BATMAN #342

"REQUIEM FOR A HERO"
Writer Gerry Conway | Artists: Irv Novick & Frank McLaughlin
Letterer: Shelly Leferman | Colorist: Adrienne Roy | Editor: Dick Giordano

The Plot: In the Batcave beneath Wayne Manor, Doctor Thirteen finds Man-Bat attacking Batman. Thirteen tries to help, allowing Batman to get free and zap Man-Bat with Thirteen's sonar gun. Man-Bat escapes, and Batman emerges onto the Wayne grounds with an injured Thirteen. At the hospital, Batman and Commissioner Gordon are told that Thirteen will survive.

The next day, Bruce Wayne visits the apartment of Kirk and Francine Langstrom and their daughter, Rebecca, in Gotham's Crime Alley neighborhood. Francine explains that Kirk has been consumed by his Man-Bat persona thanks to his hatred of Batman. That night, Batman goes out in search of Man-Bat. He enters the extended network of caverns beneath the Wayne grounds, and eventually finds his quarry. Batman and Man-Bat fight, and Batman slips an antidote into Man-Bat's mouth -- but it fails to change him back to Kirk Langstrom. Instead, Man-Bat kicks Batman away and flies off, leaving the Caped Crusader behind, vowing to find a new cure for his one-time friend.

Continuity Notes: Commissioner Gordon loses his temper with Batman at the hospital, then reveals why: he received a threatning note in the morning's mail.

BATMAN #341

It was a dark and stormy night. A perfect night for...
"THE GHOST OF WAYNE MANSION"
Writer Gerry Conway | Artists: Irv Novick & Frank McLaughlin
Letterer: Ben Oda | Colorist: Adrienne Roy | Editor: Dick Giordano

The Plot: On a dark and stormy night, three kids race out of Wayne Manor, screaming about a ghost, and are found by a passing Gotham policeman. The next morning, Commissioner Gordon asks Bruce Wayne for permission to search the mansion, but Bruce -- worried Gordon might find the old Batcave -- refuses, so Gordon leaves to get permission from the house's cartetakers at the Gotham Historical Society instead. Later, Batman examines real-time footage of the manor on his computer, and finds that the secret entrance to the Batcave behind a grandfather clock is ajar. Batman races to the house to stop Gordon's search.

Meanwhile, Gordon enters the house with Miss Crum of the Historical Society, and with Doctor Terry Thirteen, a paranormal investigator who specializes in debunking ghosts. Gordon tells Thirteen that the night before, his officer saw the same "ghost" the kids saw. Meanwhile, Batman enters the mansion as well. He secretly sabotages Doctor Thirteen's "sonar gun", but when the "ghost" swoops past overhead, he follows it. After losing the ghost, Batman shows himself and asks Gordon for time to search the mansion alone. Gordon agrees, and leaves the house with Crum and Thirteen -- but Thirteen immediately slips back inside. Batman enters the Batcave to find that the "ghost" is actually Man-Bat -- and then the creature quickly subdues him. Meanwhile, Thirteen discovers the Batcave entrance and descends the stairs, to find Man-Bat holding the unconscious Batman.

Continuity Notes: Lots of them this issue! But we'll start with a sub-plot scene, where the mystery man who was released from Arkham Asylum in DETECTIVE COMICS #507 visits the Gotham Tobacconists Club, a group of the city's most powerful political movers and shakers. The man immediately blackmails the club members into backing him, and they declare that he is still the "boss" of Gotham City. The man then says that he is barred from running for office due to his time in Arkham, but that he has one of the mayoral candidates in his pocket and he wants to ensure that candidate is elected. (You probably realize who this guy is by now, but since the story hasn't revealed it yet, neither will I!)

BATMAN #338

"THIS SPORTING DEATH!"
Script: Gerry Conway | Plot Assist: Roy Thomas
Artists: Irv Novick & Frank McLaughlin
Letters: John Costanza | Colos: Adrienne Roy | Editor: Dick Giordano

The Plot: Late at night on the field of Gotham Stadium, a man in sports gear kills a sportswriter named Hank Klugmann. Later, Commissioner Gordon calls Batman to assist with the investigation, which is the latest in a series of sports-related murders. The next morning, Bruce Wayne inspects the field in the daylight, but finds no leads. Later that night, the Batman stakes out a Sunday Night Hockey game. The mysterious "Sportsman" skates onto the ice and blows up star player Pierre Foote with an exploding basketball. Batman chases the Sportsman out of the arena, but the villain escapes by throwing a razor-edged tennis raquet at the Caped Crusader.

The next day, Bruce Wayne visits Gotham's Sports World Mall, looking for leads on the raquet. As he asks a saleswoman about it, a shop buyer named Martin Mantle makes a break for it. Bruce follows, but loses Mantle. He changes to Batman and finds the Sportsman terrorizing the mall patrons. Batman falls into a pitching machine's net, and elicits a confession from the Sportsman -- he was an unathletic child, and his father, a sports physician, concocted a formula to make an athlete of anyone. He injected young Mantle with the formula, and the boy grew up to become a sports star, dominating every school and collegiate sport in which he participated. But eventually he learned that the formula in his veins was killing him, and he became the Sportsman to take revenge on all the sporting world.

Batman then triggers the pitching machine, which launches a ball at Mantle. Briefly stunned, the Sportsman is easily dispatched by Batman and arrested by the police.

SONS OF THE TIGER PART 2 - THE MASTER PLAN OF FU MANCHU

As presented in DEADLY HANDS OF KUNG FU SPECIAL No. 1.

"TITLE PAGE" & "EPILOG"
Script: Tony Isabella | Art: John Buscema
Featuring supporting characters created by Sax Rohmer.

"CHAPTER 1: IRON FIST"
Script: Doug Moench | Art: Frank McLaughlin & the Crusty Bunkers

"CHAPTER 2: THE SONS OF THE TIGER!"
Script: Chris Claremont | Art: Herb Trimpe

"CHAPTER 3: THE HANDS OF SHANG-CHI, MASTER OF KUNG FU
Script: Doug Moench | Art: Mike Vosburg & Dan Adkins

For its first "Summer Special", DEADLY HANDS OF KUNG FU presents a serial starring all of of Marvel's 1970s martial arts characters in a "non" team-up, pitting them against the insidious Doctor Fu Manchu, archenemy and father of Shang-Chi. The story begins with a one-page prologue, a pin-up showing the Sons of the Tiger, Iron Fist, and Shang-Chi, with Fu Manchu's face hovering above them, as narration briefly explains who all our our protagonists are. From there, we move into the serial proper, starting with Iron Fist:

The Plot: Iron Fist is wandering the back alleys of New York when he comes across a Chinese U.N. delegate on the verge of death. Befor the man expires, he tells Iron Fist that his five compatriots were abducted. Iron Fist battles two of the kidnappers, who show up in search of the now-deceased delegate. One of the villains escapes, and Iron Fist pursues him to a warehouse, where he battles the kidnappers' master, a sumo warrior named Tsu-Gamo. Iron Fist defeats Tsu-Gamo and his men, but finds that the delegates have been spirited away.

Subsequently, Abe Brown, Lin Sun, and Bob Diamond arrive in New York for a martial arts tournament, but find themselves attacked at the airport by agents of Lo Chin and the Seven Silent Ones. The Sons defeat the men and escape, and the next morning see a news report about the missing Chinese delegates. When China's deputy foreign minister appears onscreen from the United Nations, Lin's tiger amulet tingles. He leads Bob and Abe to the U.N. to investigate, where they attempt to stop Chinese agents from kidnapping the American delegation. But the Sons fail, and the Americans are taken, leading the president to demand their return, lest China face the consequences. And unknown to all, the "Chinese" are actually agents of Fu Manchu's Si-Fan organization.

SONS OF THE TIGER PART 1

As presented in DEADLY HANDS OF KUNG FU Nos. 1, 3, and 4.

"THE SONS OF THE TIGER!" | "THE TRAIL OF THE NINJA!"
"NIGHT OF THE DEATH-DREAM!"
Author: Gerry Conway | Editor & Advisor: Roy Thomas
Artists: Dick Giordano & Frank McLaughlin (pts. 1 & 2) | Don Perlin & Dan Adkins (pt. 3)

The Plot: (DEADLY HANDS #1) One night in San Francisco's Chinatown, on his way home from a martial arts tournament, a young man named Lin Sun is attacked by a group of ninjas. He fights them off, but upon entering the dojo where he trains, finds his Master Kee dying thanks to the ninjas. Kee tells Lin to take the three jade tiger amulets that he keeps in the dojo, and to go seek out the school's two other best students, Abe Brown and Bob Diamond -- then Kee dies in Lin's arms. Lin takes the amulets and locates Abe first, helping him to fight off a group of drug dealers. The two move along to the penthouse apartment of Bob, a movie star, and save him from a ninja attack as well.

Bob and Abe each take one amulet and the trio sets out for the only ninjutsu school in San Francisco, where they fight its master, Sui Tu Kama. Using the mystical amulets to triple their individual fighting skills, the "Sons of the Tiger" defeat Kama and his ninja followers, and discover a hidden opium den in the dojo as well. Abe believes Master Kee has been avenged, but Lin states that Kama had a master, and vows to find him.

(DEADLY HANDS #3) Following a lead, Lin Sun arrives at Janto Imports on the San Francisco waterfront. He is attacked by ninjas and holds his own, but is eventually defeated. Meanwhile, Abe and Bob, who abandoned Lin to continue his mission alone after they felt they had sufficiently avenged Master Kee, have a change of heart and go after their friend. They find Lin about to be killed by an old man named Lo Chin and his minions. Abe and Bob rescue Lin and the group fights together once more, defeating Lo Chin's men and destroying his stolen sonic cannon -- but in the aftermath of the fight, Lo Chin has vanished.

(DEADLY HANDS #4) Following yet another lead, the Sons arrive at the airport, where they try to stop Lo Chin from boarding a plane. But the craft takes off with Lin having chased Lo Chin aboard. Bob and Abe hitch a ride as it rises into the air, leading to a battle aboard the plane. Eventually it crashes, apparently with Lo Chin aboard, but the Sons bail out to watch the wreckage burn.

BATMAN #335

"ASHES TO ASHES!"
Writer: Marv Wolfman | Artists: Irv Novick & Frank McLaughlin
Colorist: Adrienne Roy | Letterer: Ben Oda | Editor: Paul Levitz

"The Lazarus Affair" -- and our overall look at Batman in the Seventies -- concludes with the May, 1981 issue of BATMAN. On Infinity Island, the Caped Crusader is offered a chance to join Ra's al Ghul, and -- after weighing the options -- he agrees.

But of course, Batman is bluffing. The funny thing is that everyone goes along with this in their own ways, but they all know it's a sham. Ra's al Ghul welcomes Batman into the family and sends him off with Talia for a tour of the island, then confides in his chief scientist that he knows Batman's agreement is insincere. Robin puts on a show of feeling betrayed, but secretly receives hand signals from Batman that let him know the Dark Knight is simply buying time. Even King Farady, who throws a punch at Batman over his betrayal, does it for show, as he also catches the hand signals, and even though he doesn't know what they mean, he understands this is a ruse.

So surely Batman, the world's greatest detective, must realize that no one believes him. Yet for whatever reason, everybody plays along... until they decided they're finished. For al Ghul, it happens when Talia escorts Batman into a room containing the Lazarus Pit. He decides at this point to go beat Batman up and turn him into a mutate. For Robin, Faraday, and Catwoman, it happens after they've been escorted back to the slave mines. Robin randomly decides that Batman needs them, so the group breaks free -- again -- and returns to the dome -- again -- to help Batman. From a story perspective, none of this seems to make any sense. We could've jumped straight from the opening page to al Ghul knocking Batman out and his friends fighting on his behalf -- but Wolfman needs to squeeze in some exposition, so he uses Batman's transparent ploy to work it in.

BATMAN #333 & #334

"THE CHINA SYNDROME!"
Writer: Marv Wolfman | Artists: Irv Novick & Frank McLaughlin
Colorist: Adrienne Roy | Letterer: Ben Oda | Editor: Paul Levitz

As with the previous issue in the "Lazarus Affair" saga, BATMAN 333 begins with a one-page prologue -- this time it's a mysterious white-haired man in Nepal, listening for a signal from somewhere. And, for the first time in ten years, he receives it.

We then jump to Switzerland, where Batman is impersonating Gregorian Falstaff's right-hand man, Karlyle Krugerrand, in an attempt to gain access to Falstaff's safety deposit box. But the disguise is penetrated, and the Caped Crusader finds himself on the run from several agents of Falstaff's mysterious master. It becomes immediately clear in the subsequent pages that "The Lazarus Affair" is, at least in part, Marv Wolfman's tribute to the classic James Bond movies. Because if Bond winds up in Switzerland (or really, any exotic, snowy locale), it's pretty much guaranteed that he'll get involved in a high-speed ski chase -- which is exactly what happens here to Batman.

The Darknight Detective is shot in the arm, but nonetheless manages to elude his pursuers and meet up with Talia at their shared hotel suite. But when he changes to Bruce Wayne and attempts a romantic dinner with his traveling companion, he's attacked again -- suggesting that his enemies know his secret identity. So with dinner ruined, Bruce and Talia instead return to their room to knock boots before departing the next morning in a small plane for Hong Kong to meet with another contact, Feng-Wei. But after sneaking to the island through China, Bruce leaves Talia behind for this new rendezvous -- and is immediately captured by a sinister sea captain.

BATMAN #332

"THE LAZARUS AFFAIR: FALLOUT!"
Writer: Marv Wolfman | Artists: Irv Novick & Frank McLaughlin
Colorist: Adrienne Roy | Letterer: Ben Oda | Editor: Paul Levitz

After a brief prologue that we'll look at in a moment, this week's BATMAN installments begin where last week's ended -- with Robin storming out of the Batcave after Batman has agreed to allow Talia to stay there. But Batman soon leaves his love behind to go investigate Gregorian Falstaff, and we learn some tidbits I don't think Len Wein intended when he created the character: specifically, that Falstaff was virtually unknown before three years ago, when he made all his money, and that he is operating as a front for someone else. This is confirmed a scene or two later, when Falstaff himself refers to a mysterious "master" while chatting with his lieutenant, Karlyle Krugerrand.

Batman deduces that Falstaff has been getting intel on Wayne Enterprises from Bruce Wayne's secretary, Caroline Crowne. The Caped Crusader payes Crowne a visit and saves her from being roughed up by a "mutate" on Falstaff's payroll. Crowne admits that she's only been spying on Bruce because Falstaff is holding her daughter hostage. Batman changes to Bruce and visits Falstaff, where he learns that the villain is seizing Wayne properties left and right. Later, back at the Batcave, Talia sedates Batman, but as she leaves to carry out a mysterious errand, she fails to realize he's still conscious.

BATMAN #330 & #331

"TARGET!" | "CLOSED CIRCUIT!"
Writer: Marv Wolfman | Dialogue: Michael Fleisher (issue 331)
Penciler: Irv Novick | Inkers: Vince Colletta (issue 330 & Frank McLaughlin (issue 331)
Letterer: Ben Oda | Colorist: Adrienne Roy | Editor: Paul Levitz

And now we rejoin our story, already in progress... or so it seems when one dives into this issue. Don't get me wrong -- the story begins cleanly, with a setup introduced on the first page (specifically, a crook Batman sent up the river years ago is scheduled to be executed the next day, so he puts out a bounty -- he will pay ten million dollars in gold to anyone who can off Batman before he dies). But in terms of sub-plots, something's a bit off. Robin arrives early on to assist Batman in avoiding the various assassins who are now gunning for him. So far, so good -- until suddenly, Batman gives his partner the cold shoulder, and Robin realizes it's because this is the first time they've interacted since he announced that he was dropping out of college.

Now, look -- we haven't been reading every Batman-related story that came out around this time. Yes, we've covered BATMAN consistently; every issue dating back nearly two years now. And we've looked at a lot of consecutive DETECTIVE COMICS issues as well... but only the main stories. Both these series ran backup features, off-and-on, usually starring Robin and Batgirl. And I have to assume that Robin dropped out in one of those -- which is fine! But what strikes me odd about this is that Wolfman's script mentions it casually, almost in passing, as if we're supposed to know about it. And to the reader of 1980/81, that may well have been the case -- but you can't assume that all readers have been picking up every issue of every comic.

BATMAN #328 & #329

"DOUBLE JEOPARDY!" | "TWICE DIES THE BATMAN!"
Writer: Marv Wolfman | Artists: Irv Novick & Frank McLaughlin
Colorist: Adrienne Roy | Letterer: Ben Oda | Editor: Paul Levitz

Look up top for a second, will you? No, not at the writing credit, which tells us that Marv Wolfman is now aboard as BATMAN's regular writer (for eight issues, anyway). Check out those story titles: "Double Jeopardy!" "Twice Dies the Batman!" Yep, you guessed it -- not only is Marv here, but Two-Face came with him! And on top of that, Wolfman is using these stories for a bit of a deep-dive into Batman's lore, which is always nice to see.

We begin in the Batcave, as Batman is taunted by a video message from Carl Ternion, who was recently tried and found not guilty of murder, but who -- in his message -- now brags to Batman that he did commit the crime. Protected by "double jeopardy" laws, he can never be tried for that crime again, but Batman nonetheless sets out to get to the bottom of Ternion's confession. As he investigates, the Darknight Detective finds that Ternion is dating Gilda Stevens, the ex-wife of Two-Face, who was recently widowed when her second husband, David, was murdered.

So here's the thing: Wolfman plays this as a mystery, but it really isn't one. Besides big clue in the title above, Ternion is depicted several times throughout part one with half his face obscured, or split down the middle through some means such as the divider between window panes as he looks outside. Combined with the fact that he's dating Harvey Dent's ex and has killed the man who murdered her husband (who was Harvey's former assistant when he was district attorney), it's quite obvious that Ternion is Two-Face in disguise.

BATMAN #326 & #327

"THIS WAY LIES MADNESS!" | "ASYLUM SINISTER!"
Writer: Len Wein | Artists: Irv Novick & Frank McLaughlin | Colorist: Adrienne Roy
Letterers: John Costanza (issue 326) & Ben Oda (issue 327) | Editor: Paul Levitz

Len Wein's run on BATMAN comes to an end with these two issues, and while not as strong as last week's Catwoman/Cat-Man saga, the story here isn't too bad. We open with Selina leaving Gotham City. After everyone immediately thought the worst of her when the Egyptian cat exhibit was stolen, she's decided she can't live (or love) among people who inherently don't trust her. After she departs, an angst-ridden Batman goes on patrol and stops a robbery, but the suspect escapes. However, Batman recognizes him as "Mad Dog" Markham, a criminal who should be incarcerated at Arkham Asylum. Batman visits Police Headquarters and learns of Commissioner Gordon's encounter last issue with the apparent work of "Kid Gloves" McConnell, another Arkham inmate.

Deciding that something is rotten in the asylum, Batman goes undercover as a crook named "Shank" Taylor and gets himself committed. Inside, he learns that the asylum is now being run by his old enemy Professor Milo. Batman eventually gets the better of Milo, and the sinister doctor is driven mad himself thanks to exposure to a special chemical he had prepared for the Caped Crusader.

Wein must be a fan of Milo; this is the second time we've seen him use the character (the first was in "Moon of the Wolf", and Milo here is scarred down the side of his face from his encounter with the werewolf he created in that tale). Considering Wein was born in 1948 and Milo debuted in 1957's DETECTIVE COMICS #247, that's not a surprise -- he probably had some childhood memories attached to that issue. Who knows; maybe it was his first Batman comic!

BATMAN #317 & #318

"THE 1,001 CLUE CAPER or WHY DID THE RIDDLER CROSS THE ROAD?"
"MY CITY BURNS AT BOTH ENDS -- IT WILL NOT LAST THE NIGHT!"
Writer: Len Wein | Artists: Irv Novick & Frank McLaughlin
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Julius Schwartz

BATMAN 317 picks up where issue 316 ended, with Batman and Robin wrapping up the Crazy Quilt caper at Gotham Police Headquarters. Their next case begins immediately as Batman receives a parcel care of the police -- a book of riddles from the Riddler. The Dynamic Duo head home so Bruce Wayne can tend to the day-to-day operations of his company, while Robin does some investigate legwork. Eventually the heroes figure out the Riddler has gotten into the lucrative game of selling guns to foreign powers, and shut him down at Gotham's waterfront.

Along the way, Bruce makes up (and makes out) with Selina Kyle following their argument a couple issues back, while Lucius Fox continues to worry over his upcoming meeting with Bruce's reclusive rival, Gregorian Falstaff. And then , in a glorious half-page panel to close out the issue, Lucius comes face-to-face with the gluttonous Falstaff.

I'm not sure what it is about this one that speaks to me... maybe it's as simple as the inclusion of the Riddler, who has long been one of my favorite Batman villains, and who has gotten pretty short shrift in these 1970s stories we've been examining. This is by no means the Riddler's first appearance of the decade, but it is the first time we've looked at a comic featuring him.

BATMAN #315 & #316

"DANGER ON THE WING!" | "COLOR ME DEADLY!"
Writer: Len Wein | Artists: Irv Novick & Frank McLaughlin
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Paul Levitz

BATMAN 315 continues Len Wein's string of sub-par one-off adventures, padded by slow-moving sub-plots. This time, Batman goes up against Kite-Man, stopping the obscure villain from stealing the final day's payroll of Trans-Atlantic Airways, an airline moving out of Gotham City. It's a pretty lame story that would fit in nicely among Batman's TV episodes, but it really doesn't fit the Darknight Detective. Plus, the plot is similar in some ways to the Calendar Man story Wein just wrote a couple months earlier.

The sub-plots do a bit to elevate this one, but not by much. We get a brief appearance from Selina Kyle, who confronts Bruce Wayne about his digging up dirt on her. She's none too pleased about it, and throws a drink in Bruce's face, then leaves their lunch date in a huff. And then there's Lucius Fox, who thinks a bit about his son, Tim, before he's accosted by Karlyle Krugerrand, right-hand man to Gregorian Falstaff. It seems Falstaff wants a meeting with Lucius, and seeing an opportunity to learn a bit about his boss's rival, Lucius agrees to this proposal.

...Then he heads over to Wayne Foundation and nearly tells Bruce about the upcoming meeting, but changes his mind at the last minute and decides to keep his boss in the dark -- I assume to give him plausible deniability, though it comes across here as Lucius simply making a dumb decision, as he did last issue when he blabbed to Selina about the dossier he had compiled on her. I can see that Wein is trying to lace his stories with soap opera angst and intrigue, but the problem is that for whatever reason, he's not very good at it!

BATMAN #312 - 314

"A CAPER A DAY KEEPS THE BATMAN AT BAY!"
Writer: Len Wein | Artists: Walt Simonson & Dick Giordano
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Paul Levitz

Beginning this month, longtime editor Julius Schwartz is off BATMAN, replaced by Paul Levitz. I once read, years ago, that Levitz came in and upended Len Wein's plan for the series, demanding that every issue feature a costumed villain, and that the stories be mostly self-contained. I'm not certain of the truth of this rumor, though. Wein certainly will go on to use super-villains pretty much exclusively for the remainder of his run, but he had already been doing it from the moment he started! The only exception was his inaugural installment, issue 307, which featured a serial killer. But since then, it's been Mr. Freeze, Blockbuster, and Gentleman Ghost -- and prior to that, in his two-part DETECTIVE COMICS story, he introduced a new Clayface!

Plus, the storylines will not be self-contained going forward. We have a few two-parters on the way, and Marvel-style sub-plots will continue to be the norm throughout the entire run. So I really don't know where that rumor came from -- I honestly can't recall where I read it, since it was probably ten years ago at this point -- but I felt it was worth mentioning for posterity.

Now, on with the stories at hand. We begin with one that featured in THE GREATEST BATMAN STORIES EVER TOLD, though I've never quite been certain why. It follows a week in Batman's life as he battles the nefarious Calendar Man, failing to thwart him at every turn until Sunday rolls around, when the Caped Crusader finally gets his act together and brings the bad guy to justice. I feel like there are much stronger Wein-written stories that could've made their way into GREATEST STORIES, so the only reason I can imagine for its inclusion over anything else is that it features artwork from Walter Simonson -- back to form following those two horrid issues he contributed to Steve Englehart's DETECTIVE run a couple years earlier.

BATMAN #309 & #310

"HAVE YOURSELF A DEADLY LITTLE CHRISTMAS!"
"THE GHOST WHO HAUNTED BATMAN"
Writer: Len Wein
Artists (issue 309): John Calnan & Frank McLaughlin
Artists (issue 310): Irv Novick & Dick Giordano
Colorist: Glynis Wein | Letterer: Ben Oda | Editor: Julius Schwartz

Picking up from the final scene of the prior issue, BATMAN #311 opens with the Blockbuster, Batman's Hulk-like villain, beating up some purse snatchers and then departing to return the purse to its owner. Meanwhile, Batman and Commissioner Gordon exchange Christmas gifts. But when they find that a desk sergeant is on the phone with a girl attempting suicide-by-sleeping pills, Batman departs in a hurry to find her. It turns out she's the victim of the purse-snatch, and Blockbuster finds her before Batman. The girl faints from the bottle of pills, Blockbuster takes her away to find help.

Naturally, this leads to Batman and Blockbuster crossing paths a few times, and while Blockbuster wants to help the girl, he refuses to let Batman take her to a hospital, since -- following his "death" at STAR Labs last issue -- he believes hospitals hurt people. Nonetheless, when their chase takes them out onto a frozen lake that cracks apart, Blockbuster throws the girl into Batman's arms as he sinks into the water of Gotham Bay. Batman gets the girl to an ambulance and her life is saved.

This is the kind of story where you honestly don't know which way it will go. We're so deep into the Bronze Age at this point, that there's just as good a chance the girl could die as there is that Batman could save her -- which gives the story an air of suspense that might otherwise have been missing were it published a few years earlier. There are no sub-plots in this one, either -- it's wall-to-wall Batman vs. Blockbuster action, which is always a nice change of pace in any sub-plot heavy series. Though I sometimes complain that such issues are "filler" without any sub-plots, in this case, for whatever reason, it doesn't feel that way.