Lucinda mourns her father, Punisher leads her away from the farm.

Continuity Notes: None.

Circa 1988: El Caiman briefly questions whether the Punisher was sent by President Reagan, and a couple pages later the Punisher's internal monologue mentions Henry Kissinger.

Later, we see that El Caiman has stacks and stacks of VCRs in his hidden lair, and he's in possession of an anti-aircraft missile he got from the Iranians, who bought it from the Afghanis.