AVENGERS #340, #341, & #342

"CLAY SOLDIERS"
Plot: David Michelinie | Script: Scott Lobdell
Pencils: Paul Abrams | Inks: Robert Jones & Chuck Barnette
Letterer: Brad K. Joyce | Colorists: Renee Witterstaetter & Marie Javins
Edits: Ralf Macchio | More Edits: Tom DeFalco

The Plot: Captain America, Wasp, Hercules, She-Hulk, and Iron Man attend the opening of New York's new super hero medical research and treatment facility -- but the festivities are interrupted when a woman races toward Captain America for help, but gets hit by a car in the process. In Cap's arms, the woman warns him that "he's crazy" and that Cap must help "the children." Then she passes out. Later, at Avengers Mansion, Wasp and Jarvis dig up information on the injured woman, learning that she is married to a weapons manufacturer named Itzhak Berditchev, and that the couple has ten year-old quintuplet sons. Realizing these must be the children in question and suspecting that Berditchev recently stole some plutonium from Austria, Cap and Wasp send Jarvis, undercover as a gunrunner named Armond Carlyle III, to infiltrate Berditchev's estate while they follow.

At the estate, Jarvis gains entrance as Cap and Wasp sneak around the grounds. Wasp feigns unconsciousness when sprayed with gas, and Cap races into Berditchev's hedge maze. Jarvis is taken prisoner by two of Berditchev's sons, but manages to escape them. Elsewhere, Cap speaks with Berditchev via a video screen and learns that he saved Berditchev, then a child, from a Nazi concentration camp during World War II, and that Berditchev has since patterend his life -- and the lives of his sons -- around a twisted understanding of Cap's ideals. Soon, Cap overcomes Berditchev's assassin, Bulwark, while Jarvis and Wasp appeal to the children and turn them against their father. When everyone eventually crosses paths in Berditchev's control room, the munitions dealer has a nervous breakdown. He and Bulwark are arrested, and the Avengers prepare to turn his sons over to their recovering mother.

Continuity Notes: In the opening pages, Iron Man mulls over his "recent health problems" as seen in issues of his own title, while Hercules confides in She-Hulk that he feels like the "token god," covering while Thor is unavailable due to events in his ongoing series. There's also a reference to the Avengers' encounter with Thane Ector and the Collector last issue. Later in the story, Jarvis recalls his injuries at the hands of the Masters of Evil in AVENGERS #275.

In the issue, Wasp wears the costume she's shown using on the cover, but it's colored yellow-and-blue instead of blue-and-white.

THE ADVENTURES OF CAPTAIN AMERICA: SENTINEL OF LIBERTY #1 - 4

"FIRST FLIGHT OF THE EAGLE" | "BETRAYED BY AGENT X"
"BATTLEGROUND: PARIS" | "ANGELS OF DEATH ANGELS OF HOPE"

Storytellers: Fabian Nicieza & Kevin Maguire | Pencilers (issue 4): Steve Carr & Kevin West
Inks: Joe Rubinstein (issue 1) & Terry Austin (issues 2 - 4) | Inking Assist: Tom Christopher
Letters: Richard Starkings | Color Art: Paul Mounts
Logo & Book Design: Joe Kaufman | Assistant Editor: Barry Dutter | Editor: Mike Rockwitz
Editor-in-Chief: Tom DeFalco
Special Thanks to: Mark Gruenwald, Gregory Wright & Suzanne Dell'orto

Return with me now, to the dark days of 1991. As Marvel descended into the abyss that would result in the likes of X-FORCE and Todd McFarlane's SPIDER-MAN, they also gave us... this. An uneven, but mostly very nice retelling of Captain America's origin by Fabian Nicieza, Kevin Maguire, Joe Rubinstein, and Terry Austin. This series was published in the "Prestige" format, running 64 ad-free pages per issue. It's something I had had on my "to read" radar for years, but only recently got around to it, and now I find myself wondering why I took so long!

So, look -- right off the bat, I'll admit I haven't read many versions of Cap's origin. I've read variations on some of his earliest adventures, in various mini-series, flashback stories, and so forth. But the actual origin -- Dr. Erskine/Reinstein, the super-soldier serum, the Nazi saboteur -- I'm pretty sure I've only ever read that in the Roger Stern/John Byrne encapsulation from CAPTAIN AMERICA #255. So when it comes to the material presented here by Nicieza and Maguire, I honestly have no idea what they've kept from prior versions and what they've created anew.

But -- taking the above into account, after reading this series, I feel like the filmmakers behind CAPTAIN AMERICA: THE FIRST AVENGER must have looked to this story for inspiration, at least with regards to the early parts of the movie. Heck, a near-direct line can be drawn from the first issue to the film's first act, taking into account the typical changes one generally sees in Hollywood adaptations.