IRON MAN #115

The book I'm using for this review series was hyped as the complete IRON MAN run by David Michelinie and Bob Layton, but technically it is the IRON MAN BY DAVID MICHELINIE, BOB LAYTON, AND JOHN ROMITA JR. OMNIBUS. As such, the very first issue in the book is Romita's first as penciler, an issue before the arrival of Michelinie and Layton.

"BETRAYAL!"
Writer: Bill Mantlo | Embellisher: Dan Green
Letterer: Diana Albers | Colorist: Don Warfield
Editor: Roger Stern | Editor-in-Chief: Jim Shooter
And introducing the pulse-pounding penciling of John Romita Jr.

The Plot: The Avengers drop off Iron Man's unconscious enemy, the Unicorn, at Stark International in New York. After the Avengers depart, Iron Man reviews the Unicorn's history, then changes to his alter ego, Tony Stark, and departs for Manhattan to see his girlfriend, Whitney Frost. Along the way he is observed by a mysterious figure with plans to assassinate him.

When he reaches his penthouse, Tony is attacked by the Ani-Men, servants of Avengers' foe Count Nefaria. After the Ani-Men knock Tony out, Whitney reveals herself as Madame Masque, and states her plot to force Tony into curing Nefaria, her father, of an affliction she blames on the Avengers.

IRON MAN BY MICHELINIE & LAYTON

Years before Robert Downey Jr. made Iron Man and Tony Stark household names, there was one definitive portrayal of the Golden Avenger which fans held as the "iron" standard. In the late seventies, writer David Michelinie and artist Bob Layton arrived at Marvel and were assigned the IRON MAN series, joining incoming penciler John Romita, Jr.. Michelinie scripted while Layton inked and sometimes penciled, but both were credited as co-plotters.

I personally have little experience with this era in Shellhead's career. I first read IRON MAN regularly when the series was shunted into the "Heroes Reborn" universe in 1996 (yes, for all the derision it receives, "Heroes Reborn" really did accomplish its goal of bringing in new readers). I stuck with the series for a few years afterward, through the excellent Kurt Busiek/Sean Chen era and eventually gave up during Frank Tieri's term as writer in 2002 or so.

IRON MAN OMNIBUS, 2013

Via trade paperbacks, I have read some of the Michelinie/Layton run -- the "Demon in a Bottle" storyline and the famous Dr. Doom/Camelot 2-parter -- but that's it. Fortunately, to coincide with the release of IRON MAN 3 this past summer, Marvel finally saw fit to collect the full original Michelinie/Layton run in its entirety in a handsome hardcover Omnibus volume.

I picked up the Omnibus when it was released, but it was shuffled down my reading list a bit as I caught up on some other things (many of which you've read about here). But now the time has finally come to crack the book open and read, for the first time in full, this classic status quo-setting run on the invincible armored Avenger. Thus, my very first long-term single-issue-at-a-time review project will begin Wednesday and continue every Monday and Wednesday for about the next three months.

TRANSFORMERS: REGENERATION ONE #87

"NATURAL SELECTION, PART 2"

Writer: Simon Furman | Penciler: Andrew Wildman | Inker: Stephen Baskerville

Colorist: John-Paul Bove | Letterer: Chris Mowry | Editor: John Barber

Editor-in-Chief: Chris Ryall

The Plot: Scorponok brings the Autobot Headmasters, Highbrow, Hardhead, and Brainstorm, back online as Decepticons. Grimlock, now in his new body, then transports the Headmasters to Cybertron. The Autobots take Grimlock into custody upon his arrival, and when he is visited in his cell by Perceptor, he uses Scorponok's new C.N.A. re-encoder to turn the Autobot scientist into a Decepticon. Meanwhile, the Headmasters infiltrate Autobot capital city Iacon, clearing the way for Scorponok.

All of this is unnoticed by Hot Rod, who, after a brief meeting with Grimlock, heads beneath the surface of Cybertron, where a group of Autobots have located the tunnels which should lead them to the chamber housing Primus, the Transformers' god. However, the tunnels are populated by a group of robot-devouring monsters.

On Earth, Optimus Prime chooses to remain behind despite the humans' orders, and help them rebuild. He sends Ultra Magnus and the rest of his troops back to Cybertron. Meanwhile, Galvatron follows Starscream into the Ark, and Starscream leads him to Shockwave, somehow wired into the Ark's on board systems.

CLANDESTINE PART THREE - MARVEL TALES

MARVEL TALES BY ALAN DAVIS
TPB, 2012

In 2009, shortly following the conclusion of the CLANDESTINE: BLOOD RELATIVE limited series, Alan Davis began work on a trio of annuals for Marvel which would continue the Destines' story. Each of these annuals would headline a different Marvel character, and Destines would be supporting characters in each. The stories would be designed to be read individually if desired; however, if read together, the three annuals would tell one overarching ClanDestine tale.

All three annuals eventually saw release in 2012. The first, FANTASTIC FOUR ANNUAL #33, features the Thing and the Human Torch working with Dr. Strange to investigate the energy escaped from Vincent Destine's grave at the end of BLOOD RELATIVE. The Torch and the Thing are hurled back through time, where they encounter Vincent at various points in his life before finally witnessing his long-hinted death at his father's hands: Adam was forced to take Vincent's life when his reality warping powers ran amok.

CLANDESTINE PART TWO - BLOOD RELATIVE

CLANDESTINE: BLOOD RELATIVE
Premiere Hardcover, 2008

In 2008, twelve years after he had last visited the characters in X-MEN AND THE CLANDESTINE, Alan Davis returned to his creations for a five-issue limited series called CLANDESTINE: BLOOD RELATIVE. Interestingly, Davis treats this story as if is a direct continuation of the last stories from over a decade previous. Now, "Marvel Time" can allow for certain liberties to be taken with timeline compression, but it seems a bit odd to essentially continue a twelve year-old story as if no more than a month had passed between installments. This approach doesn't hurt Davis's efforts, mind you -- it just seems a strange creative decision.

The story is much of the same as the first time around -- in fact, the Destines find themselves battling the very same villain they fought in their first story arc, lo those many years past -- a character of Davis's creation called Griffin. In fact, Griffin's scheme here is a direct sequel to the very first CLANDESTINE issues, wherein he kidnapped the family. We learn now that he cloned them, and he sends those clones to exact revenge for his previous defeat.

WISHFUL THINKING

I'm not really into original comic art or commissions at all. I have a few sketches I've picked up at cons over the years for reasonable prices, but in general I'm priced out of the comic art market. Even if I had the money, though, I just think the prices fetched by original pages and high-end commissions are insane. Thousands of dollars for one page or one piece? Ludicrous. If you can buy a TV or a computer (or maybe even a used car!) for less than the price of a piece of original art, then the original art costs too much. I don't care that the work is one of a kind. In the end it's just a piece of paper, and no piece of paper is worth that much, regardless of what's on it.

But that doesn't stop me from fantasizing. There are plenty of artists from whom I would commission some artwork, if their prices made any sort of earthly sense. For whatever reason, though, my dreams of original art return most frequently to John Byrne. Byrne's commission work is hit or miss, but when it's good, it's very good. And if he was willing to take the request, I would ask him for a series of X-Men commissions. But since I'm never going to actually do it, I want to get this out of my system. So here's the fantasy letter I would write to Byrne's art dealer, Jim Warden, in a different world:

TRANSFORMERS: REGENERATION ONE #86

The second TRANSFORMERS: REGENERATION ONE trade paperback collects issues 86 - 90. I have recently learned that the series is planned for a finite run of twenty issues, to wrap up the entire saga in #100, which will just fill two more trades after this one. Personally, as of right now I'd love to see it continue past #100 if sales warrant, but I guess we'll see what happens...

"NATURAL SELECTION, PART 1"

Writer: Simon Furman | Penciler: Andrew Wildman | Inker: Stephen Baskerville

Colorist: John-Paul Bove | Letterer: Chris Mowry | Editor: John Barber

Editor-in-Chief: Chris Ryall

The Plot: On Nebulos, Grimlock is held prisoner by Scorponok, who explains that his original head came online upon the death of his Headmaster self during the Unicron battle. Scorponok has isolated a gene in all Transformers, which determines whether they are "born" as Autobots or Decepticons, and he believes he can return to Cybertron and alter the gene to create a planet of Decepticons. Bribed with a new, fully functional body, plus the possibility of curing those Autobots negatively affected by Nucleon, Grimlock reluctantly agrees to help Scorponok in his plan.

On Cybertron, Soundwave makes it to Thunderwing's resting place in the Hall of Silence. Hot Rod orders the Hall destroyed per protocol in the event of an intruder, which plays into Soundeave's plot somehow.

And on Earth, Spike and Blackrock inform Optimus Prime that the remaining humans have voted the Autobots off the planet. Meanwhile, the Autobots have gathered all Megatron's now-deceased zombies in one place to disintegrate them. However, Starscream yet lives, and escapes prior to the disintegration, to sneak aboard the Ark. His entry is noticed by Galvatron.