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Monday, February 21, 2022

INVADERS #23

"THE SCARAB OF THE NILE!"
Writer & Editor: Roy Thomas | Illustrators & Illuminators: Frank Robbins & Frank Springer
Colorist: George Roussos | Letterer: Tom Orzechowski
Consulting Editor: Archie Goodwin

The Plot: Captain America, Bucky, Namor, and the Human Torch stand by in a hospital waiting room as Toro undergoes surgery. The surgeon soon appears, stating that Toro is stabilized but still has a bullet near his heart. Only one doctor is proficient enough to remove the bullet: Sam Sabuki of California. Namor volunteers his flagship to ferry Toro quickly to the U.S.A., but Spitfire arrives just then to announce that the Invaders have a new mission. Bucky volunteers to take Toro in the flagship while the rest of the team goes with Spitfire, and the Torch ultimately agrees.

The Invaders are dispatched to British-occupied Egypt and deal with a terror group called the Sons of the Scarab, who are wreaking havoc there even as the German General, Rommel, advances toward Cairo. The group, joined by Union Jack, arrives in Egypt soon after, where they are immediately ambushed by the Sons of the Scarab. The villains escape, and the Invaders meet up with their liaison officer, Major Harrison, and an Egyptian civilian archaeologist, Doctor Faoul. The British believe that the Sons of the Scarab are hiding out in the pyramids, and they want the Invaders, advised by Faoul, to ferret them out. While Captain America, Union Jack, and Spitfire head to the front line to aid the British against Rommel's forces, the Human Torch and Namor go with Faoul to the pyramids.

The Torch and Namor dig their way into a hudden chamber, where a mysterious ruby scarab waits. Faoul grabs it, revealing, beneath his clothes, ancient Egyptian garb that marks him as a Son of the Scarab. The ruby gifts Faoul with incredible powers, as he brags to the heroes that his not simply a member of the Sons -- he is their leader. He holds his own against the duo and then takes off to assist the Nazis in driving the British from Egypt. Meanwhile, Captain America and the others struggle to hold the line againt Rommel's advance.

Continuity Notes: Namor states that his kingdom was attacked by the Axis, leaving his grandfather in a coma. A footnote points readers to a reprint story from GIANT-SIZE INVADERS #1. The same page also sees the Torch recalling how Toro was injured by a Nazi gunman in issue 21.
The Invaders meet with their government liaisons at their Big Ben rendezvous point, which a footnote reminds readers was established in ANNUAL #1.

Spitfire says that her father, Dyna-Mite, and Oskar are interrogating the Nazi scientist, Colonel Dietrich, at Falsworth Manor.
Namor mentions that the pyramids are as old as Atlantis itself, and he believes that makes them kindred to his civilization. He is also able to read some of the Egyptian hieroglyphics inside one of the pyramids. Later, Faoul suggests that the pyramids are older than anyone knows, and that they were not built by man.
My Thoughts: I don't usually get very political around here, but it's interesting to note that I'm not exactly certain who I should be rooting for in this story. Of course I root against the Nazis. You always root against Nazis. But in terms of Doctor Faoul, I'm not so sure. He just wants the British out of Egypt, and it's not hard to blame him for that. He wants his country back. It's noted early on that Egypt is "technically" a sovereign land, but the British maintain a military presence there. The Invaders, then, are sent to shore up that military presence to fight back against the Nazis -- which, again, is a noble purpose. You gotta stop the Nazis.

But Fauol is in the middle, a freedom fighter of sorts, who has unfortunately chosen to ally himself with the Germans. He's teaming up with the enemy of his enemy in order to get his way. What he plans to do afterward, however, is unknown. Will he turn on the Nazis if he's successful in driving the British out of Egypt? Since I doubt that will happen next time, we may never know, but I do hope to get more of his side of the story next issue.
Now -- beyond all that rumination, I really like this one. Something about it gives me a bit of a James Bond vibe, though I can't quite explain why. It could be as simple as the expedition to the pyramids evoking memories of THE SPY WHO LOVED ME, my favorite Roger Moore outing. But in any case, a bit of globe-trotting beyond the usual confines of Europe is a welcome occurrence in this series. World War II was fought on many fronts, and it's nice to see the Invaders jump into a different one than usual. Plus we have the ongoing Toro plot continuing, the introduction of a new villain, and the usual great Frank Robbins artwork. What's not to like?!

3 comments:


  1. // You always root against Nazis. //

    I’d like to think so, but that doesn’t seem to be a laughably obvious statement anymore.

    Hey, I may have an answer to a question you asked a few posts back about the artists being credited as “illustrators & innovators”: Roy then as here was more likely playing off his “writer & editor” byline than ascribing special contributions to either or both of the Franks — there’s copious room under their names so this issue they’re “illustrators & illuminators”.

    I was solidly in the throes of my comics obsession by this point. On sale from the House of Ideas when this ish came out, just per the Bullpen Bulletins page: Pizzazz; Marvel’s latest Fireside book*, The Superhero Women; Thanos vs. Spider-Man, Thing, Warlock, and the Avengers in the second Two-in-One Annual; and Star Wars Marvel Treasury Editions. (*Or is that Fireside’s latest Marvel book? -- Bombastic Blam, channelling Rhetorical Roy)

    As for the story at hand, I enjoyed it overall for the reasons you mentioned with two caveats.

    I’m used to bad guys with lousy aim in my adventure fiction, but it strains credulity here when one of the Sons of the Scarab is shot dead in Captain America’s grasp by another from a concealed position yet none of the Invaders themselves are hit or even apparently targeted.

    Also, I know people see and name colors with some variety, but whether you call what the Scarlet Scarab is wearing magenta or hot pink or fuschia it’s clearly not the red of Spitfire and the Human Torch and his energy blasts and the scarab on his belt, which is just odd.

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  2. I'm trying to imagine just what the actual threats that are being used in that one panel of the interrogation, and given that Dyna-Mite is giving Dietrich a (big? little?) thumbs up, perhaps that's best left to the imagination.

    "I'm in Egypt and it's the 1970s," Roy Thomas says, "let's make sure we get some Chariots of the Gods up in this joint."

    While I am in favor of punching Nazis whenever possible, and twice on Sunday, reading them as villains these day does, as Blam suggested, remind me that there would be people saying that there were good people on both sides of the Invaders/Rommel conflict.

    You punch Nazis. How is this hard?

    And you also don't make Captain America one!

    Normal service resumes next week. Maybe by then I'll figure out why Dyna-Mite is giving Dietrich a thumbs up.

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  3. Egypt's legal status in the 19th and first half of the twentieth century was *very* convoluted. By this stage the country was a nominally independent monarchy by a unilateral grant of the UK in 1922 but with various matters (mainly foreign & defence plus the Sudan) reserved to the UK. Hence nationalist agitation continued until the 1952 revolution which overthrow the monarchy and negotiated the British out (my grandfather was stationed there at the time).

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