The Archie Goodwin/Al Williamson run proceeds onward as Luke, Leia and Han continue their quest to return R2-D2 to Yavin 4. Their mission is temporarily thwarted, however, as the moon comes under bombardment by Imperial forces. Why the Empire waited so long to attack Yavin following the Death Star's destruction is not explained here. Han simply notes that the place was blockaded -- though even that didn't stop the Milennium Falcon and other vessels from coming and going at will. Perhaps there was some political reason for the Empire holding off until now. But for whatever reason, our heroes now find themselves unable to return home. They seek sanctuary with a rebel sympathizer, a sexy pirate captain named Silver Fyre -- an old acquaintance of Han's.
After baiting Silver's gang with the information Artoo is carrying, Han ferrets out a traitor in their midst. Silver then agrees to aid the rebels in bypassing the Imperial blockade and returning to Yavin. Back on the planet, in another filler adventure, our heroes encounter a creature called the night beast beneath their headquarters in the Massassi temple. The beast is eventually lured aboard a ship and sent away from the moon. Even though this reads as a throw-away tale, the story allows Williamson to draw several interiors for the temple, a location barely glimpsed in A NEW HOPE. Williamson uses the opportunity to instill the haunted rebel base with some personality.
Friday, January 31, 2014
Wednesday, January 29, 2014
IRON MAN #137
"CHAPTER I: FAÇADES"
Plot/Writer: David Michelinie | Plot/Artist: Bob Layton
Letterer: John Costanza | Colorist: Ben Sean | Editor: Jim Salicrup
Editor-in-Chief: Jim Shooter
Plot/Writer: David Michelinie | Plot/Artist: Bob Layton
Letterer: John Costanza | Colorist: Ben Sean | Editor: Jim Salicrup
Editor-in-Chief: Jim Shooter
The Plot: During Stark International's third annual employee appreciation party, the gathered employees watch the debut of Tony Stark's newest invention, an offshore sonic borer, via a TV monitor. But the borer malfunctions, and Iron Man races into action to save the day. In the chaos, the borer's power supply, a prototype energizer link, is stolen by the project's head, Ted Calloway. Iron Mana attempts to catch the fleeing Calloway's helicopter, but is stopped by an electrical cage generated by Calloway's weapon.
Later, back at Stark International, the real Ted Calloway turns up in a supply closet. Tony begins to ponder who could have impersonated Calloway when he receives an urgent call from Bethany. He partner, Ling McPherson, has been brutally beaten while on bodyguard duty, and is in critical condition at the hospital.
Monday, January 27, 2014
IRON MAN #136
"THE BEGINNING OF THE ENDOTHERM"
Plot: Peter John Palmer | Script: David Michelinie
Layouts: Alan Weiss | Finishes: Bob Wiacek
Letters: John Costanza | Colors: Ben Sean | Editor: Jim Salicrup
Editor-in-Chief: Jim Shooter
Plot: Peter John Palmer | Script: David Michelinie
Layouts: Alan Weiss | Finishes: Bob Wiacek
Letters: John Costanza | Colors: Ben Sean | Editor: Jim Salicrup
Editor-in-Chief: Jim Shooter
The Plot: Tony Stark arrives in London to investigate an incident of theft and sabotage at the British division of Stark Enterprises. He soon meets a villain named Endotherm, who uses heat and cold based technology, and who easily bests him (as Iron Man) in battle.
The next night, Endotherm returns to challenge Iron Man a second time, now with the intention of killing him. But Iron man has prepared a defense against Endotherm's power, and emerges the victor. Upon unmasking his foe, Iron Man learns that Endotherm was actually the security chief at S.I. U.K., who had a psychotic break and decided the only way to keep his pension was by killing Tony Stark.
Sunday, January 26, 2014
X-MEN COLLECTED EDITIONS
I have a goal. It's a multi-tiered goal and it's not a simple one, since I really have no way to affect its outcome myself, but it's somehow getting dangerously close to completion anyway. I want to have, on my bookcases, every issue of UNCANNY X-MEN and X-MEN in collected editions, in color, from UNCANNY #94 through UNCANNY #350 (the end of Scott Lobdell's run as writer). That's well over 300 comics, especially if you include the associated annuals, specials, and crossover chapters.
And yet, here we are. As of right now, the below lists show all issues of both titles, up to UNCANNY #350, which have been collected and/or solicited. It's pretty remarkable:
And yet, here we are. As of right now, the below lists show all issues of both titles, up to UNCANNY #350, which have been collected and/or solicited. It's pretty remarkable:
Friday, January 24, 2014
CLASSIC STAR WARS PART TWO -
IN DEADLY PURSUIT
The Archie Goodwin/Al Williamson run on the STAR WARS strip began officially on February 9th, 1981 -- about six months after the end of Russ Manning's final story arc. In the interim, the strip had featured a storyline by Russ Helm and Alfredo Alcala, followed by HAN SOLO AT STAR'S END by Archie Goodwin and Alcala -- an adaptation of the pre-A NEW HOPE novel of the same name by Brian Daley. Neither of those storylines is reprinted in the CLASSIC STAR WARS trade paperbacks.
Even though they've picked up the strip several months after the release of THE EMPIRE STRIKES BACK in theaters, Goodwin and Williamson choose to tell more stories set between the first and second films -- a wise move, in my opinion. THE EMPIRE STRIKES BACK ends on a cliffhanger which would rob the creators of Han Solo -- and while great STAR WARS stories have certainly been told without Han, if including him is an option, it should be exercised -- even at the cost of including the likes of Lando Calrissian and Yoda. Thus, the first Goodwin/Williamson story features Luke and Leia, soon after the Battle of Yavin, scouting potential locations for a new Rebel base, now that the Empire knows they hang their hats on Yavin's fourth moon. But their mission is interrupted by the Empire, leading to a rescue by Han and Chewbacca, and a side trip to Ord Mantell, where the group encounters a bounty hunter named Skorr, out to collect the contract on Han's head.
Even though they've picked up the strip several months after the release of THE EMPIRE STRIKES BACK in theaters, Goodwin and Williamson choose to tell more stories set between the first and second films -- a wise move, in my opinion. THE EMPIRE STRIKES BACK ends on a cliffhanger which would rob the creators of Han Solo -- and while great STAR WARS stories have certainly been told without Han, if including him is an option, it should be exercised -- even at the cost of including the likes of Lando Calrissian and Yoda. Thus, the first Goodwin/Williamson story features Luke and Leia, soon after the Battle of Yavin, scouting potential locations for a new Rebel base, now that the Empire knows they hang their hats on Yavin's fourth moon. But their mission is interrupted by the Empire, leading to a rescue by Han and Chewbacca, and a side trip to Ord Mantell, where the group encounters a bounty hunter named Skorr, out to collect the contract on Han's head.
Wednesday, January 22, 2014
IRON MAN #135
"RETURN OF THE HERO!"
Plot/Script: David Michelinie | Plot/Finished Art: Bob Layton
Pencil Art: Jerry Bingham | Letters: John Costanza | Colors: Carl Gafford
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
Plot/Script: David Michelinie | Plot/Finished Art: Bob Layton
Pencil Art: Jerry Bingham | Letters: John Costanza | Colors: Carl Gafford
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
The Plot: As Titanium Man rampages through the streets, Bethany suggests to Tony that he slip away and summon Iron Man. Ducking into a seedy massage parlor, Tony quickly changes and then Iron Man confronts Titanium Man. The villain explains that he is trying to get back in the Soviet Union's good graces by destroying the U.S.A.'s most important city.
Following this monologue, the fight begins. Iron Man and Titanium Man battle across the city, eventually winding up on the ice rink at Rockefeller Plaza, where Iron Man finally gains the upper hand and defeats his foe. Iron man is cheered by the public before leaving. After changing back to Tony Stark, he accompanies Bethany home and enters her apartment with her.
Monday, January 20, 2014
IRON MAN #134
"THE CHALLENGE"
Plot/Writer: David Michelinie | Plot/Finished Art: Bob Layton
Pencil Art: Jerry Bingham | Letters: John Costanza | Colors: Carl Gafford
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
Plot/Writer: David Michelinie | Plot/Finished Art: Bob Layton
Pencil Art: Jerry Bingham | Letters: John Costanza | Colors: Carl Gafford
Editor: Jim Salicrup | Editor-in-Chief: Jim Shooter
The Plot: After running his armor through several tests, Tony takes Bethany Cabe out for a date. Meanwhile, an armored figure flies across the Atlantic, bound for Manhattan. As Tony and Bethany take a cab home after dinner, a civil disturbance draws their attention. Exiting the cab, they find the Titanium Man bellowing his intention to destroy the city.
Continuity Notes: A footnote reminds us that Iron Man killed the Carnelian ambassador in issue #124. One of Iron Man's tests is for a security measure to make certain he can never be remote-controlled that way again.
Mrs. Arbogast informs Tony that Iron Man's speaking engagement at the Lions' Club has been cancelled in light of the Carnelian incident. Titanium Man is unaware of this cancellation, and his first stop in New York is the Club, where he accosts the replacement speaker: Rodney Dangerfield.
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