And now we wrap up the saga of the White Tiger with a couple of "reruns" from the earlier days of this blog. Way back in 2014, I looked at one of my all-time favorite Marvel runs -- Roger Stern's tenure on SPECTACULAR SPIDER-MAN and AMAZING SPIDER-MAN from the early eighties. As part of his work on the former title, Stern decided to revisit Hector Ayala and, at least at the time, give his story a conclusion. Stern did a story about a hero-killing vigilante called Gideon Mace, and I suppose he needed to show that Mace was serious business, so he decided to have him cripple Spidey's pal from SPECTACULAR's earlier days.
When I read this at the time (and previously, in my younger days), I didn't think much of it since the Tiger was a curiosity and not a character with whom I was terribly familiar. But now, with the benefit of having seen his earliest appearances in DEADLY HANDS and some of his struggles in SPECTACULAR, Stern's callous treatment of the Tiger and his family, characters into whom Bill Mantlo clearly had invested a great deal of his energies and interest (and into whom George Pérez had injected biographical tidbits from his own life and family), reads differently, and is perhaps a blemish on his otherwise wonderful run.
But I'll let you decide! Following are my looks at the White Tiger backup serial Stern used to set up his Gideon Mace tale, and then Spider-Man's battle against Mace himself, originally posted here way back in the summer of '14:
PETER PARKER, THE SPECTACULAR SPIDER-MAN: THE WHITE TIGER SERIAL
PETER PARKER, THE SPECTACULAR SPIDER-MAN #52
But if, after reading these stories, you think Roger Stern was rough on the Tiger, just remember that a couple decades later, in the pages of DAREDEVIL, Brian Bendis had him framed for a crime he didn't commit, after which he was gunned down and killed by cops while trying to clear his name.
So that's it for the White Tiger, but we're not quite finished with this saga yet. There's still one last big dangling plot left over from the final days of DEADLY HANDS OF KUNG FU, so I broke out the Comicraft fonts and prepared a little "primer" to get you ready for it:
Showing posts with label Spectacular Spider-Man. Show all posts
Showing posts with label Spectacular Spider-Man. Show all posts
Monday, August 23, 2021
Monday, August 16, 2021
SONS OF THE TIGER PART 14
As presented in PETER PARKER, THE SPECTACULAR SPIDER-MAN Nos. 19 & 20.
"AGAIN, THE ENFORCERS!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: Jim Novak | Colors: Mary Titus | Editor-in-Chief: Jim Shooter
"WHERE WERE YOU WHEN THE LIGHTS WENT OUT?"
Story: Bill Mantlo | Art: Sal Buscema & Mike Esposito
Letterer: Irving Watanabe | Colorist: Don Warfield | Editor: Jim Shooter
"AGAIN, THE ENFORCERS!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: Jim Novak | Colors: Mary Titus | Editor-in-Chief: Jim Shooter
"WHERE WERE YOU WHEN THE LIGHTS WENT OUT?"
Story: Bill Mantlo | Art: Sal Buscema & Mike Esposito
Letterer: Irving Watanabe | Colorist: Don Warfield | Editor: Jim Shooter
The Plot: (Issue 19) In the hideout of their new boss, Lightmaster, the original Enforcers, Fancy Dan and Montana, practice beating on a Spider-Man dummy. Lightmaster appears and introduces the men to the new third member of their trio, a lumbering brute named Ox, to replace the original Ox who died in battle with Daredevil. Lightmaster sends the enforcers to the Coffee Bean near Empire State University, where they take the customers and staff hostage, demanding Spider-Man come to face them. Peter Parker, in the area, changes to the web-slinger and confronts the Enforcers, while the hostages escape. But one hostage, Hector Ayala, remains inside to watch the fight. After Spider-Man easily defeats the Enforcers and departs, Hector emerges from the Coffee Bean, leading Lightmaster to believe that Hector is actually Spider-Man.
(Issue 20) The police interrogate the Enforcers (while Spider-Man secretly listens in), but are unable to learn who their boss is. The web-slinger heads home for rest, while Lightmaster prepares to move against Hector. The next morning at Empire State University, Lightmaster appears and abducts Hector in front of Peter and others. Peter manages to tag Hector with a spider-tracer and tracks him to Lightmaster's hideout on Long Island. There, Lightmaster has activated TV cameras to broadcast his unmasking of Spider-Man. Spidey delivers to Hector the tiger amulets, which he dropped during the abduction, and Hector changes to White Tiger as Lightmaster's cameras roll. Spider-Man and White Tiger then defeat Lightmaster together.
Monday, August 9, 2021
SONS OF THE TIGER PART 13
As presented in PETER PARKER, THE SPECTACULAR SPIDER-MAN Nos. 9 & 10.
Though DEADLY HANDS OF KUNG FU ended with the February 1977 installment, Bill Mantlo was by no means finished with his co-creaton, Hector Ayala, a.k.a. the White Tiger. Also the writer of PETER PARKER, THE SPECTACULAR SPIDER-MAN, Mantlo brought Hector in as a supporting character on that series in very short order. Hector and/or the White Tiger appeared in several issues of Mantlo's run, but I don't intend to look at all of them here. I will, however, examine issues 9 and 10, the Tiger's first encounter with Spider-Man, and next week we'll look at issues 19 and 20, as they feature a major event in Hector's life.
"...LIKE A TIGER IN THE NIGHT!"
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: John Costanza | Colors: Phil Rache | Editor: Archie Goodwin
"TIGER IN A WEB!"
Writer: Bill Mantlo | Artists: Sal Buscema, Mike Esposito, & Frank Giacoia
Letterer: Irving Watanabe | Colorist: Sam Kato | Editor: Archie Goodwin
Writer: Bill Mantlo | Artists: Sal Buscema & Mike Esposito
Letters: John Costanza | Colors: Phil Rache | Editor: Archie Goodwin
"TIGER IN A WEB!"
Writer: Bill Mantlo | Artists: Sal Buscema, Mike Esposito, & Frank Giacoia
Letterer: Irving Watanabe | Colorist: Sam Kato | Editor: Archie Goodwin
The Plot: (Issue 9) Peter Parker arrives at Empire State University to find students up in arms over the school president's cancellation of night classes due to budget issues. But when ethnic studies professor Ramon Vasquez reveals that the school recently turned down a multi-million dollar bid for its prized Erskine Manuscripts, and that the money could've been used to keep the night classes running, the students become more riled up. One student present is recent enrollee Hector Ayala.
That night, the White Tiger arrives at ESU to steal the Erskine papers, and finds Peter Parker in the science library for a project. The Tiger and Peter have a scuffle and the Tiger gets away with the papers. Peter chases him into the hallway to find the Tiger fighting a group of armed, costumed men. The Tiger beats these men into retreat, and then departs. ESU's President Dwyer then arrives and announces the school is under a state of emergency. Spider-Man does some research on White Tiger, chatting briefly with Blackbyrd in the process, and then returns to ESU. Meanwhile, White Tiger has done the same, entering Professor Vasquez's office to find the professor looking at the Erskine Manuscripts. A moment later Spider-Man arrives as well.
Sunday, June 26, 2016
THE UNBOXING - JUNE 2016
Crazy how things work out sometimes. Last month I received nothing in the mail, hence no Unboxing for May. But this month, it's a wealth of new trade paperbacks and one long-awaited hardcover, as well!
We'll start with DC, since I have one single item from them this month: the LEGENDS 30th ANNIVERSARY EDITION. LEGENDS is a story I've wanted to read for years. My knowledge of DC history is a little spotty, but I understand this to be the very first crossover in the post-CRISIS ON INFINITE EARTHS DC Universe, and the story by John Ostrander, Len Wein, and John Byrne pits DC's heroes against Darkseid and the forces of Apokolips. I think this will make a nice companion to my collection of Byrne's SUPERMAN: THE MAN OF STEEL trade paperbacks.
Now it's on to Marvel. First up is the AVENGERS EPIC COLLECTION: UNDER SIEGE. I have an old printing of this storyline, but it only contains about half the issues presented in this volume (and it predates Marvel's standard restoration practices, so it's pretty ugly to boot). Unless I'm mistaken, thanks to this book I now own the entirety of Roger Stern's classic AVENGERS run. I look forward to reading the whole thing sometime soon.
We'll start with DC, since I have one single item from them this month: the LEGENDS 30th ANNIVERSARY EDITION. LEGENDS is a story I've wanted to read for years. My knowledge of DC history is a little spotty, but I understand this to be the very first crossover in the post-CRISIS ON INFINITE EARTHS DC Universe, and the story by John Ostrander, Len Wein, and John Byrne pits DC's heroes against Darkseid and the forces of Apokolips. I think this will make a nice companion to my collection of Byrne's SUPERMAN: THE MAN OF STEEL trade paperbacks.
Now it's on to Marvel. First up is the AVENGERS EPIC COLLECTION: UNDER SIEGE. I have an old printing of this storyline, but it only contains about half the issues presented in this volume (and it predates Marvel's standard restoration practices, so it's pretty ugly to boot). Unless I'm mistaken, thanks to this book I now own the entirety of Roger Stern's classic AVENGERS run. I look forward to reading the whole thing sometime soon.
Wednesday, December 2, 2015
SPECTACULAR SPIDER-MAN ANNUAL #8
"RETURN TO SENDER"
Script: Gerry Conway | Pencils: Mark Bagley | Inks: Keith Williams
Lettering: Rick Parker | Color: Bob Sharen | Editor: Jim Salicrup
Editor-in-Chief: Tom DeFalco
Script: Gerry Conway | Pencils: Mark Bagley | Inks: Keith Williams
Lettering: Rick Parker | Color: Bob Sharen | Editor: Jim Salicrup
Editor-in-Chief: Tom DeFalco
The Plot: As Spider-Man sits on a rooftop reflecting, he spots a woman being chased by men in a hovercraft. The web-slinger intervenes and saves the woman, who he recognizes as his long-dead girlfriend, Gwen Stacy. Gwen's assailants teleport away, and Gwen disappears in the chaos of their passing. The men report back to the High Evolutionary, who is displeased with their failure to capture Gwen.
Peter Parker meets his wife, Mary Jane, at their apartment, and tells her Gwen's clone is back. Meanwhile, the High Evolutionary enters a mammoth spacecraft belonging to the mysterious Celestials and observes a group of "Young Gods". When they notice him, the Evolutionary tells the Gods they are not worthy of his attention and departs. However the Gods scan his mind and learn his plans for humanity, and half of them leave for Earth.
Gwen arrives at Peter's and Mary Jane's apartment but runs when she sees Peter in Spider-Man's costume. Spider-Man follows and when Gwen is grabbed by the same men from earlier, he grabs hold as they teleport back to the High Evolutionary's base. There, The Evolutionary begins to study Gwen while his men fight Spider-Man. The Young Gods arrive to aid the web-slinger, but the other half of their number soon follows, opposing their friends' meddling in human affairs, and a God-on-God fight breaks out.
The battle eventually comes to a close and the Young Gods depart. A moment later, the High Evolutionary explains to Spider-Man that "Gwen" was never a clone, but a genetically modified woman. He then teleports the wall-crawler and "Gwen" back to New York. A Young God named Daydreamer appears and restores "Gwen" to her original self, then departs. Spider-Man returns home and embraces his wife.
Monday, December 15, 2014
SPECTACULAR SPIDER-MAN #261
"GOBLINS AT THE GATE PART 3: BAD BUSINESS"
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
Green Goblin: Ralph Macchio | Hobgoblin: Bob Harras
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
Green Goblin: Ralph Macchio | Hobgoblin: Bob Harras
The Plot: The Green Goblin prevents the Hobgoblin from unmasking Spider-Man. Grabbing both the web-slinger and Daniel Kingsley, the goblins return to Norman Osborn's waterfront hideout, where Osborn reveals that he already knows who Spider-Man is, then gets the Hobgoblin to admit that there never was any surviving journal. After showing the Hobgoblin paperwork stating that Osborn has already taken control of Kingsley Limited, Osborn declares that he no longer needs the Hobgoblin around. This prompts Hobgoblin to attack Osborn.
Meanwhile, Spider-Man comes around and breaks free of his bonds. He tussles with the Green Goblin, unmasking him and forcing him to retreat. The wall-crawler then carries Daniel Kingsley out of Osborn's warehouse, which has gone up in flames thanks to some errant pumpkin bombs from the Hobgoblin's bag. Spider-Man returns to separate Osborn and the Hobgoblin, but Osborn manages to escape. The warehouse collapses on Spider-Man and Hobgoblin, and when the webhead emerges from the wreckage, he finds that his foe has gotten away.
Days later, Roderick Kingsley relaxes on a beach in the Caribbean, reflecting on the trouble he caused himself by reassuming the mantle of the Hobgoblin. He now plans to live off his secret Swiss bank accounts, anyplace he can find without extradition treaties.
Wednesday, December 10, 2014
SPECTACULAR SPIDER-MAN #260
"GOBLINS AT THE GATE PART 2: SPIDER IN THE MIDDLE"
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
Not the Karate Kid: Ralph Macchio | Chief: Bob Harras
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
Not the Karate Kid: Ralph Macchio | Chief: Bob Harras
The Plot: After breaking him out of prison, Norman Osborn brings Roderick Kingsley with him back to Manhattan. Meanwhile, Spider-Man spends the night searching for the Green Goblin and Kingsley, but turns up nothing.
The next day, Kingsley and Osborn make a deal: Kingsley will provide the journal which proves Osborn was the Green Goblin, as well as manipulate the stockholders of his company to turn the entire conglomerate over to Osborn, in exchange for safe passage out of the country. Osborn agrees, and provides Kingsley with a Hobgoblin costume and gear to carry out his mission. The journal is in the custody of Kingsley's brother, Daniel, who is being held by the police at the Big Apple Hotel while waiting to testify against Roderick.
The Hobgoblin raids the hotel, but Spider-Man arrives to save Daniel. They struggle as equals until the Green Goblin arrives and knocks Spider-Man out with a tranquilizer dart. Amid the hotel room's wreckage, the Hobgoblin prepares to unmask Spider-Man.
Monday, December 8, 2014
SPECTACULAR SPIDER-MAN #259
"GOBLINS AT THE GATE PART 1: SURVIVOR OF THE BIG LIE!"
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
"Editor": Ralph Macchio | Cause of Gray Hairs: Bob Harras
Co-Plotter: Roger Stern | Co-Plotter/Scripter: Glenn Greenberg
Penciler: Luke Ross | Inks: Al Milgrom
Letters: RS&Comicraft's Liz Agraphiotis | Colors: John Kalisz
"Editor": Ralph Macchio | Cause of Gray Hairs: Bob Harras
The Plot: Norman Osborn, back from an extended stay in Europe, is making the rounds on television to promote his new book, "Survivor of the Big Lie", which explains that he is not and never was the Green Goblin. Meanwhile, Roderick Kingsley sits in prison, fully aware that Osborn's claims are a lie and he is indeed an insane supervillain. Kingsley tells his attorney that he has one remaining Osborn journal hidden away, which will reveal the truth about Osborn. Kingsley's attorney informs the district attorney's office of this fact, and word eventually reaches Osborn himself.
As Kingsley is removed from Great Neck Maximum Security Prison for a meeting with the D.A., the Green Goblin strikes and kidnaps him. However Peter Parker and Betty Leeds are nearby, tipped off about the meeting, and Peter slips away to change into Spider-Man. He has a brief scuffle with the Goblin, but the villain escapes with Kingsley.
Some distance from the prison, the Goblin lands and reveals that he is not Norman Osborn when Osborn appears to confront Kingsley.
Monday, November 3, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #85
"THE HATRED OF THE HOBGOBLIN!"
Writer: Bill Mantlo | Artists: Al Milgrom & Jim Mooney
Letterer: Diana Albers | Colorist: Bob Sharen | Editors: Tom DeFalco & Danny Fingeroth
Editor-in-Chief: Jim Shooter | Gracious Plot Assist: Roger Stern
Writer: Bill Mantlo | Artists: Al Milgrom & Jim Mooney
Letterer: Diana Albers | Colorist: Bob Sharen | Editors: Tom DeFalco & Danny Fingeroth
Editor-in-Chief: Jim Shooter | Gracious Plot Assist: Roger Stern
The Plot: The Hobgoblin finally perfects Norman Osborn's strength enhancement formula in the form of a chemical bath. After immersing himself in it, the villain emerges super-strong. He sets out to test his now power by killing Spider-Man.
The goblin conveniently finds the web-slinger out for an evening constitutional with the Black Cat, and attacks. Spider-Man proves a match for his foe's newfound strength, but when the Cat attempts to offer aid to her love, she spoils his hastily planned trap and allows the Hobgoblin to escape into the night.
The Sub-Plots: Harry and Liz Osborn host a lunch at Central Park's Tavern-on-the-Green, where they announce to their assembled friends -- Peter Parker, Mary Jane Watson, Ned and Betty Leeds, Flash Thompson, and his girlfriend Sha Shan -- that they're expecting a baby.
Monday, July 28, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #61
"BY THE LIGHT OF THE SILVERY MOONSTONE"
Story: Roger Stern | Dialogue: Bill Mantlo | Artists: Ed Hannigan & Jim Mooney
Letters: Jean Simek | Colors: Ben Sean | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
Story: Roger Stern | Dialogue: Bill Mantlo | Artists: Ed Hannigan & Jim Mooney
Letters: Jean Simek | Colors: Ben Sean | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
The Plot: After saving a hapless child from falling to his death while trying to emulate him, Spider-Man arrives at Empire State University, where he spots a mysterious figure breaking into the science building. The wall-crawler moves to investigate and the intruder reveals herself as a villainess named Moonstone. In the ensuing fight, bystander Marcy Kane, working late into the night, is injured. While performing CPR on Marcy, Spider-Man allows Moonstone to escape with a piece of equipment stolen from the lab of Dr. Curt Connors.
Soon after, Spider-Man speaks with Connors about the stolen device, the portable enervator pak, which Moonstone intends to use to supercharge her powers for a crime spree with the ultimate intention of attracting the eye of a potential new employer. Connors provides Spider-Man with a tracking device which allows the web-slinger to track Moonstone down. This time Spider-Man bests his foe, knocking her out and removing the enervator from her before it can, as expected by Connors, harm her. The enervator explodes, Moonstone is captured, and Marcy makes a full recovery at St. Luke's Hospital.
Wednesday, July 23, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #60 - PART TWO
"THE BIRTH OF A LEGEND!"
Writer: Roger Stern | Penciler: Greg LaRocque | Inker: Bob Wiacek
Letterer: Jean Simek | Colorist: Glynis Wein | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
Writer: Roger Stern | Penciler: Greg LaRocque | Inker: Bob Wiacek
Letterer: Jean Simek | Colorist: Glynis Wein | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
The Plot: While attending a demonstration on ways to safely control radioactivity, Midtown High School student Peter Parker is bitten by a radioactive spider. Peter soon realizes that the spider has passed along to him its proportional strength, speed, and agility, as well as an extra-sensory "spider-sense". After building a set of web-shooters to complete his power set, Peter becomes the amazing Spider-Man, a nationwide television sensation. But when his own selfish actions eventually lead to the murder of his beloved Uncle Ben at the hands of a burglar he could have stopped days earlier, Peter learns that "with great power there must also come great responsibility" and leaves his celebrity behind to devote Spider-Man's life to the protection of the innocent.
The Sub-Plots: As a retelling of Spider-Man's origin from 1962's AMAZING FANTASY #15, there are no sub-plots per se in the issue, however Stern does retroactively flesh out certain aspects of the character's history, most notably the fact that Peter Parker's jock rival, Flash Thompson, was also Spider-Man's biggest supporter back in high school; a fact originally added to the character subsequent to his first appearance.
Monday, July 21, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #60 - PART ONE
"BEETLEMANIA!"
Storytellers: Roger Stern, Ed Hannigan, & Jim Mooney
Letterer: Diana Albers | Colorist: George Roussos | Editor: Tom DeFalco
Grand Vizier: Jim Shooter
Storytellers: Roger Stern, Ed Hannigan, & Jim Mooney
Letterer: Diana Albers | Colorist: George Roussos | Editor: Tom DeFalco
Grand Vizier: Jim Shooter
The Plot: The Beetle easily outclasses the weakened Spider-Man one-on-one, forcing the webbed wonder to retreat. Beetle kidnaps the Gibbon and departs as well. Later, Beetle sends out word for Spider-Man to meet him at the Kreller Building in Manhattan or the Gibbon will die.
Spidey arrives at the Kreller Building, which Beetle had previously rigged with a revolving roof, to find Gibbon manacled to a large "X". The web-slinger fights Beetle while also trying to free Gibbon. Eventually Spider-Man gets lucky and snaps off one of Beetle's antennae, which overloads his battlesuit and stuns him. Gibbon, now free, decks the Beetle with one punch and receives the public's accolades as Spider-Man heads home to rest.
Wednesday, July 16, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #59
"I WANT SPIDER-MAN!"
A Roger Stern/Jim Mooney Production
Principle Photography: J. Strzltski | Titles: Simek Titles Ltd. | Colors: Sharencolor
Director: Thomas DeFalco | Executive Director: James Shooter
A Roger Stern/Jim Mooney Production
Principle Photography: J. Strzltski | Titles: Simek Titles Ltd. | Colors: Sharencolor
Director: Thomas DeFalco | Executive Director: James Shooter
The Plot: A documentary TV series called "On The Trail Of..." makes plans for a show about Spider-Man. Their grip operator, Marty Blank, claims to know where to find the web-slinger.
Meanwhile, in New York, the Beetle puts his new armor through its paces in preparation for his upcoming battle with Spider-Man. Beetle's sensors locate the wall-crawling wonder uptown, and he heads out to challenge his quarry. But the documentary crew, aboard a helicopter, finds Spider-Man at the same time. Marty dons a costume and reveals himself as Spider-Man's one-time opponent, the Gibbon, and leaps from the chopper to attack.
Beetle hangs back to observe the fight between Spider-Man and the Gibbon, then, after Spidey defeats his enemy, Beetle topples a brick wall onto the web-slinger then moves in to finish him off.
Monday, July 14, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #58
"RING OUT THE OLD, RING IN THE NEW"
Writer: Roger Stern | Penciler: John Byrne | Inker: Vince Colletta
Letterer: Jean Simek | Colorist: Ben Sean | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
Writer: Roger Stern | Penciler: John Byrne | Inker: Vince Colletta
Letterer: Jean Simek | Colorist: Ben Sean | Editor: Tom DeFalco
Editor-in-Chief: Jim Shooter
The Plot: At a lab that once belonged to the Tinkerer, the criminal called the Ringer picks up his newly refurbished costume. But another, mysterious villain enters, takes out the Ringer, then leaves the lab with both him and a large crate in tow. Later, the shadowy figure instructs the Ringer to find and battle Spider-Man or he will be blown up by a device attached to his costume.
The Ringer finds Spider-Man web-swinging across the city and challenges him. The wall-crawler trounces the Ringer and leaves for a date, then returns later to finish the villain off. The "explosive device" self-destructs after their fight but proves to be a hoax, leaving the Ringer unharmed.
Later, the mysterious figure, having gathered data on Spider-Man via hidden sensors attached to the Ringer's armor, reveals himself as the Beetle and announces his plans to challenge Spider-Man.
Wednesday, July 9, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #57
"THESE WINGS ENSLAVED!"
Roger Stern: Words Beyond Compare!
Jim Shooter: Layouts That Are Fair! | Jim Mooney: Artist With A Flair!
Jim Novak: Letterer Extraordinaire! | Ben Sean: Colorist, If You Care!
Denny O'Neil: Editor With Gray Hair! | Editor-in-Chief: Jim Shooter
Roger Stern: Words Beyond Compare!
Jim Shooter: Layouts That Are Fair! | Jim Mooney: Artist With A Flair!
Jim Novak: Letterer Extraordinaire! | Ben Sean: Colorist, If You Care!
Denny O'Neil: Editor With Gray Hair! | Editor-in-Chief: Jim Shooter
The Plot: En route to a high society bash at Jonah Jameson's penthouse, Spider-Man is accosted by a glowing yellow energy cloud. After it departs, he realizes it was probably his old foe, Will-O'-The-Wisp. Then, with the cloud gone, the web-slinger proceeds on his way. At the party, Jameson's girlfriend, research scientist Marla Madison, accepts a job working for the Brand Corporation. But the party breaks up when the bodyguard of James Melvin, Brand's president, reveals himself as the mercenary Killer Shrike and kidnaps Marla.
The police detain the party guests for some time, trapping Peter among them. Finally, when Melvin departs, Peter changes to Spider-Man and follows him to a Brand factory in New Jersey, where Killer Shrike has taken Marla. Shrike's costume is possessed by Will-O'-The-Wisp, who has been rendered non-corporeal and needs Marla to restore him to normal. Spider-Man allows Marla to do her work and holds off the Brand guards when they interfere at Melvin's order.
Finally Will-O'-The-Wisp is restored to normal and escapes, but not before wiping Marla's memory of the entire incident and destroying the factory.
Monday, July 7, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #56
"THE PERIL... AND THE PUMPKIN?"
Words: Roger Stern | Layouts: Jim Shooter | Finished Art: Jim Mooney
Letters: Janice Chiang | Colors: Bob Sharen & George Roussos
Editing: Dennis O'Neil | Again: Jim Shooter
Words: Roger Stern | Layouts: Jim Shooter | Finished Art: Jim Mooney
Letters: Janice Chiang | Colors: Bob Sharen & George Roussos
Editing: Dennis O'Neil | Again: Jim Shooter
The Plot: Spider-Man sees the terrorist called Jack O'Lantern carried into Bellevue Hospital and snaps some pictures, then heads for the Daily Bugle. The next day, Jack O'Lantern's men attempt to spring their boss from the hospital's prison ward, but the terrorist instead decides to hold the hospital hostage. Informed of the situation by Aunt May, whose fiance Nathan is at the hospital for physical therapy, Peter Parker changes into Spider-Man and infiltrates Bellevue. He takes out Jack O'Lantern's men, saving the hostages, then defeats Jack O'Lantern himself.
The Sub-Plots: The Marcy Kane plotline finally comes to an end as Steve Hopkins positions himself over the door to the chemistry department offices and snatches her scarf when she enters, discovering that she has a wig on as well. Marcy runs away but Peter follows, and Marcy tells him that her hair used to be blonde when she was young, but that it went dark so she began to dye it instead -- until her doctor told her the dye was harming her hair and she needed to stop. When Peter tries to cheer her up, Marcy realizes that perhaps he's not as bad a person as she had previously believed.
Wednesday, July 2, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #55
"THE BIG BLOW OUT"
Writer: Roger Stern | Penciler: Luke McDonnell | Inks: Jim Mooney
Letters: John Morelli | Colorist: Roger Slifer | Scrutiny: Denny O'Neil
Wake-Up Calls: Jim Shooter
Writer: Roger Stern | Penciler: Luke McDonnell | Inks: Jim Mooney
Letters: John Morelli | Colorist: Roger Slifer | Scrutiny: Denny O'Neil
Wake-Up Calls: Jim Shooter
The Plot: Robert Hunter, also known as the villainous Nitro, is released from government custody thanks to an uninformed hotshot lawyer hired by Hunter's well-meaning daughter, Virginia. Nitro immediately goes on the lam and makes plans to track down his enemy, Captain Marvel. He robs a bank to get the cash he will need in order to find Marvel, but runs afoul of Spider-Man while there.
The wall-crawler leads Nitro to a warehouse owned by Chemico, Inc., where he uses various gases in an attempt to stop the villain. Spider-Man finally succeeds by forcing Nitro to explode near several canisters of nausea gas. When Nitro re-forms himself following this most recent explosion, he is rendered sick by the gas he has reabsorbed into his body. The police arrive to take Nitro away.
The Sub-Plots: Peter sneaks out of his apartment building when the landlady, Mrs. Muggins, comes banging on his door for the rent. Peter later worries that his rent may increase soon due to a recent fire at the building.
Monday, June 30, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #54
"TO SAVE THE SMUGGLER!"
Words: Roger Stern | Plot & Pictures: Marie Severin | Inks: Jim Mooney
Letters: Jim Novak | Colorist: Ben Sean | Scrutiny: Dennis O'Neil
Medic: Jim Shooter
Words: Roger Stern | Plot & Pictures: Marie Severin | Inks: Jim Mooney
Letters: Jim Novak | Colorist: Ben Sean | Scrutiny: Dennis O'Neil
Medic: Jim Shooter
The Plot: Spider-Man stops a car chasing an ambulance, but learns that the car contains police officers while the ambulance, transporting a witness, was hijacked by criminals. The web-slinger catches up with the ambulance, but the criminals escape, distracting our hero by way of attempting to knock a marquee onto nearby civilians. The web-slinger finds that one of the villains dropped a matchbook from a restaurant called the Chrysanthemum and the Sword, then heads to a nearby police precinct, where he learns that the kidnapped witness is the Smuggler.
Later, after spending the day at Empire State University as Peter Parker, Spider-Man heads to the restaurant, aboard a boat in New York Harbor, to investigate. He finds the Smuggler tied up below decks and frees him. They fight their way out together past the restaurant's samurai guards, but the Smuggler is shot in the escape. Spider-Man rescues him just as the police arrive. The restaurant's owner demands that the authorities arrest the webbed wonder for terrorizing their establishment, but Spider-Man exposes the place as a drug-smuggling front, using patrons' doggie bags to get the goods into New York. The wall-crawler is cleared by the police and the Smuggler taken back into custody.
Wednesday, June 25, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN #52
"THE DAY OF THE HERO KILLERS!"
Writer: Roger Stern | Penciler: Rick Leonardi | Inker: Jim Mooney
Letterer: Jim Novak | Colorist: Ben Sean | Editor: Denny O'Neil
Editor-in-Chief: Jim Shooter
Writer: Roger Stern | Penciler: Rick Leonardi | Inker: Jim Mooney
Letterer: Jim Novak | Colorist: Ben Sean | Editor: Denny O'Neil
Editor-in-Chief: Jim Shooter
The Plot: The White Tiger's body is dumped outside the Daily Bugle building just as Peter Parker is on his way out. As the car which carried the Tiger speeds away, Peter tags it with a spider-tracer before turning his attention to the ailing Tiger, who has a note reading "This is the first" pinned to his chest. An ambulence arrives and carries the Tiger and Peter to Bellevue Hospital, where Blackbyrd appears to watch over the Tiger as the emergency surgeons work on him. Meanwhile, Peter changes to Spider-Man and goes in search of his spider-tracer.
The web-slinger eventually tracks the car to a junkyard where Gideon Mace's men are disposing of it. Spider-Man takes the soldiers out and speaks with Mace over their radio. Mace brags that he and his men are headquartered at the decommissioned East Side National Guard Armory, and the wall-crawler heads there immediately. He allows Mace's men to believe he has been killed by their land mines, thus sneaking into the building and getting the drop on them. After working his way through several armed soldiers and their howitzers, Spider-Man comes face to face with Mace. The webbed wonder gets the upper hand on the villain, but Mace orders his men to open fire, even if it means taking him out. Mace is gunned down as Spider-Man dives for cover. Later, Mace is wheeled into Bellevue just as the White Tiger is removed from the operating room, in stable condition.
A week later, Hector Ayala removes the tiger amulets, declaring that the White Tiger will be no more. He and his girlfriend Holly move away from New York to find someplace where they can live once more in anonymity.
Monday, June 23, 2014
PETER PARKER, THE SPECTACULAR SPIDER-MAN: THE WHITE TIGER SERIAL
"...THE WHITE TIGER" | "A KILLER ELITE" | "THE MENACE OF GIDEON MACE!"
Writer: Roger Stern | Penciler: Denys Cowan
Inkers: Jim Mooney, Dave Humphreys, Josef Rubenstein
Letterers: Joe Rosen, Jim Novak | Colorists: Ed Hannigan, Christie Scheele
Editor: Dennis O'Neil | Editor-in-Chief: Jim Shooter
Writer: Roger Stern | Penciler: Denys Cowan
Inkers: Jim Mooney, Dave Humphreys, Josef Rubenstein
Letterers: Joe Rosen, Jim Novak | Colorists: Ed Hannigan, Christie Scheele
Editor: Dennis O'Neil | Editor-in-Chief: Jim Shooter
The Plot: Nathaniel Alexander Byrd, a private detective called Blackbyrd, speaks with a stool pigeon named Lou Gunther. He tells Gunther the history of the Hector Ayala, a.k.a. the White Tiger, his tale culminating with the murder of the Tiger's family one night before. Blackbyrd wants to know who did it, as does the White Tiger -- who arrives moments after the story has been told.
Gunther tells the Tiger that it was "out of town muscle" who murdered his parents and sister, and the Tiger vows to track them down. He heads for the abandoned candy shop Gunther says they have been using as a headquarters, where he finds the men -- a highly trianed military unit led by Colonel Gideon Mace -- holed up.
Mace's soldiers battle the Tiger until he is forced to retreat, but he finds his attempted point of egress -- a window -- to be painted onto the wall by Mace as a trap. With his back literally against the wall, the White Tiger is gunned down by Mace, who proclaims him the first victim of a crusade to rid New York City of all its superhuman residents.
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