ACTION COMICS ANNUAL #1, SUPERMAN ANNUAL #1, & ADVENTURES OF SUPERMAN ANNUAL #1

“SKEETER!”
Written by: John Byrne | Penciled by: Art Adams | Inked by: Dick Giordano
Lettered by: Albert de Guzman | Colored by: Petra Scotese
Edited by: Michael Carlin

The Plot: Batman arrives in the small town of Fayerville, Louisiana, following the trail of a serial killer from Gotham City. But he quickly finds himself in over his head as he realizes he’s up against a vampire. The Caped Crusader calls the Daily Planet and asks Clark Kent to summon Superman for him. Soon after, the Man of Steel arrives in Fayerville and begins investigating the vampire as well, while Batman deduces the creature’s true identity as that of an apparently teenaged girl named Skeeter. When Skeeter attacks and nearly kills Superman, Batman finishes her off with a stake through the heart.

Sub-Plots & Continuity Notes: Batman uses the codeword “Magpie”, a reference to his and Superman’s first encounter in THE MAN OF STEEL, to authenticate himself to Clark.

When he fights Skeeter, Superman realizes her powers are magical in nature and therefore she is able to harm him. (He also mentions his “electro-chemical aura” not protecting his costume when she scratches his chest, reminding readers that Byrne is still one hundred percent behind that idea.)

HOBGOBLIN LIVES: THE 20th ANNIVERSARY

Twenty years ago this very day, per Mike's Amazing World of Comics, the first issue of SPIDER-MAN: HOBGOBLIN LIVES hit stands. I talked about this series before when I ran my Spider-Man by Roger Stern review series a couples years back. I covered it issue by issue (#1 | #2 | #3). I followed those up with a little missive on how it might have benefited from a different length or format. You'd think I might have written all I had to say on it at this point.

You'd be wrong.

I can't quite articulate how, but I'm about to do my best: this mini-series is incredibly important to me on multiple levels -- but to explain why, I should start at the beginning: As noted when I covered some of the Hobgoblin issues of AMAZING SPIDER-MAN, the very first comic I remember owning was AMAZING #245. I said in my review of that issue:

According to Mike's Amazing World of Comics, it went on sale in July of 1983. I would've been a little more than four-and-a-half years old. Barely old enough to read the thing, but the pictures told me plenty. The scene in which Lefty Donovan drives back to the burnt-out mansion and descends into the Hobgoblin's mysterious lair stuck with me more than anything else as the eeriest imagery I had ever seen in my then-brief lifetime. I didn't quite understand the whole story, but I remembered it for years to come, so much that when I picked up the ORIGIN OF THE HOBGOBLIN trade paperback about ten years later, I recognized the artwork from this chapter as if I had just seen it the day before. And when something sticks with for that long, all through the haze of early childhood and into your teens, it's pretty amazing.

Then came the ORIGIN OF THE HOBGOBLIN trade paperback mentioned here. It was released in May of 1993 (again, per Mike's Amazing World) -- almost ten years to the month after issue 245 -- and I was fourteen at the time. It collected AMAZING SPIDER-MAN issues 238, 239, 244, 245, 249 - 251, and SPECTACULAR #85 (though it was heavily edited to excise unrelated sub-plots and focus solely on the Hobgoblin material). ORIGIN was one of the very first trade paperbacks I ever owned, and I read the thing over and over until it was battered and dog-eared, so enthralled was I with the stories it contained.

(To contrast, the issues of the regular ongoing Spider-Man comics released in May of '93 were all chapters of "Maximum Carnage". And while I have great love for some of the more questionable nineties Spider-stuff -- the Clone Saga, for instance -- even back then I recognized "Maximum Carnage" as a pretty lame story.)

THE HOBGOBLIN LIVES CHIN-STROKING EXTRAVAGANZA

Let me preface this by saying that I love Ron Frenz. He's a great artist; one of my favorites. But nonetheless, I found this very funny. From the Ron Frenz "How To Draw A Mystery Story" playbook:

And, hey -- note that after Peter/Spider-Man, Roderick Kingsley is seen strokin' the ol' stubble more than anyone else in the story! The biggest clue was hidden right in front of us all along!

SPIDER-MAN: HOBGOBLIN LIVES #3

"SECRETS"
Writer: Roger Stern | Artists: Ron Frenz & Bob McLeod
Letterer: Jim Novak | Colorist: Christie Scheele
Editors: Glenn Greenberg & Tom Brevoort | Editor-in-Chief: Bob Harras

The Plot: As Spider-Man swims back to the surface of the East River, the Hobgoblin kidnaps Betty from her apartment and takes her to his lair. He finds a spider-tracer in her purse and another in her locket, and gives both to Roderick Kingsley with instructions to dispose of them. The goblin then brings Betty around and asks about the notes she claims will exonerate Ned. Betty agrees to provide the notes only if the Hobgoblin will grant an "exclusive interview".

While Spider-Man chases both tracers across town, the Hobgoblin explains to Betty that he met Ned after emerging from the Hudson River following his battle with Spider-Man years before. The goblin captured Ned and drugged and brainwashed him, using him to form a partnership with Ned's old friend, Richard Fisk -- the Kingpin's son and the man who would become the crimelord called the Rose. The goblin then worked with the Rose for some time before growing bored of his criminal life. He used Ned as a stand-in more often than not and eventually decided to retire from his life as the Hobgoblin. Setting Ned up one final time, the goblin tipped Jason Macendale off to Ned's "true" identity and whereabouts and let Macendale do the rest. The man behind the Hobgoblin's mask then retired back to his civilian life.

SPIDER-MAN: HOBGOBLIN LIVES #2

"BACK IN BUSINESS"
Writer: Roger Stern | Artists: Ron Frenz, Jerome Moore & Scott Hanna
Letterer: Jim Novak | Colorist: Joe Andreani
Editors: Glenn Greenberg & Tom Brevoort | Editor-in-Chief: Bob Harras

The Plot: While the Hobgoblin plots with Roderick Kingsley, Jonah Jameson screens security footage of Jason Macendale's death to the Daily Bugle's top reporters, then sends them off on the Hobgoblin's trail. However, despite Betty's request to be included in the investigation, Jameson orders her to remain sidelined.

Having witnessed Betty's argument with Jameson, Peter Parker changes to Spider-Man and catches up with her outside the Bugle, offering his assistance in clearing Ned. He then runs into Flash Thompson arguing with Jacob Conover on the street, and recruits Flash as well.

Meanwhile, as Kingsley and Osborn's Donald Menken plan a takeover of Osborn Industries by Kingsley International, George Vandergill calls Menken and attempts to force himself into the deal. Later that night, the Hobgoblin destroys Vandergill's manufacturing plant, killing forty people, including Vandergill himself, while the magnate is on the phone with Senator Bob Martin.

The next day, Peter, Mary Jane, Flash, and Betty go over several potential angles on the Hobgoblin and decide to investigate the men he attempted to blackmail years before. Equipped with spider-tracers provided by their ally, Spider-Man, the group splits up. Peter speaks with Ben Urich about Roxxon, the Brand Corporation, and Jonas Harrow, which leads him to suspect Jacob Conover, who had a rivalry with Ned over chasing down corporate corruption years before.

SPIDER-MAN: HOBGOBLIN LIVES #1

"VICTIMS"
Writer: Roger Stern | Artists: Ron Frenz & George Pérez
Letterer: Jim Novak | Colorist: Christie Scheele
Editors: Glenn Greenberg & Tom Brevoort | Editor-in-Chief: Bob Harras

The Plot: As Jason Macendale, the second Hobgoblin, stands trial for his various crimes, Peter Parker and Betty Leeds find themselves recalling that Betty's husband Ned was unmasked as the original Hobgoblin years before -- a fact known almost exclusively to the two of them.

Following a guilty verdict, as he is escorted from the courthouse, Macendale informs gathered reporters that he had the original Hobgoblin killed and took his place, fingering Betty as the goblin's widow. Peter saves Betty from a rampage of reporters looking for comment, then changes to Spider-Man and gets the full story from her.

Later, a mysterious man breaks into Great Neck Maximum Security Prison and makes his way to Macendale's cell. Announcing himself as the true original Hobgoblin, this stranger tells Macendale that he only allowed him to play Hobgoblin for as long as it amused him. But he is no longer amused, and kills Macendale in his cell before departing the prison and changing into the costume of the Hobgoblin.

Later still, the Hobgoblin confronts his one-time partner, Roderick Kingsley, and informs him that their relationship is about to begin again.

THE AMAZING SPIDER-MAN #252

"HOMECOMING!"
Plot: Roger Stern | Script: Tom DeFalco
Pencil Breakdowns: Ron Frenz | Finished Art: Brett Breeding
Letters: Joe Rosen | Colors: Glynis Wein | Editor: Danny Fingeroth
Editor-in-Chief: Jim Shooter

The Plot: One week after disappearing into the huge alien structure in Central Park, Spider-Man emerges from it in a new black costume, with Dr. Curt Connors in tow. After returning Connors to his family, the web-slinger catches up on his personal life as Peter Parker and patrols the city in his new outfit. While out and about, he bumps into a pair of quarreling teens and takes them up above the city, letting them see the environment, good and bad, that they take for granted.

The Sub-Plots: Spider-Man's black costume is somehow alive, responding to his thoughts by disappearing and changing into street clothes when necessary.

Despite having taken several photos of his adventures on Battleworld, Peter decides that he can't sell them to any respectable newspaper or magazine, both because Reed Richards of the Fantastic Four advised all the kidnapped heroes to keep their adventure a secret from the general public and because the photos are simply too unbelievable to be taken seriously.

Peter also gives Aunt May a call to check in and agrees to join Nathan and her for Sunday dinner.

THE AMAZING SPIDER-MAN #251

"ENDINGS!"
Plot: Roger Stern | Script: Tom DeFalco
Pencil Breakdowns: Ron Frenz | Finished Art: Klaus Janson
Letters: Joe Rosen | Colors: Christie Scheele | Editor: Danny Fingeroth
Editor-in-Chief: Jim Shooter

The Plot: Spider-Man and the Hobgoblin continue their fight within the goblin's burning warehouse as firefighters battle the blaze outside. Hobgoblin gets the drop on the spider-senseless wall-crawler, subduing him and escaping the scene in his battle van. But Spide-Man grabs hold of the fleeing vehicle and eventually makes it inside for a rematch with his foe. As the van rockets through the city under control of an auto-guidance system, Spider-Man's spider-sense returns, allowing him to turn the tables and stun the Hobgoblin. But when the van drives into the Hudson River and begins taking on water, Spider-Man is forced to evacuate. He dives back into the water to search for the Hobgoblin, but finds only his mask drifting to the surface.

Later, Peter Parker has dinner with Harry Osborn and assures him that all proof his father was the Green Goblin was destroyed in the warehouse fire. After Harry leaves, Peter suffers an agonizing blast of spider-sense and follows it to the Sheep Meadow in Central Park, where an enormous futuristic structure has appeared. The web-slinger is drawn to the bizarre edifice and as soon as he enters it, he vanishes.

The Sub-Plots: Jonah Jameson, having printed his confession regarding his role in the Scorpion's creation in the Daily Bugle, steps down as the newspaper's editor-in-chief, turning the job over to former city editor Robbie Robertson.

THE AMAZING SPIDER-MAN #248

"AND HE STRIKES LIKE A THUNDERBALL"
Writer: Roger Stern | Pencil Breakdowns: John Romita, Jr. | Finishes: Brett Breeding
Letters: Diana Albers | Colors: Bob Sharen | Editor: Bob DeNatale
Editor-in-Chief: Jim Shooter

The Plot: Spider-Man battles Thunderball, eventually defeating him by luring him into an electrical substation and using his body to close a high-voltage circuit.

The Sub-Plots: None to be found in either of this issue's stories.

Continuity Notes: Thunderball tells Spider-Man that he received his powers from an Asgardian Norn Queen. The wall-crawler, despite having met Thor numerous times at this point, believes the story to be "hooey".

Thunderball recalls the origin of the Wrecking Crew in DEFENDERS #18, and notes that he's been uncharacteristically weak lately, as seen in IRON MAN #171.

The Spider's Web: Assistant Editor Bob DeNatale provides a brief column on the genesis of these "Assistant Editor's Month" stories. Then readers react to Peter's decision to leave graduate school in issue #243. And one fan asks if John Romita, Jr.'s recent appointment as penciler of X-MEN will affect his work on Spider-Man, resulting in a statement that Romita will simply have both series on his regular schedule. Liars!!

Also On Sale This Month: "Assistant Editors' Month" hits PETER PARKER #86 with a story written totally straight, but drawn in the cartoony style of Fred Hembeck -- then Spider-Man takes a break from MARVEL TEAM-UP to allow Aunt May and Galactus to headline the title.

THE UNBOXING - JUNE 2014

Two books arrived this month, and they're both thick trade paperbacks from Marvel. First is NOVA CLASSIC, volume 3. I'm not sure why Marvel felt the need to pad this series out to three volumes. The original NOVA series ran for 25 issues. NOVA CLASSIC, volume 1 contained issues 1 through 12, plus an AMAZING SPIDER-MAN crossover issue. You'd think that volume 2 would then contain issues 13 through 25 and that'd be the end of it, right? Not so. Instead, the second volume gives us issues 13 - 19, plus three totally unnecessary issues of DEFENDERS which barely feature Nova, as well as an annual each for FANTASTIC FOUR and a MARVEL TWO-IN-ONE. Now, volume 3 covers NOVA 20 - 25, plus ten issues of FANTASTIC FOUR which wrap up Nova's story, but most of which involve Nova himself very little. Plus, all those FF issues were already collected a few years ago in a book called FANTASTIC FOUR: IN SEARCH OF GALACTUS, which can be found for bargain basement prices these days.

Nonetheless, since I bought NOVA CLASSIC volume 1, I went ahead and picked up volumes 2 and 3. And, regardless of my misgivings on some of the content, I am looking forward to reading these original seventies adventures of the Human Rocket.

A book with which I'm much more satisfied, however, is the SPIDER-MAN EPIC COLLECTION: GHOSTS OF THE PAST. This volume collects a chunk of AMAZING SPIDER-MAN issues by Tom DeFalco and Ron Frenz -- issues 259 - 272, to be precise. Note that the SPIDER-MAN BY ROGER STERN OMNIBUS ends with issue #252, and the upcoming SPIDER-MAN: THE COMPLETE ALIEN COSTUME SAGA volume 1 will cover, among others, issues 252 - 258. I love when Marvel sets up their collections this way. All three books together will contain an uninterrupted AMAZING SPIDER-MAN run of issues 226 - 272. It's a great time for Marvel collected editions, and especially for Spider-Man, whose classic (but post-Stan Lee) material was vastly under-represented for a long time.