SKULL THE SLAYER #5

"MAGIC, MYTH AND MADNESS!"
Story: Bill Mantlo | Art: Sal Buscema & Sonny Trinidad
Lettering: Karen Mantlo | Colors: Michele Wolfman | Editor: Marv Wolfman

The Plot: Demons, sent by Slitherogue and Morgan Le Fay, burst into Merlin's chamber to attack Skull, the Black Knight, and Merlin. The heroes fight off the creatures, but when Merlin casts a spell, he goes cataonic. Skull realizes that Merlin is a robot and smashes him to prove it to the Black Knight. Meanwhile, Slitherogue resurrects Ann, Jeff, and Doctor Corey, giving them to Morgan Le Fay as her army against Skull.

Elsewhere, the Black Knight brings Skull to the castle of King Arthur, where the Knight activates the robotic monarch to warn him of Morgan's attack. Moments later, Morgan leads a horde of demons, plus Skull's former friends, in an attack on the castle. Arthur's robot knights are activated and the battle is joined. Amid the chaos, Ann, Jeff, and Corey confront Skull, but Corey is hit by a stray arrow. This snaps everyone out of their blood-crazed stupor. As the battle winds down around them, the Black Knight finishes off Morgan. He approaches Skull and reveals himself as a robot too, then Skull and his friends head for the Tower of Time's doorway out of the Arthurian era.

Continuity Notes: There's one footnote in this story, referencing issue 1 when the death of Skull's brother is brought up. However there is also a non-footnoted flasback to last issue as Jeff, Ann, and Doctor Corey all recall their respective death scenes.

SKULL THE SLAYER #4

"TIME OUT OF MIND!"
Together again for the fourth time!
Author: Steve Englehart | Artists: Sal Buscema & Mike Esposito
Letterer: Irving Watanabe | Colorist: Don Warfield | Editor: Marv Wolfman

The Plot: In ancient Egypt, Skull and Doctor Corey battle the Pharaoh's soldiers, determining during the fight that the men are robots -- but the heroes are overwhelmed and captured. They are brought before the Phaoaoh himself, an extraterrestrial named Slitherogue, who explains that the "Tower of Time" is a creation of his people in preparation for conquering all of Earth's historical eras. Then, to demonstrate his power, Slitehrogue kills Jeff.

Skull, Corey, and Ann spend the night in a cell, and the next morning are sent to work building the pyramids, under the watch of Slitherogue's robots. When Skull sees an opening for escape, he, Ann, and Corey race off into the desert. But Ann falls and breaks her leg. Skull declares that she must be left behind, but Corey stays to defend her. Corey and Ann are both killed, while Skull tumbles into the time portal, falling to a new level. He emerges in the quarters of Merlin the wizard and the Black Knight. After a brief skirmish with Black Knight, Skull agrees to work with Merlin to overthrow Slitherogue.

Meanwhile, Morgan Le Fay summons Slitherogue and asks his help in slaying her enemies, Merlin and King Arthur. Sensing that Skull is in this time as well, Slitherogue agrees to aid her.

SKULL THE SLAYER #3

"TUMULT IN THE TOWER OF TIME!"
Writer/Editor: Marv Wolfman | Pencils: Steve Gan
Inkers: Pablo Marcos & Steve Gan
Letters: Irv Watanabe | Colors: Michele Wolfman

The Plot: Skull wrestles with a prehistoric beast until it bucks him off, after which he, Ann, Jeff, and Doctor Corey continue their exploration of the prehistoric world. After being nearly trampled by a herd of stampeding dinosaurs, Skull leads the group to see what spooked the animals. They come across a field of skeletal remains tied to posts. From there, they move on to a huge tower, which offers glimpses of various time periods -- a different one on each level.

As they gaze into the tower, the group is attacked by a T-Rex. Skull and Jeff fight the creature, while Corey slips away. Skull figure out that the Tyrannosaur is a robot, and destroys it. Then the group hears Corey scream. They follow him and find that he has stumbled into ancient Egypt, where he's been captured by a Pharaoh's soldiers.

Continuity Notes: Not many in this issue, though it should be noted that Skull's corpse-robbing ways have evidently rubbed off on Ann and Jeff. At Ann's suggestion, all three of them pilfer clothing from the skeletons near the tower. Doctor Corey, however, remains in his normal clothes.

As for the skeletons themselves -- they're from a number of different time periods, and there are extraterrestrials among them (and it is from the alien-but-humanoid bodies that our heroes procure their new cothes). Later, when the group finds the tower, Jeff notes that it is covered in alien writing identical to that which was in the cave where the primitive humans worshipped an alien corpse.

SKULL THE SLAYER #2

"GODS AND SUPER GODS"
Writer/Editor: Marv Wolfman | Artist: Steve Gan
Letterer: San Jose | Colorist: Michele Wolfman

The Plot: Jim Scully is dragged by his caveman captor to a primitive camp, where he's thrown into a cave with the other plane survivors: Ann, Doctor Corey, and a young man named Jeff. Revealing his nickname of Skull, Scully leads the survivors in an escape from the cavemen. But when a herd of rampaging dinosaurs storms through the camp, Skull commandeers one and leads the beasts away. This earns him the respect of the cavemen, who lead the survivors into another cave. There, then find the skeletal remains of an alien in a futuristic chamber.

As Doctor Corey, Ann, and Jeff study alien writing on the wall, Skull decides to pilfer the alien corpse of its skull-buckled belt. He takes and dons the garment, but the alien skeleton crumbles to dust, causing the cavemen to attack. Skull holds them at bay and then joins the other survivors in fleeing to the jungle. They attempt to cross a river to escape the cavemen, but are attacked in the water by a Brontosaurus. Skull begins to glow and somehow subdues the dinosaur. The survivors all make it ashore, where Jeff points out that the glow is coming from Skull's stolen belt.

Continuity Notes: For some reason, the cover logo from issue 1 has already been replaced. The new logo will carry through the remainder of the series, though the issue 1 logo does appear on the title page of this issue (but then never shows up again). I don't know why it was changed, but I liked the first logo a lot better. Its primitive look gave more insight into what the series was about.

Page 1 provides a brief textual recap of all the events in the prior issue, with a few illustrations.

SKULL THE SLAYER #1

"THE COMING OF SKULL THE SLAYER!"
Stan Lee, publisher, presents the beginning of an epic by:
Creator/Writer/Colorist: Marv Wolfman | Artist: Steve Gan
Letterer: Pablo Marcos | Editor: Len Wein

The Plot: Vietnam veteran Jim Scully is aboard a military plane for extridition from Bermuda to the United States, where he is wanted for the murder of his brother. But en route to the U.S., the plane flies into a time/space warp in the Bermuda Triangle, then splits apart and crashes in an prehistoric world. Scully emerges from the front end of the plane, its sole survivor. Meanwhile a trio of additional passengers survives the rear segment's crash.

As Scully hunts for food, he is attacked by a Tyrannosaurus Rex. Elsewhere, the other survivors are spotted by a group of primitive humans. Scully battles and eventually kills the T-Rex when he stabs it in the eye and sends it plummeting over a cliff. But as he recovers, he is struck in the head by a flung rock, and is surrounded by more primitive beings.

Continuity Notes: Our cast, at least as of issue 1, seems to consist of Jim Scully, and the three other survivors: a man called Doctor Corey, a woman named Ann, and a mostly-silent young man whose name is yet to be revealed.

Rather than recap Scully's backstory, I'll just mention that he was a special forces fighter dispatched to Vietnam and immediately captured, and then I'll let Marv Wolfman's ridiculous narration take it from there:

SKULL THE SLAYER

Back in my look at INVADERS #4, I called out a needless and convoluted plug for Marvel's SKULL THE SLAYER series. Then, in the comments to that post, I considered reading SKULL next after I finished with INVADERS. It is, after all, only an eight-issue series (plus a 2-part finale in MARVEL TWO-IN-ONE), and I unboxed the trade paperback collection way back in 2015, but I've never touched it since. So, why not? I've long had a curiosity about this series. Three writers over the span of eight issues feels like a trainwreck in the making (and yet is somehow not at all surprising coming out of 1970s Marvel), but there's something about the series' premise -- a puply, "Doc Savage" type having adventures in the mysterious Bermuda Triangle -- that speaks to me.

At nine or ten weeks (I'm not sure yet if I'll do the TWO-IN-ONE issues separately or as one single post), this will take us up into mid-late September, and serve to wrap up a solid year-plus of seventies Marvel (INVADERS began last September, and SONS OF THE TIGER before that started in May). After that, we'll move into something non-Marvel for the autumn months, and then I've got something very, very big planned for the remainder of the year, into 2023 -- and probably even beyond.

Be here next week as Skull's adventures begin!

Available from Amazon.

CAPTAIN AMERICA #253 & #254

So, since we just wrapped up the entirety of the original INVADERS series last week, and since today happens to be Independence Day, the most patriotic holiday here in America, I figured I'd take advantage of the happy coincidence to dust off a couple of Captain America-themed posts from the early days of the blog which serve as a bit of a coda to the adventures of the Invaders.

In 1980/81, Roger Stern and John Byrne had an acclaimed and all-too-brief turn as the creative team on CAPTAIN AMERICA. And their final real story (not counting the retelling of Cap's origin they did an issue later) revisited the Invaders. I have to admit, it never really dawned on me how soon these issues came along after INVADERS ended! That series' final issue was cover-dated September of 1979, and this two-parter is from January and February of 1981. A mere fifteen months separated the conclusion of INVADERS and Stern's and Byrne's epilogue to the series!

(I suspect in part that's simply due to the fact that INVADERS feels like a Silver Age throwback to me. The artwork, the scripting style, even some of the plotting -- it's all incongruous with the Bronze Age that was in full swing alongside it. So even though I know when INVADERS was published, it feels like it was published about a decade earlier.)

So, without further ado, here are two posts that originally went up eight years ago, showing us whatever happened to the greatest heroes of World War II:

CAPTAIN AMERICA #253
CAPTAIN AMERICA #254

Okay, I actually do have one final bit of ado: I didn't reference it in the continuity notes for CAP 253, but you'll see it in a screenshot there: Jacqueline Falsworth (-Chrichton) mentions that her brother, Brian -- a.k.a. the Union Jack we just spent several weeks reading about -- died off-panel in a car accident after the war. Kind of an inauspicious end! Mind you, it makes sense that Stern and Byrne wanted the second U.J. off the table to tell their story of the mantle being passed. And yeah, it does add a bit of unfortunate realism to the proceedings -- not every hero goes out in a blaze of glory. But it still feels like a waste to see the character done away with via an offhanded remark like that.

See you in a week, when I reveal what's next on the schedule! (Though if you were reading the earliest INVADERS reviews last year, I already spoiled way back then.)