So, since we just wrapped up the entirety of the original INVADERS series last week, and since today happens to be Independence Day, the most patriotic holiday here in America, I figured I'd take advantage of the happy coincidence to dust off a couple of Captain America-themed posts from the early days of the blog which serve as a bit of a coda to the adventures of the Invaders.
In 1980/81, Roger Stern and John Byrne had an acclaimed and all-too-brief turn as the creative team on CAPTAIN AMERICA. And their final real story (not counting the retelling of Cap's origin they did an issue later) revisited the Invaders. I have to admit, it never really dawned on me how soon these issues came along after INVADERS ended! That series' final issue was cover-dated September of 1979, and this two-parter is from January and February of 1981. A mere fifteen months separated the conclusion of INVADERS and Stern's and Byrne's epilogue to the series!
(I suspect in part that's simply due to the fact that INVADERS feels like a Silver Age throwback to me. The artwork, the scripting style, even some of the plotting -- it's all incongruous with the Bronze Age that was in full swing alongside it. So even though I know when INVADERS was published, it feels like it was published about a decade earlier.)
So, without further ado, here are two posts that originally went up eight years ago, showing us whatever happened to the greatest heroes of World War II:
CAPTAIN AMERICA #253
CAPTAIN AMERICA #254
Okay, I actually do have one final bit of ado: I didn't reference it in the continuity notes for CAP 253, but you'll see it in a screenshot there: Jacqueline Falsworth (-Chrichton) mentions that her brother, Brian -- a.k.a. the Union Jack we just spent several weeks reading about -- died off-panel in a car accident after the war. Kind of an inauspicious end! Mind you, it makes sense that Stern and Byrne wanted the second U.J. off the table to tell their story of the mantle being passed. And yeah, it does add a bit of unfortunate realism to the proceedings -- not every hero goes out in a blaze of glory. But it still feels like a waste to see the character done away with via an offhanded remark like that.
See you in a week, when I reveal what's next on the schedule! (Though if you were reading the earliest INVADERS reviews last year, I already spoiled way back then.)
Showing posts with label Captain America. Show all posts
Showing posts with label Captain America. Show all posts
Monday, July 4, 2022
Friday, April 17, 2020
THE UNBOXING - APRIL 2020
I may be under state-mandated quarantine due to COVID-19, but The Unboxing recognizes no authority! Here's what we have this month:
From DC, it's TALES OF THE BATMAN: MARV WOLFMAN (inexplicably labeled as "Volume 1" even though I'm pretty sure this contains every Batman story Wolfman ever wrote). As we saw when I looked a ton of Batman in the Seventies comics last year, Wolfman's run on BATMAN continued directly from Len Wein's, wrapping up several loose ends, so the main reason I grabbed this volume was to site beside TALES OF THE BATMAN: LEN WEIN on my shelf for just that reason. It also contains a number of other Wolfman-penned Batman stories, though, which I'm sure I'll check out someday.
And from Marvel, we have the CAPTAIN AMERICA EPIC COLLECTION: BLOOD AND GLORY, another installment in Marvel's collection of Mark Gruenwald's dedace-long run on Cap. When I started buying a lot of digital collections a couple years ago, I gradually tapered off my purchases of most trade paperbacks, figuring that Marvel seems to publish everything in hardcover sooner or later, and the digital versions would be my reading copies of most paperbacks (and of things I never really needed to own physically in the first place) until the inevitable Omnibus, oversized hardcover, etc. came around. But these Gruenwald Cap collections are pretty much the only paperbacks I "grandfathered in", since I had several already.
For those keeping count, this book follows from the previously released Epic Collections SOCIETY OF SERPENTS, JUSTICE IS SERVED, THE BLOODSTONE HUNT, STREETS OF POISON, and THE SUPERIA STRATAGEM -- plus the out-of-print Epic-in-all-but-name THE CAPTAIN -- and all of them together collect CAPTAIN AMERICA # 307 - 410. Gruenwald's CAP run ended with issue 443, so that's only thirty-three issues to go, which will comprise a total of three more Epic Collections (which we know since BLOOD AND GLORY is volume 18, while MAN WITHOUT A COUNTRY, the book beginning the Mark Waid/Ron Garney run that immediately followed Gruenwald, is vol. 22.
I grabbed a few digital items this month as well. Amazon/Comixology had a BOGO sale when the Coronvirus situation really started heating up, so I picked up the following:
From DC, it's TALES OF THE BATMAN: MARV WOLFMAN (inexplicably labeled as "Volume 1" even though I'm pretty sure this contains every Batman story Wolfman ever wrote). As we saw when I looked a ton of Batman in the Seventies comics last year, Wolfman's run on BATMAN continued directly from Len Wein's, wrapping up several loose ends, so the main reason I grabbed this volume was to site beside TALES OF THE BATMAN: LEN WEIN on my shelf for just that reason. It also contains a number of other Wolfman-penned Batman stories, though, which I'm sure I'll check out someday.
And from Marvel, we have the CAPTAIN AMERICA EPIC COLLECTION: BLOOD AND GLORY, another installment in Marvel's collection of Mark Gruenwald's dedace-long run on Cap. When I started buying a lot of digital collections a couple years ago, I gradually tapered off my purchases of most trade paperbacks, figuring that Marvel seems to publish everything in hardcover sooner or later, and the digital versions would be my reading copies of most paperbacks (and of things I never really needed to own physically in the first place) until the inevitable Omnibus, oversized hardcover, etc. came around. But these Gruenwald Cap collections are pretty much the only paperbacks I "grandfathered in", since I had several already.
For those keeping count, this book follows from the previously released Epic Collections SOCIETY OF SERPENTS, JUSTICE IS SERVED, THE BLOODSTONE HUNT, STREETS OF POISON, and THE SUPERIA STRATAGEM -- plus the out-of-print Epic-in-all-but-name THE CAPTAIN -- and all of them together collect CAPTAIN AMERICA # 307 - 410. Gruenwald's CAP run ended with issue 443, so that's only thirty-three issues to go, which will comprise a total of three more Epic Collections (which we know since BLOOD AND GLORY is volume 18, while MAN WITHOUT A COUNTRY, the book beginning the Mark Waid/Ron Garney run that immediately followed Gruenwald, is vol. 22.
I grabbed a few digital items this month as well. Amazon/Comixology had a BOGO sale when the Coronvirus situation really started heating up, so I picked up the following:
- AVENGERS EPIC COLLECTION: EARTH'S MIGHTIEST HEROES
(The only Silver Age Avengers Epic I was unable to get in Marvel's big year-end sale because it wasn't discounted at the time.) - AVENGERS EPIC COLLECTION: THE AVENGERS/DEFENDERS WAR
- AVENGERS: THE ORIGIN
(You'll be seeing more about this book, plus the subsequent pair listed below, very, very soon right here!) - AVENGERS: EARTH'S MIGHTIEST HEROES vol. 1
- AVENGERS: EARTH'S MIGHTIEST HEROES vol. 2
- X-MEN MILESTONES ONSLAUGHT
(I'm weirdly excited for this one because it contains only the core, "essential" parts of the "Onslaught" saga, without all the extraneous crossover junk. Looking forward to cracking it open when Gentlemen of Leisure's "X-aminations" reaches this point in the not-too-distant future!) - X-MEN MILESTONES: PHALANX COVENANT
(Since for some reason, the old PHALANX COVENANT hardcover has never seen a digital release, this will be my digital copy -- even though it's missing a few issues from the hardcover edition.)
Friday, January 24, 2020
THE UNBOXING - JANUARY 2020
The first Unboxing of the year is a little light on physical books, but quite hefty on digital. First, Christmas gifts: from my lovely wife and from my parents, I received two more installments in the Carl Barks Disney Library from Fantagraphics: THE MINES OF KING SOLOMON and CHRISTMAS IN DUCKBURG.
Then, my normal book shipment for the month contained one Marvel tome: X-MEN: SHATTERSHOT, an oversized hardcover collecting a run of issues from X-MEN vol. 2. This book replaces the previously issued trade paperback, A SKINNING OF SOULS, as it includes all the issues contained therein plus more.
(Apologies; I haven't had a chance to take pictures of these books yet. When I eventually do, I'll add them to this post.)
And then we move into the digital realm. Remember last month when I mentioned the huge sale Marvel was having on Epic Collections, for only five bucks a pop? Well, I received some Amazon gift cards for Christmas and I, uhh... may have gone a little overboard. I have a huge blind spot for Marvel's Silver Age catalog, outside of Spider-Man and to some extent the X-Men, so I decided to stock up. Who knows if I'll ever find time to read all of these, but I picked up all of the following:
And lastly, in a recent Fantagraphics sale, I grabbed the digital version of THE CARL BARKS DISNEY LIBRARY: THE MINES OF KING SOLOMON, as well as MICKEY MOUSE: THE PHANTOM BLOT'S DOUBLE MYSTERY.
Whew! That's it (and isn't it enough?) for January. Next month should be considerably lighter, I hope! Catch you in February!
Then, my normal book shipment for the month contained one Marvel tome: X-MEN: SHATTERSHOT, an oversized hardcover collecting a run of issues from X-MEN vol. 2. This book replaces the previously issued trade paperback, A SKINNING OF SOULS, as it includes all the issues contained therein plus more.
(Apologies; I haven't had a chance to take pictures of these books yet. When I eventually do, I'll add them to this post.)
And then we move into the digital realm. Remember last month when I mentioned the huge sale Marvel was having on Epic Collections, for only five bucks a pop? Well, I received some Amazon gift cards for Christmas and I, uhh... may have gone a little overboard. I have a huge blind spot for Marvel's Silver Age catalog, outside of Spider-Man and to some extent the X-Men, so I decided to stock up. Who knows if I'll ever find time to read all of these, but I picked up all of the following:
- ANT-MAN/GIANT MAN EPIC COLLECTION: THE MAN IN THE ANT HILL
- AVENGERS EPIC COLLECTION: BEHOLD... THE VISION
- AVENGERS EPIC COLLECTION: JUDGMENT DAY
- AVENGERS EPIC COLLECTION: MASTERS OF EVIL
- AVENGERS EPIC COLLECTION: ONCE AN AVENGER...
- AVENGERS EPIC COLLECTION: UNDER SIEGE
- CAPTAIN AMERICA EPIC COLLECTION: CAPTAIN AMERICA LIVES AGAIN!
- CAPTAIN AMERICA EPIC COLLECTION: BUCKY REBORN
- CAPTAIN AMERICA EPIC COLLECTION: THE COMING OF... THE FALCON
- CAPTAIN AMERICA EPIC COLLECTION: HERO OR HOAX?
- CONAN CHRONICLES EPIC COLLECTION: OUT OF THE DARKSOME HILLS
- CONAN CHRONICLES EPIC COLLECTION: THE HEART OF YAG-KOSHA
- CONAN CHRONICLES EPIC COLLECTION: RETURN TO CIMMERiA
- DAREDEVIL EPIC COLLECTION: BROTHER, TAKE MY HAND
- DAREDEVIL EPIC COLLECTION: THE MAN WITHOUT FEAR
- DAREDEVIL EPIC COLLECTION: MIKE MURDOCK MUST DIE!
- DAREDEVIL EPIC COLLECTION: A WOMAN CALLED WIDOW
- IRON MAN EPIC COLLECTION: BY FORCE OF ARMS
- IRON MAN EPIC COLLECTION: THE GOLDEN AVENGER
- IRON MAN EPIC COLLECTION: THE MAN WHO KILLED TONY STARK
- THOR EPIC COLLECTION: THE FALL OF ASGARD
- THOR EPIC COLLECTION: THE GOD OF THUNDER
- THOR EPIC COLLECTION: TO WAKE THE MANGOG
- THOR EPIC COLLECTION: WHEN TITANS CLASH
- THOR EPIC COLLECTION: THE WRATH OF ODIN
- WOLVERINE EPIC COLLECTION: BACK TO BASICS
- WOLVERINE EPIC COLLECTION: THE DYING GAME
And lastly, in a recent Fantagraphics sale, I grabbed the digital version of THE CARL BARKS DISNEY LIBRARY: THE MINES OF KING SOLOMON, as well as MICKEY MOUSE: THE PHANTOM BLOT'S DOUBLE MYSTERY.
Whew! That's it (and isn't it enough?) for January. Next month should be considerably lighter, I hope! Catch you in February!
Labels:
Ant-Man,
Avengers,
Captain America,
Carl Barks,
Conan the Barbarian,
Daredevil,
Defenders,
Epic Collection,
Fantagraphics,
Iron Man,
Marvel,
Mickey Mouse,
The Unboxing,
Thor,
Wolverine,
X-Men
Friday, September 20, 2019
THE UNBOXING - SEPTEMBER 2019
We're gonna keep things short and sweet this month, with an all-Digital, all-Marvel Unboxing. I have to admit that I think I actually bought a few of these during some sale or another last month, but for the most part, these are all September purchases as part of Marvel's 80th anniversary BOGO sale at Comixology/Amazon. Thus, the latest additions to my digital lineup are:
AMAZING SPIDER-MAN EPIC COLLECTION: ASSASSIN NATION
AMAZING SPIDER-MAN EPIC COLLECTION: GREAT POWER
AMAZING SPIDER-MAN EPIC COLLECTION: THE GOBLIN LIVES
AVENGERS EPIC COLLECTION: FEAR THE REAPER
AVENGERS MASTERWORKS vol. 19
CAPTAIN AMERICA EPIC COLLECTION: THE SUPERIA STRATAGEM
FANTASTIC FOUR: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
FANTASTIC FOUR: THE WORLD'S GREATEST COMICS MAGAZINE!
IRON MAN: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
LUKE CAGE, POWER MAN MASTERWORKS vol. 3
MASTER OF KUNG FU EPIC COLLECTION: FIGHT WITHOUT PITY
SAVAGE SHE-HULK MASTERWORKS vol. 2
SPECTACULAR SPIDER-MAN MASTERWORKS vol. 2
THING: THE SERPENT CROWN AFFAIR
X-MEN/ALPHA FLIGHT
X-MEN EPIC COLLECTION: DISSOLUTION AND REBIRTH
X-MEN: GAMBIT: THE COMPLETE COLLECTION vol. 2
X-MEN> ONSLAUGHT AFTERMATH
And that's it for September, True Believers! Catch you back here next month (or not, if I don't wind up getting anything new)!
AMAZING SPIDER-MAN EPIC COLLECTION: ASSASSIN NATION
AMAZING SPIDER-MAN EPIC COLLECTION: GREAT POWER
AMAZING SPIDER-MAN EPIC COLLECTION: THE GOBLIN LIVES
AVENGERS EPIC COLLECTION: FEAR THE REAPER
AVENGERS MASTERWORKS vol. 19
CAPTAIN AMERICA EPIC COLLECTION: THE SUPERIA STRATAGEM
FANTASTIC FOUR: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
FANTASTIC FOUR: THE WORLD'S GREATEST COMICS MAGAZINE!
IRON MAN: HEROES REBORN: THE COMPLETE COLLECTION vol. 1
LUKE CAGE, POWER MAN MASTERWORKS vol. 3
MASTER OF KUNG FU EPIC COLLECTION: FIGHT WITHOUT PITY
SAVAGE SHE-HULK MASTERWORKS vol. 2
SPECTACULAR SPIDER-MAN MASTERWORKS vol. 2
THING: THE SERPENT CROWN AFFAIR
X-MEN/ALPHA FLIGHT
X-MEN EPIC COLLECTION: DISSOLUTION AND REBIRTH
X-MEN: GAMBIT: THE COMPLETE COLLECTION vol. 2
X-MEN> ONSLAUGHT AFTERMATH
And that's it for September, True Believers! Catch you back here next month (or not, if I don't wind up getting anything new)!
Friday, April 19, 2019
THE UNBOXING - APRIL 2019
What's this? The Unboxing on Friday?! It's true, and the reason why will be explained in this very space... next Friday! But for now, after skipping the past two months, The Unboxing returns at last with three offerings from Marvel, and I think the wait was worth it!
First we have two trade paperbacks, starting with CAPTAIN AMERICA EPIC COLLECTION: THE SUPERIA STRATAGEM. Over the past few years, Marvel has been steadily plugging away at completing Mark Gruenwald's ten-year run on CAPTAIN AMERICA in a number of trade paperbacks. Currently, thanks to this new volume and the previously released Epic Collections SOCIETY OF SERPENTS, JUSTICE IS SERVED, THE BLOODSTONE HUNT, and STREETS OF POISON, plus the out-of-print Epic-in-all-but-name THE CAPTAIN, we've got issues 307 - 397 collected. That's ninety-one issues plus associated annuals and such, covering nearly the first seven years of Gruenwald's run. Gruenwald's final CAP issue was 443, so we've still got quite a ways to go, but at the very least it's safe to say that the "prime" material is pretty much all available at this point. (Though I love all of it and will happily snap up the rest of the run as it's released!)
Next is X-MEN: ONSLAUGHT AFTERMATH, and I cannot overstate how absolutely thrilled I am to own this book. Those who follow my X-Men Collected Editions chart know that this was the final piece needed to close the X-Men's 1990s gap. As of now, thanks to ONSLAUGHT AFTERMATH, EVERY. SINGLE. ISSUE. of UNCANNY X-MEN and X-MEN from the full decade of the nineties has been collected. I seriously want to do a little jig over this. It's been my goal for about the past five years to have that entire run of issues on my bookshelf, and now I can finally say that the mission is accomplished.
(Of course this isn't to say I won't re-buy some of this material as it finds its way into better collections -- upgrading from paperbacks to hardcovers, for example -- but the point is that for now, the goal is complete.)
And speaking of rebuying, our last book is one that I couldn't resist even though I've purchased all of it in various formats over the years -- comics when I was a teen, trade paperbacks and hardcovers as an adult... but now we have it here, all collected in one comprehensive and definitive oversized hardcover, just in time for a certain major motion picture it inspired: the THANOS WARS: INFINITY ORIGIN OMNIBUS. The name is an inelegant mouthful, but the contents are what's important here. This book collects all of Jim Starlin's early Thanos material, from his first appearance in IRON MAN #55, through his war against Captain Mar-Vell and the Avengers, and up to his dealings with Adam Warlock -- plus everything in between, whether Thanos-related or not. I've probably mentioned it here before, but for the record, Starlin's cosmic stuff at 1970s Marvel is among my all-time favorite comic book runs, and it's wonderful to see it get the high-end treatment it deserves at long last.
First we have two trade paperbacks, starting with CAPTAIN AMERICA EPIC COLLECTION: THE SUPERIA STRATAGEM. Over the past few years, Marvel has been steadily plugging away at completing Mark Gruenwald's ten-year run on CAPTAIN AMERICA in a number of trade paperbacks. Currently, thanks to this new volume and the previously released Epic Collections SOCIETY OF SERPENTS, JUSTICE IS SERVED, THE BLOODSTONE HUNT, and STREETS OF POISON, plus the out-of-print Epic-in-all-but-name THE CAPTAIN, we've got issues 307 - 397 collected. That's ninety-one issues plus associated annuals and such, covering nearly the first seven years of Gruenwald's run. Gruenwald's final CAP issue was 443, so we've still got quite a ways to go, but at the very least it's safe to say that the "prime" material is pretty much all available at this point. (Though I love all of it and will happily snap up the rest of the run as it's released!)
Next is X-MEN: ONSLAUGHT AFTERMATH, and I cannot overstate how absolutely thrilled I am to own this book. Those who follow my X-Men Collected Editions chart know that this was the final piece needed to close the X-Men's 1990s gap. As of now, thanks to ONSLAUGHT AFTERMATH, EVERY. SINGLE. ISSUE. of UNCANNY X-MEN and X-MEN from the full decade of the nineties has been collected. I seriously want to do a little jig over this. It's been my goal for about the past five years to have that entire run of issues on my bookshelf, and now I can finally say that the mission is accomplished.
(Of course this isn't to say I won't re-buy some of this material as it finds its way into better collections -- upgrading from paperbacks to hardcovers, for example -- but the point is that for now, the goal is complete.)
And speaking of rebuying, our last book is one that I couldn't resist even though I've purchased all of it in various formats over the years -- comics when I was a teen, trade paperbacks and hardcovers as an adult... but now we have it here, all collected in one comprehensive and definitive oversized hardcover, just in time for a certain major motion picture it inspired: the THANOS WARS: INFINITY ORIGIN OMNIBUS. The name is an inelegant mouthful, but the contents are what's important here. This book collects all of Jim Starlin's early Thanos material, from his first appearance in IRON MAN #55, through his war against Captain Mar-Vell and the Avengers, and up to his dealings with Adam Warlock -- plus everything in between, whether Thanos-related or not. I've probably mentioned it here before, but for the record, Starlin's cosmic stuff at 1970s Marvel is among my all-time favorite comic book runs, and it's wonderful to see it get the high-end treatment it deserves at long last.
Friday, March 29, 2019
CAPTAIN AMERICA: THE 1940S NEWSPAPER STRIP
(PLUS BONUS SPIDER-MAN!)
If there was ever a perfect way to do a webcomic for a superhero, this has to be it. Over the years, going all the way back to their earliest days on America Online, Marvel has engaged in periodic webcomics, but -- to the best of my recollection -- they have most all been done in a regular comic book format, or with silly animated effects. But, someplace in between all that, Karl Kesel found a formula that worked astoundingly well, to the point I don't know why all superhero webcomics aren't done this way! Somewhere around 2009/2010, Kesel wrote and drew a serialized comic strip starring Captain America, which was posted daily at Marvel.com -- and the results are stupendous.
It helps that Kesel has a love for the genre -- he says as much in his afterword to the collected strips, but he needn't have done so. His enthusiasm is fully evident in every daily installment. As readers of this blog know, I've developed quite an interest in newspaper adventure strips myself over the past few years, and for the most part Kesel produces a masterful pastiche of same.
The story, presented as an "arc" in a ongoing strip, sees Captain America and Bucky brought to a top-secret facility where the government is pursuing various means in search of a new type of super soldier. Cap is subjected to a battery of tests, but things go off-track when it appears the Red Skull has infiltrated the base. The FBI's Red Skull expert is called in to investigate, and Cap and Bucky find themselves joining in to get to the bottom of a series of disappearances and apparent acts of sabotage.
Writer & Artist: Karl Kesel
Colorist: Ben Dimagmaliw | Letters: Jared K. Fletcher
Assistant Editor: Rachel Pinnelas | Associate Editor: Lauren Sankovitch
Editor: Bill Rosemann | Executive Editor: Tom Brevoort
Digital Production Manager: Tom Smith 3 | Digital Coordinator: Harry Go
Colorist: Ben Dimagmaliw | Letters: Jared K. Fletcher
Assistant Editor: Rachel Pinnelas | Associate Editor: Lauren Sankovitch
Editor: Bill Rosemann | Executive Editor: Tom Brevoort
Digital Production Manager: Tom Smith 3 | Digital Coordinator: Harry Go
If there was ever a perfect way to do a webcomic for a superhero, this has to be it. Over the years, going all the way back to their earliest days on America Online, Marvel has engaged in periodic webcomics, but -- to the best of my recollection -- they have most all been done in a regular comic book format, or with silly animated effects. But, someplace in between all that, Karl Kesel found a formula that worked astoundingly well, to the point I don't know why all superhero webcomics aren't done this way! Somewhere around 2009/2010, Kesel wrote and drew a serialized comic strip starring Captain America, which was posted daily at Marvel.com -- and the results are stupendous.
It helps that Kesel has a love for the genre -- he says as much in his afterword to the collected strips, but he needn't have done so. His enthusiasm is fully evident in every daily installment. As readers of this blog know, I've developed quite an interest in newspaper adventure strips myself over the past few years, and for the most part Kesel produces a masterful pastiche of same.
The story, presented as an "arc" in a ongoing strip, sees Captain America and Bucky brought to a top-secret facility where the government is pursuing various means in search of a new type of super soldier. Cap is subjected to a battery of tests, but things go off-track when it appears the Red Skull has infiltrated the base. The FBI's Red Skull expert is called in to investigate, and Cap and Bucky find themselves joining in to get to the bottom of a series of disappearances and apparent acts of sabotage.
Friday, March 15, 2019
THE ADVENTURES OF CAPTAIN AMERICA: SENTINEL OF LIBERTY #1 - 4
"FIRST FLIGHT OF THE EAGLE" | "BETRAYED BY AGENT X"
"BATTLEGROUND: PARIS" | "ANGELS OF DEATH ANGELS OF HOPE"
Storytellers: Fabian Nicieza & Kevin Maguire | Pencilers (issue 4): Steve Carr & Kevin West
Inks: Joe Rubinstein (issue 1) & Terry Austin (issues 2 - 4) | Inking Assist: Tom Christopher
Letters: Richard Starkings | Color Art: Paul Mounts
Logo & Book Design: Joe Kaufman | Assistant Editor: Barry Dutter | Editor: Mike Rockwitz
Editor-in-Chief: Tom DeFalco
Special Thanks to: Mark Gruenwald, Gregory Wright & Suzanne Dell'orto
"BATTLEGROUND: PARIS" | "ANGELS OF DEATH ANGELS OF HOPE"
Storytellers: Fabian Nicieza & Kevin Maguire | Pencilers (issue 4): Steve Carr & Kevin West
Inks: Joe Rubinstein (issue 1) & Terry Austin (issues 2 - 4) | Inking Assist: Tom Christopher
Letters: Richard Starkings | Color Art: Paul Mounts
Logo & Book Design: Joe Kaufman | Assistant Editor: Barry Dutter | Editor: Mike Rockwitz
Editor-in-Chief: Tom DeFalco
Special Thanks to: Mark Gruenwald, Gregory Wright & Suzanne Dell'orto
Return with me now, to the dark days of 1991. As Marvel descended into the abyss that would result in the likes of X-FORCE and Todd McFarlane's SPIDER-MAN, they also gave us... this. An uneven, but mostly very nice retelling of Captain America's origin by Fabian Nicieza, Kevin Maguire, Joe Rubinstein, and Terry Austin. This series was published in the "Prestige" format, running 64 ad-free pages per issue. It's something I had had on my "to read" radar for years, but only recently got around to it, and now I find myself wondering why I took so long!
So, look -- right off the bat, I'll admit I haven't read many versions of Cap's origin. I've read variations on some of his earliest adventures, in various mini-series, flashback stories, and so forth. But the actual origin -- Dr. Erskine/Reinstein, the super-soldier serum, the Nazi saboteur -- I'm pretty sure I've only ever read that in the Roger Stern/John Byrne encapsulation from CAPTAIN AMERICA #255. So when it comes to the material presented here by Nicieza and Maguire, I honestly have no idea what they've kept from prior versions and what they've created anew.
But -- taking the above into account, after reading this series, I feel like the filmmakers behind CAPTAIN AMERICA: THE FIRST AVENGER must have looked to this story for inspiration, at least with regards to the early parts of the movie. Heck, a near-direct line can be drawn from the first issue to the film's first act, taking into account the typical changes one generally sees in Hollywood adaptations.
Sunday, March 10, 2019
CAPTAIN AMERICA, SPIDER-MAN, AND THE X-MEN
It's hard to believe, but I haven't written anything about a Marvel series here in nearly a year, when I looked at X-MEN '92 last March! My Mondays have been nonstop DC for fourteen months now, while my Fridays have been dedicated to other characters, universes, and publishers. So, if for no other reason than to justify all those little heads up top, I figured I should head back to the House of Ideas for a few weeks in an All-Digital Review Grab Bag!
We'll lead off this Friday with THE ADVENTURES OF CAPTAIN AMERICA, a 1991 limited series by Fabian Nicieza and Kevin Maguire. Then, one week later, we'll stick with Nicieza and jump ahead a decade for 2001's SPIDER-MAN: LIFELINE, drawn by Steve Rude.
Then we'll look at a couple of odd projects that tickle my recent interest in newspaper adventure strips: CAPTAIN AMERICA: THE 1940S NEWSPAPER STRIP, a project written and drawn by Karl Kesel in 2010, meant to read as it it were a vintage strip from the Golden Age, and the SPIDEY SUNDAY SPECTACULAR, a 2011 collection of backup pages from a run of AMAZING SPIDER-MAN issues, written by Stan Lee and drawn by Marcos Martin in another comic strip-inspired pastiche.
And after those, we'll wrap up with Marvel's Merry Mutants in a two-week look at X-MEN: GRAND DESIGN, a still-ongoing series of one-shots by writer/artist Ed Piskor which retells the X-Men's story from the beginning using the conceit that every later development was planned in advance.
So... face front this Friday, frantic ones! Mighty Marvel's comin' atcha!
We'll lead off this Friday with THE ADVENTURES OF CAPTAIN AMERICA, a 1991 limited series by Fabian Nicieza and Kevin Maguire. Then, one week later, we'll stick with Nicieza and jump ahead a decade for 2001's SPIDER-MAN: LIFELINE, drawn by Steve Rude.
Then we'll look at a couple of odd projects that tickle my recent interest in newspaper adventure strips: CAPTAIN AMERICA: THE 1940S NEWSPAPER STRIP, a project written and drawn by Karl Kesel in 2010, meant to read as it it were a vintage strip from the Golden Age, and the SPIDEY SUNDAY SPECTACULAR, a 2011 collection of backup pages from a run of AMAZING SPIDER-MAN issues, written by Stan Lee and drawn by Marcos Martin in another comic strip-inspired pastiche.
And after those, we'll wrap up with Marvel's Merry Mutants in a two-week look at X-MEN: GRAND DESIGN, a still-ongoing series of one-shots by writer/artist Ed Piskor which retells the X-Men's story from the beginning using the conceit that every later development was planned in advance.
So... face front this Friday, frantic ones! Mighty Marvel's comin' atcha!
Friday, July 6, 2018
HAPPY INDEPENDENCE DAY

Bond will continue next week, but until then, here's a picture I drew of Captain America a year or so back, and if you're feeling especially patriotic, you can check out some of my past musings on Marvel's very own Sentinel of Liberty:
Comic Reviews:
CAPTAIN AMERICA BY ROGER STERN & JOHN BYRNE
CAPTAIN AMERICA #247 | CAPTAIN AMERICA #248 | CAPTAIN AMERICA #249
CAPTAIN AMERICA #250 | CAPTAIN AMERICA #251 | CAPTAIN AMERICA #252
CAPTAIN AMERICA #253 | CAPTAIN AMERICA #254 | CAPTAIN AMERICA #255
CAPTAIN AMERICA: WHITE (mini-series by Loeb & Sale)
Thoughts on a couple movies:
CAPTAIN AMERICA: THE WINTER SOLDIER
CAPTAIN AMERICA: CIVIL WAR
Back next week with more Bond, though I should warn you that I do foresee probably one more skip week before that project is done.
Sunday, May 13, 2018
THE UNBOXING - MAY 2018
Marvel comes at us with two books this month; a trade paperback and hardcover. The trade is CAPTAIN AMERICA EPIC COLLECTION: THE BLOODSTONE HUNT, plugging a long-lived hole in Marvel's reprints of Mark Gruenwald's CAPTAIN AMERICA. Slotted between the previously released THE CAPTAIN collection and the STREETS OF POISON EPIC COLLECTION, and combined with the SOCIETY OF SERPENTS EPIC COLLECTION and JUSTICE IS SERVED EPIC COLLECTION, this book now completes a full run of CAPTAIN AMERICA issues 302 through 386, plus assorted annual and other goodies! Essentially this is the first half of Gruenwald's ten-year run on the bookshelf, and while the second half has seen some spotty collection over the years, it seems only a matter of time before it, too, receives the comprehensive Epic Collection treatment.
And from the X-Office of the nineties, we have the X-MEN: LEGIONQUEST hardcover. This book contains several of the same issues as could be found in the X-MEN: AGE OF APOCALYPSE PRELUDE book from some years back, though that was a volume I never picked up due to very poor reviews of the paper quality -- which turns out to have been the right choice in retrospect, as this book offers a significant upgrade in size and quality.
And now a new edition of the Junior Unboxing! It came to my attention recently that Marvel published a second edition of the AVENGERS STORYBOOK COLLECTION, just released last month, containing all-new tales aimed at younger readers. I snagged it and, while I was at it, picked up 5-MINTUE SPIDER-MAN STORIES (2017 edition) and the SPIDER-MAN STORYBOOK COLLECTION (2016 edition), both of which also offer (mostly) new contents as well. I spoke a few months back about the Marvel Storybook Universe I'm compiling and suggested I might write a post about it -- and that's still my plan, but the addition of these three books has me revising the universe, so the post has been delayed. I suspect it'll probably arrive this summer for the one or two people who might any interest.
I think that's it for May, so we'll reconvene in a month to see what shows up next!
And from the X-Office of the nineties, we have the X-MEN: LEGIONQUEST hardcover. This book contains several of the same issues as could be found in the X-MEN: AGE OF APOCALYPSE PRELUDE book from some years back, though that was a volume I never picked up due to very poor reviews of the paper quality -- which turns out to have been the right choice in retrospect, as this book offers a significant upgrade in size and quality.
And now a new edition of the Junior Unboxing! It came to my attention recently that Marvel published a second edition of the AVENGERS STORYBOOK COLLECTION, just released last month, containing all-new tales aimed at younger readers. I snagged it and, while I was at it, picked up 5-MINTUE SPIDER-MAN STORIES (2017 edition) and the SPIDER-MAN STORYBOOK COLLECTION (2016 edition), both of which also offer (mostly) new contents as well. I spoke a few months back about the Marvel Storybook Universe I'm compiling and suggested I might write a post about it -- and that's still my plan, but the addition of these three books has me revising the universe, so the post has been delayed. I suspect it'll probably arrive this summer for the one or two people who might any interest.
I think that's it for May, so we'll reconvene in a month to see what shows up next!
Sunday, April 16, 2017
THE UNBOXING - APRIL 2017
One lone item this month, courtesy of Marvel: The CAPTAIN AMERICA EPIC COLLECTION: JUSTICE IS SERVED. This volume marks another nice chunk of Mark Gruenwald's long CAP run in Epic format, and, even better, it plugs a gap between 2014's SOCIETY OF SERPENTS Epic and 2011's "prototype" Epic, THE CAPTAIN. Between all three books, that's CAPTAIN AMERICA issues 302 - 350, plus associated annuals and tie-ins -- roughly one-third of Gruenwald's run -- collected consecutively!
(And by the way, if you want to extend that streak backwards, 2012's DEATH OF THE RED SKULL collects issues 290 - 301, by J.M. DeMatteis and Mike Zeck, too!)
Furthermore, with this volume now released, there's only one unknown Epic Collection remaining to fill in the gap between THE CAPTAIN and 2015's STREETS OF POISON book. Hopefully that volume, which would include the fan favorite "Bloodstone Hunt" serial (and which I'd be willing to bet will be named for that very storyline since the 2010 collection is long out of print), will be the next Gruenwald-era Epic to see release, because, being the anal-retentive fan I am, I much prefer unbroken runs on my bookcase rather than those that skip around. But in any case, the clear takeaway from all of this is that it's a very nice time to be a fan of Mark Gruenwald's CAPTAIN AMERICA.
(And by the way, if you want to extend that streak backwards, 2012's DEATH OF THE RED SKULL collects issues 290 - 301, by J.M. DeMatteis and Mike Zeck, too!)
Furthermore, with this volume now released, there's only one unknown Epic Collection remaining to fill in the gap between THE CAPTAIN and 2015's STREETS OF POISON book. Hopefully that volume, which would include the fan favorite "Bloodstone Hunt" serial (and which I'd be willing to bet will be named for that very storyline since the 2010 collection is long out of print), will be the next Gruenwald-era Epic to see release, because, being the anal-retentive fan I am, I much prefer unbroken runs on my bookcase rather than those that skip around. But in any case, the clear takeaway from all of this is that it's a very nice time to be a fan of Mark Gruenwald's CAPTAIN AMERICA.
Friday, June 17, 2016
CAPTAIN AMERICA: WHITE
"IT HAPPENED ONE NIGHT" | "YOU CAN'T TAKE IT WITH YOU" | "LOST HORIZON"
"A HOLE IN THE HEAD" | "POCKETFUL OF MIRACLES" | "IT'S A WONDERFUL LIFE"
Storytellers: Jeph Loeb & Tim Sale | Colors: Dave Stewart
Lettering: Comicraft's Richard Starkings | Design: Comicraft's John Roshell
Production: Idette Winecoor | Consulting Editor: Richard Starkings
Assistant Editor: Jon Moisan | Editor: Mark Paniccia | Editor-in-Chief: Axel Alonso
Chief Creative Officer: Joe Quesada | Publisher: Dan Buckley
Executive Producer: Alan Fine | Captain America created by Joe Simon and Jack Kirby
"A HOLE IN THE HEAD" | "POCKETFUL OF MIRACLES" | "IT'S A WONDERFUL LIFE"
Storytellers: Jeph Loeb & Tim Sale | Colors: Dave Stewart
Lettering: Comicraft's Richard Starkings | Design: Comicraft's John Roshell
Production: Idette Winecoor | Consulting Editor: Richard Starkings
Assistant Editor: Jon Moisan | Editor: Mark Paniccia | Editor-in-Chief: Axel Alonso
Chief Creative Officer: Joe Quesada | Publisher: Dan Buckley
Executive Producer: Alan Fine | Captain America created by Joe Simon and Jack Kirby
Last year I wrote about the original three Marvel "color" series from Jeph Loeb and Tim Sale -- DAREDEVIL: YELLOW, SPIDER-MAN: BLUE, and HULK: GRAY. I've loved the first two of those since their original releases circa 2003 and they're still very special to me, while GRAY has always left me a little cold. Unfortunately, CAPTAIN AMERICA: WHITE falls closer to the GRAY end of the spectrum than the YELLOW or BLUE end.
WHITE, which originally received a #0 issue back in 2008, finally saw the remainder of its installments published in 2015. Considering the circumstances, it's a remarkably consistent read; I can only assume the script was written entirely in advance. Where the previous three "color" books featured the title characters mourning the losses of the great loves of their lives, WHITE is about Captain America, recently awakened in the modern day, recalling his relationship with his partner and best friend, "Bucky" Barnes.
The story, set in World War II, follows Cap and Bucky on a mission to Europe as they meet up with Nick Fury and his Howling Commandos, then head into Paris to investigate the Red Skull's presence there. In France, the group teams up with a resistance fighter named Maryline, a.k.a. the Gypsy, and her band. Cap stops the Red Skull from destroying the Eiffel Tower and killing Bucky, then the Americans leave Paris to continue their war while the Gypsy and her people remain behind to carry on their own battle.
Sunday, May 15, 2016
CAPTAIN AMERICA: CIVIL WAR
I've got no Unboxing scheduled this month, so instead I'll take a moment to talk about the recently released CAPTAIN AMERICA: CIVIL WAR. As I type this, I'm just back from a screening on Sunday of its opening weekend, though the post will go up one week later.
In general I've liked a lot of Marvel's output since the first IRON MAN in 2008. There have been some misses, however; I found both IRON MAN sequels somewhat lacking, for different reasons. THOR: THE DARK WORLD, while okay, didn't exactly light my world on fire either. 2012's AVENGERS is probably my favorite Marvel film, but CAPTAIN AMERICA: THE WINTER SOLDIER is close behind, if not tied, depending upon what day of the week you ask for my opinion.
I was ready for CIVIL WAR to blow both of those last two out of the water. The movie had tremendous buzz and very positive advance reviews, and it looked terrific. I found myself really psyched up, looking forward to CIVIL WAR more than any other movie in recent memory (that includes THE FORCE AWAKENS). A few days before its release I compared my anticipation for it with my feelings toward AVENGERS in the final weeks before before it hit screens four years earlier.
Sadly, I think the hype kind of dulled CIVIL WAR's impact for me. It's entertaining and I liked it well enough, but it certainly doesn't supplant AVENGERS or WINTER SOLDIER for me. Right now I'm not sure exactly where I'd rank it in the pantheon of the Marvel Cinematic Universe, but it's probably someplace near the middle.
Be warned -- CIVIL WAR spoilers abound, starting right now!
In general I've liked a lot of Marvel's output since the first IRON MAN in 2008. There have been some misses, however; I found both IRON MAN sequels somewhat lacking, for different reasons. THOR: THE DARK WORLD, while okay, didn't exactly light my world on fire either. 2012's AVENGERS is probably my favorite Marvel film, but CAPTAIN AMERICA: THE WINTER SOLDIER is close behind, if not tied, depending upon what day of the week you ask for my opinion.
I was ready for CIVIL WAR to blow both of those last two out of the water. The movie had tremendous buzz and very positive advance reviews, and it looked terrific. I found myself really psyched up, looking forward to CIVIL WAR more than any other movie in recent memory (that includes THE FORCE AWAKENS). A few days before its release I compared my anticipation for it with my feelings toward AVENGERS in the final weeks before before it hit screens four years earlier.
Sadly, I think the hype kind of dulled CIVIL WAR's impact for me. It's entertaining and I liked it well enough, but it certainly doesn't supplant AVENGERS or WINTER SOLDIER for me. Right now I'm not sure exactly where I'd rank it in the pantheon of the Marvel Cinematic Universe, but it's probably someplace near the middle.
Be warned -- CIVIL WAR spoilers abound, starting right now!
Sunday, March 13, 2016
THE UNBOXING - MARCH 2016
Three Marvels and a DC arrived this month, with one Marvel delayed until April for unknown reasons.
We'll get DC's offering out of the way first: the BATMAN: HARLEY & IVY Deluxe Edition hardcover collection, reprinting the limited series by Bruce Timm and Paul Dini, as well as a number of other comic book team-ups from the BATMAN: THE ANIMATED SERIES universe starring this duo and written by Dini. I've read every iteration of THE BATMAN ADVENTURES and its specials and annuals, but somehow I never got my hands on HARLEY & IVY when it was first published. I can't express how excited I am to read what is, to me, a "lost" Dini/Timm Batman production.
From Marvel, I've got an Avenger and two X-Men collections to look at -- first, CAPTAIN AMERICA: WHITE, the long-delayed fourth installment in the Jeph Loeb/Tim Sale "color" series. Readers will recall that early last year I looked at the original "colors", DAREDEVIL: YELLOW, SPIDER-MAN: BLUE, and HULK: GRAY, which were published between 2001 and 2004. Now, at last, Loeb and Sale have created the long-ago teased WHITE as a companion to those series. I intend to read this one pretty soon and post my thoughts on it to go with the previous colors in short order.
We'll get DC's offering out of the way first: the BATMAN: HARLEY & IVY Deluxe Edition hardcover collection, reprinting the limited series by Bruce Timm and Paul Dini, as well as a number of other comic book team-ups from the BATMAN: THE ANIMATED SERIES universe starring this duo and written by Dini. I've read every iteration of THE BATMAN ADVENTURES and its specials and annuals, but somehow I never got my hands on HARLEY & IVY when it was first published. I can't express how excited I am to read what is, to me, a "lost" Dini/Timm Batman production.
From Marvel, I've got an Avenger and two X-Men collections to look at -- first, CAPTAIN AMERICA: WHITE, the long-delayed fourth installment in the Jeph Loeb/Tim Sale "color" series. Readers will recall that early last year I looked at the original "colors", DAREDEVIL: YELLOW, SPIDER-MAN: BLUE, and HULK: GRAY, which were published between 2001 and 2004. Now, at last, Loeb and Sale have created the long-ago teased WHITE as a companion to those series. I intend to read this one pretty soon and post my thoughts on it to go with the previous colors in short order.
Sunday, January 10, 2016
X-MEN: FALL OF THE MUTANTS
Hardcover, 2011. Collects 1988's X-FACTOR #18 - 26, UNCANNY X-MEN #220 - 227, NEW MUTANTS #55 - 61, INCREDIBLE HULK #336, 337 & 340, POWER PACK #35, DAREDEVIL #252, CAPTAIN AMERICA #339, and FANTASTIC FOUR #312.
"Fall of the Mutants" was less a "crossover" and more an "event featuring disparate storylines sharing a similar theme/banner title" -- meaning that the three core X-series, UNCANNY X-MEN, NEW MUTANTS, and X-FACTOR, did not interact at all during the events of "Fall", instead each participating in the event in their own way.
As a result, this hardcover has an unusual layout by X-event standards -- it's presented in three sections, each devoted to one series and each beginning with its own recap page to get readers up to speed on prior goings-on in those series. We kick off with the X-FACTOR segment, easily the biggest chunk of material in the book, filling 393 out of 824 pages. Following from the recap, we get X-FACTOR issues 18 - 20, HULK 336 - 337, X-FACTOR 21 - 25, POWER PACK 35, DAREDEVIL 252, CAPTAIN AMERICA 339, X-FACTOR 26, and finally FANTASTIC FOUR 312.
All of this covers the lead-up to Apocalypse's assault on Manhattan and Angel's transformation into the Horseman of Death, as well as the reactions from characters like the Power Pack kids, Daredevil, and Captain America. Unlike "Mutant Massacre", where I felt some of the crossover material was inappropriate or weakened the main story, here it mostly all fits with the possible exception of CAP, which rides the story's coattails with a tangentially related installment shoehored into the action.
"Fall of the Mutants" was less a "crossover" and more an "event featuring disparate storylines sharing a similar theme/banner title" -- meaning that the three core X-series, UNCANNY X-MEN, NEW MUTANTS, and X-FACTOR, did not interact at all during the events of "Fall", instead each participating in the event in their own way.
As a result, this hardcover has an unusual layout by X-event standards -- it's presented in three sections, each devoted to one series and each beginning with its own recap page to get readers up to speed on prior goings-on in those series. We kick off with the X-FACTOR segment, easily the biggest chunk of material in the book, filling 393 out of 824 pages. Following from the recap, we get X-FACTOR issues 18 - 20, HULK 336 - 337, X-FACTOR 21 - 25, POWER PACK 35, DAREDEVIL 252, CAPTAIN AMERICA 339, X-FACTOR 26, and finally FANTASTIC FOUR 312.
All of this covers the lead-up to Apocalypse's assault on Manhattan and Angel's transformation into the Horseman of Death, as well as the reactions from characters like the Power Pack kids, Daredevil, and Captain America. Unlike "Mutant Massacre", where I felt some of the crossover material was inappropriate or weakened the main story, here it mostly all fits with the possible exception of CAP, which rides the story's coattails with a tangentially related installment shoehored into the action.
Labels:
Captain America,
Chris Claremont,
Collected Editions,
Daredevil,
Fall of the Mutants,
Fantastic Four,
Hulk,
Louise Simonson,
Marvel,
New Mutants,
Peter David,
Power Pack,
Uncanny X-Men,
X-Factor,
X-Men
Sunday, July 26, 2015
THE UNBOXING - JULY 2015
Three trade paperbacks reached my doorstep this month, all from Marvel. First up is ANT-MAN: SCOTT LANG, a collection of stories I've wanted to read for some time. As many know, back in the seventies, Hank Pym had moved away from his Ant-Man identity to become Giant-Man, then Goliath, then ultimately Yellowjacket. Marvel brought Ant-Man back into circulation by giving the codename and costume to a new character, a former burglar named Scott Lang (and if anyone saw the new ANT-MAN movie that came out last weekend, this story should sound pretty familiar).
David Michelinie created Scott and wrote several early appearances for him, all collected in this volume, before moving him into IRON MAN as a supporting character during his legendary run with artist Bob Layton. Because of that, this book will, in a way, make a nice companion for the IRON MAN BY MICHELINE & LAYTON OMNIBUS.
David Michelinie created Scott and wrote several early appearances for him, all collected in this volume, before moving him into IRON MAN as a supporting character during his legendary run with artist Bob Layton. Because of that, this book will, in a way, make a nice companion for the IRON MAN BY MICHELINE & LAYTON OMNIBUS.
Sunday, July 12, 2015
CAPTAIN AMERICA’S THEME
A well deserved, albeit long and meandering, tribute to the most ubiquitous musical motif in the Marvel Cinematic Universe.
From my perspective, Marvel Studios doesn't have many failings so far. Not all their movies have been great (IRON MAN sequels, I’m looking at you), and yes, there are some things I think they could've implemented better -- but overall, even on the rare occasions they have a misfire, their output is generally still a lot of fun.
But there is one area where Marvel’s movies have mostly fallen very short in my estimation. I love strong recurring musical themes in my movies, especially across multiple films. Think of the STAR WARS or INDIANA JONES movies, the LORD OF THE RINGS and HOBBIT sagas, or the HARRY POTTER series. All these franchises feature numerous recognizable themes and motifs developed across all their installments.
Not so with the Marvel movies. IRON MAN 1, 2, and 3 all have completely different themes by three different composers for the main character. Likewise, THOR and THOR: THE DARK WORLD feature separate themes for the God of Thunder, as composed by two different men. AVENGERS: AGE OF ULTRON uses some of the main theme from the first AVENGERS film, but that’s a special case which we’ll get to shortly.
But somehow, through all of these, one character’s theme has stayed with him, popping up at least once in every one of the films featuring him: Captain America.
From my perspective, Marvel Studios doesn't have many failings so far. Not all their movies have been great (IRON MAN sequels, I’m looking at you), and yes, there are some things I think they could've implemented better -- but overall, even on the rare occasions they have a misfire, their output is generally still a lot of fun.
But there is one area where Marvel’s movies have mostly fallen very short in my estimation. I love strong recurring musical themes in my movies, especially across multiple films. Think of the STAR WARS or INDIANA JONES movies, the LORD OF THE RINGS and HOBBIT sagas, or the HARRY POTTER series. All these franchises feature numerous recognizable themes and motifs developed across all their installments.
Not so with the Marvel movies. IRON MAN 1, 2, and 3 all have completely different themes by three different composers for the main character. Likewise, THOR and THOR: THE DARK WORLD feature separate themes for the God of Thunder, as composed by two different men. AVENGERS: AGE OF ULTRON uses some of the main theme from the first AVENGERS film, but that’s a special case which we’ll get to shortly.
But somehow, through all of these, one character’s theme has stayed with him, popping up at least once in every one of the films featuring him: Captain America.
Saturday, July 4, 2015
CAPTAIN AMERICA REPLICA SHIELD PROP BY EFX COLLECTIBLES
What's this? A rare Saturday post? Yes, this could have easily gone up tomorrow, but given that today is the Fourth of July -- America's Independence Day -- I couldn't pass up the chance to post some pictures of my newest collectible acquisition.
But, as always, I'm going to spend some time to set the stage first. A few years back, EFX Collectibles announced they would be producing a line of prop replicas based on items from Marvel Films' productions. Among these items was Captain America's star-spangled shield.
Now I'm not a prop replica guy. I owned none until this one. I was never into "role-play" type toys as a kid, and I'm not really into them as an adult either. But there's something about Cap's shield -- it's not just a prop, it's a piece of art. So I was really excited at the prospect of owning it and mounting it on my wall.
But, as always, I'm going to spend some time to set the stage first. A few years back, EFX Collectibles announced they would be producing a line of prop replicas based on items from Marvel Films' productions. Among these items was Captain America's star-spangled shield.
Now I'm not a prop replica guy. I owned none until this one. I was never into "role-play" type toys as a kid, and I'm not really into them as an adult either. But there's something about Cap's shield -- it's not just a prop, it's a piece of art. So I was really excited at the prospect of owning it and mounting it on my wall.
Labels:
Captain America,
Marvel,
Marvel Studios,
Movies,
Prop
Sunday, September 21, 2014
THE UNBOXING - SEPTEMBER 2014
Wow! Talk about a light month -- I received one single item this time, the CAPTAIN AMERICA EPIC COLLECTION: SOCIETY OF SERPENTS. This volume includes CAPTAIN AMERICA issues 302 - 317, marking the beginning of the late Mark Gruenwald's long run on the title.
I have a huge affinity for Gruenwald's Cap, as I think I've mentioned before. As far as I'm concerned, this is the definitive Captain America: no secret identity to get in the way, no civilian supporting cast members to bog him down. Steve Rogers is Captain America 24/7, and he only associates with SHIELD agents and other superheroes. Some characters need large supporting casts and melodramatic soap operatics. Captain America is not one of these.
Anyway -- a decent chunk of Gruenwald's Cap is collected, but there's still a large amount waiting for a nice home. This run isn't the stuff of which Omnibuses are made, so hopefully, given time, the Epic Collection format will see Gruenwald's entire tenure on the character (issues 307 - 443) on my bookcase. And then, someday, I'll review the whole run issue by issue here.
I have a huge affinity for Gruenwald's Cap, as I think I've mentioned before. As far as I'm concerned, this is the definitive Captain America: no secret identity to get in the way, no civilian supporting cast members to bog him down. Steve Rogers is Captain America 24/7, and he only associates with SHIELD agents and other superheroes. Some characters need large supporting casts and melodramatic soap operatics. Captain America is not one of these.
Anyway -- a decent chunk of Gruenwald's Cap is collected, but there's still a large amount waiting for a nice home. This run isn't the stuff of which Omnibuses are made, so hopefully, given time, the Epic Collection format will see Gruenwald's entire tenure on the character (issues 307 - 443) on my bookcase. And then, someday, I'll review the whole run issue by issue here.
Wednesday, May 14, 2014
CAPTAIN AMERICA #255
"THE LIVING LEGEND"
Created by Joe Simon and Jack Kirby
Writer: Roger Stern | Artist: John Byrne
Letterer: Joe Rosen | Colorist: Bob Sharen
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
Special Thanks to Joe Rubinstein, Inker of Today!
Created by Joe Simon and Jack Kirby
Writer: Roger Stern | Artist: John Byrne
Letterer: Joe Rosen | Colorist: Bob Sharen
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
Special Thanks to Joe Rubinstein, Inker of Today!
![]() |
| Cover by Frank Miller |
A month later, Cap has reported to Camp Lehigh as Private Steve Rogers, a cover which will allow him to move about in secret. He has befriended young Bucky Barnes, and the two soon go on to become partners in the war. Following a montage which recaps the remainder of Cap's World War II career alongside the Invaders, the story jumps back to the present day, where Cap returns home after a long night of superheroing.
Continuity Notes: The entire story is basically one big continuity note, reconciling various versions of Captain America's origin into a cohesive whole. More on that below.
Subscribe to:
Posts (Atom)
















