Script and Art: P. Craig Russell
Colors: Lovern Kindzierski | Letters: Galan Showman
Based on the story “The Jewels of Gwahlur” by Conan creator Robert E. Howard.
Colors: Lovern Kindzierski | Letters: Galan Showman
Based on the story “The Jewels of Gwahlur” by Conan creator Robert E. Howard.
As noted when I "digitally unboxed" it a few months back, I picked up 2005's CONAN AND THE JEWELS OF GWAHLUR in a Dark Horse Conan sale simply because the cover jumped out at me and the story sounded interesting. Plus, despite his long and distinguished career in comics, I'm pretty sure I had never read any sequential work by P. Craig Russell, and I wanted to rectify that. I've seen pinups by him and I've seen him ink other pencilers here and there, but when it comes to pure, unvarnished Russell as plotter, scripter, penciler, and inker, this story marks my first exposure.
(I mean, yeah, technically he's adapting an original work by Robert E. Howard, but you know what I mean.)
The story finds Conan, working as he often does in the capacity of a mercenary, as a general in the kingdom of Keshan. But his true purpose in the backwater nation is to steal its legendary treasure, a cache of jewels called the Teeth of Gwahlur. However Conan finds himself up against a rival in this quest, the sinister Thutmekri. When Thutmekri tells Keshan's king that peace with neighboring Zimbabwei could be achieved with some of the Teeth provided as a show of good faith, Conan realizes the villain's true plan, to get the king to reveal the location of the sacred jewels, and then steal them.
Conan takes advantage of Thutmekri's plot when the king sends his priests to the isolated and long-deserted city-temple of Alkmeenon, where they are to commune with its oracle, Yelaya, and, if necessary, bring back the Teeth of Gwahlur. Now knowing where the Teeth are hidden, Conan sets out ahead of the priests and reaches Alkmeenon before them.




