SPIDER-MAN: LIFELINE #1 - 3

"PIECES OF FATE" | "SNAKES IN THE GRASS" | "A TASTE OF INFINITY"
Writer/Storytellers/Penciler: "Fabulous" Fabian Nicieza & Steve "The Dude" Rude
Inker: Bob Wiacek | Letterer: John Costanza | Colorist: Greg Wright
Assistant Editor: Brian Smith | Editor: Ralph Macchio | Editor-in-Chief: Joe Quesada

The earliest days of Joe Quesada's reign at Marvel feature some curiosities -- stories which fly in the face of the philosophies he and his corporate overlord, Bill Jemas, forced onto creators and readers. SPIDER-MAN: LIFELINE is one of these. Though Quesada had been Marvel's editor-in-chief for over a year by the time this series was published, it seems pretty clear it was greenlit under the previous administration. Clue number one is that it's drawn by Steve Rude, a notoriously slow artist, so Marvel probably wanted to give him a lot of lead time to complete these three issues. But beyond that, LIFELINE is edited by Ralph Macchio, who had turned over the stewardship of the Spider-Man comics to Axel Alonso only a few months earlier. It's written with third-person narrative captions and thought balloons galore. It's heavy on continuity, being a direct sequel to, and featuring numerous reference to, a storyline in AMAZING SPIDER-MAN from more than thirty years earlier. All these things had been (or would soon be) outlawed by Quesada and Jemas in their attempts to make Marvel's comics as bland and awful as possible -- and as a result, when it was published, LIFELINE was breath of fresh air in what was fast becoming an unreadable and downright unenjoyable Marvel line.

But! I don't want to start this thing off on a negative note. I mean, I'll take every possible opportunity to talk about how utterly wretched the majority of Marvel's output was circa 2001 - 2005ish, and how, for the most part, the comics have never recovered from the harm Quesada and Jemas did when they took over -- which is why I had absolutely no choice whatsoever but to write the preceding paragraph -- but from here on out, we're going positive.

I've noted here more than once that I revere the Stan Lee/John Romita run on AMAZING SPIDER-MAN. Taking Steve Ditko's creation of the character, his cast, and his villains for granted, it is Romita's version of Spider-Man, in collaboration with Lee, that I consider definitive. And for my money, the apex of that duo's run on the character is the "stone tablet" saga. It ran for a whopping ten issues (if you include the two-part coda featuring the Lizard), which was pretty unusual at the time. It followed Spider-Man's travails as he struggled to keep an ancient tablet out of the hands of the underworld's top gangsters, including the Kingpin and Silvermane, the latter of whom believes the tablet holds a key to eternal youth. In the end, Silvermane drinks a formula derived from the tablet's inscription and dies when he de-ages to nothingness.

X-MEN ANNUAL #12

"RESURRECTION!"
An adventure of the Uncanny X-Men by
Writer: Chris Claremont | Penciler: Art Adams | Inker: Bob Wiacek
Colorist: Glynis Oliver | Letterer: Tom Orzechowski | Editor: Bob Harras
Editor-in-Chief: Tom DeFalco

The Plot: Storm goes nuts and flies south, pursued by Rogue. The rest of the X-Men follow and find themselves in a barren wasteland that was once their occasional stomping ground, the prehistoric Savage Land. An armored behemoth called Terminus appears, grabbing the visiting High Evolutionary, but the X-Men save him and knock Terminus out. The Evolutionary returns to his citadel with Havok, while the rest of the X-Men locate another dimensional realm, where many of the Savage Land's people have been hiding since the destruction of their home.

The X-Men return to Earth and defeat Terminus, revealing Garokk the Petrified Man inside the armor. The High Evolutionary explains that he can restore the Savage Land with the help of a mutant connected to its life-force, and Garokk agrees, sacrificing himself. The Savage Land returned to normal and the X-Men depart.

Continuity Notes: Though not footnoted in this issue, the Savage Land was destroyed by Terminus in AVENGERS #257.

The High Evolutionary has taken Zaladane, one-time X-Men foe, as his assistant, along with Magneto's former henchmen, the Savage Land Mutates.

Storm discovered the strange parallel universe during her first trip to the Savage Land, in a backup story from CLASSIC X-MEN #22.

THE AMAZING SPIDER-MAN #225

"FOOLS...LIKE US!"
Writer: Roger Stern | Artists: John Romita, Jr. & Bob Wiacek
Letterer: Joe Rosen | Colorist: Glynis Wein | Editor: Tom DeFalco
Chief: Jim Shooter

The Plot: Shortly before dawn in the Bowery neighborhood of Manhattan, two FBI agents have responded to a note from the serial murderer named Foolkiller, only to be disintegrates by their prey. That same evening, on the Empire State University campus, Peter Parker spies Foolkiller sneaking into the registrar's office and pursues as Spider-Man. The wall-crawler saves the registrar from death, but Foolkiller escapes.

The next day, following a visit to the Daily Bugle, Peter returns to ESU and speaks with his student, Greg Salinger, about the "fools" working in the campus mail room. Moments later, when Debra Whitman tells Peter that Greg called her a fool earlier that day, Peter realizes that Greg must be Foolkiller. He changes to Spider-Man and races to the mail room just in time to save the workers there from Foolkiller's wrath.

Foolkiller makes a run for it, but when he encounters a vagrant who informs him that only a fool would go up against Spider-Man, he turns his gun on himself. Spidey arrives and stops Foolkiller from committing suicide, then unmasks the maniac as Greg Salinger.

PETER PARKER, THE SPECTACULAR SPIDER-MAN #60 - PART TWO

"THE BIRTH OF A LEGEND!"
Writer: Roger Stern | Penciler: Greg LaRocque | Inker: Bob Wiacek
Letterer: Jean Simek | Colorist: Glynis Wein | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter

The Plot: While attending a demonstration on ways to safely control radioactivity, Midtown High School student Peter Parker is bitten by a radioactive spider. Peter soon realizes that the spider has passed along to him its proportional strength, speed, and agility, as well as an extra-sensory "spider-sense". After building a set of web-shooters to complete his power set, Peter becomes the amazing Spider-Man, a nationwide television sensation. But when his own selfish actions eventually lead to the murder of his beloved Uncle Ben at the hands of a burglar he could have stopped days earlier, Peter learns that "with great power there must also come great responsibility" and leaves his celebrity behind to devote Spider-Man's life to the protection of the innocent.

The Sub-Plots: As a retelling of Spider-Man's origin from 1962's AMAZING FANTASY #15, there are no sub-plots per se in the issue, however Stern does retroactively flesh out certain aspects of the character's history, most notably the fact that Peter Parker's jock rival, Flash Thompson, was also Spider-Man's biggest supporter back in high school; a fact originally added to the character subsequent to his first appearance.

IRON MAN #136

"THE BEGINNING OF THE ENDOTHERM"
Plot: Peter John Palmer | Script: David Michelinie
Layouts: Alan Weiss | Finishes: Bob Wiacek
Letters: John Costanza | Colors: Ben Sean | Editor: Jim Salicrup
Editor-in-Chief: Jim Shooter

The Plot: Tony Stark arrives in London to investigate an incident of theft and sabotage at the British division of Stark Enterprises. He soon meets a villain named Endotherm, who uses heat and cold based technology, and who easily bests him (as Iron Man) in battle.

The next night, Endotherm returns to challenge Iron Man a second time, now with the intention of killing him. But Iron man has prepared a defense against Endotherm's power, and emerges the victor. Upon unmasking his foe, Iron Man learns that Endotherm was actually the security chief at S.I. U.K., who had a psychotic break and decided the only way to keep his pension was by killing Tony Stark.