"THE MAN WHO WOULD BE HULK"
Writer/Plot: David Michelinie | Finished Art/Plot: Bob Layton
Pencil Art: Jerry Bingham | Letters: Joe Rosen | Colors: George Roussos
Editor: Roger Stern | Editor-in-Chief: Jim Shooter
Writer/Plot: David Michelinie | Finished Art/Plot: Bob Layton
Pencil Art: Jerry Bingham | Letters: Joe Rosen | Colors: George Roussos
Editor: Roger Stern | Editor-in-Chief: Jim Shooter
Even as they make this discovery, Banner completes his transformation and bursts out of the lab. Tony changes to Iron Man and challenges the Hulk. Their resulting battle carries them across the Stark compound, ultimately ending at the airfield, where Iron Man puts everything his systems can muster into one super-charged punch. The Hulk is knocked out, but when Rhodey jovially claps Iron Man on the back, the armored Avenger collapses.
A mysterious shadowed figure appears in the issue as well, watching a news report on the Hulk situation and recalling that he sent the Unicorn to test Stark's defenses in issue #113. Yes, this is -- the Other, that long-dropped "mystery villain" (who is still pretty clearly the Titanium Man) from Bill Mantlo's final issue prior to the Michelinie/Layton takeover.
My Thoughts: I'd say this issue lives up to the hype. Iron Man and the Hulk, in a brawl that carries them from Stark's lab to the loading docks and then to the airfield, with lots of wanton collateral damage along the way, is a formula for success.
Bingham and Layton provide some spectacular visuals, with plenty of big panels to make the fight seem larger than life, culminating in an outstanding full-page splash (a rarity at the time) in which Iron Man KOs the Hulk. As a kid, I would've eaten this issue up and re-read it often -- which is pretty much the highest praise I can give a superhero comic.
Lastly, I had no idea that it was Roger Stern, during his run writing THE INCREDIBLE HULK, who had revealed that the Hulk's mind and body could exist separately from each other. I guess we have him to thank for planting the seeds which would eventually sprout into Peter David's "Smart" Hulk of the nineties, one of my favorite iterations of the character.
I've read most of the second Michelinie/Layton run, but not much of their original stint. I'm curious about the Omnibus, but I think I'll wait until I can find it at a decent price.
ReplyDeleteThat cover is great. I would've loved that as a kid.
Having now read the entire thing, I can officially recommend this Omnibus. It's a very nice book (as most of them are), and the stories, as will continue to be reviewed here, are mostly pretty entertaining. I'm sure the price will go down more though, since this run isn't as revered as things like the Claremont/Byrne X-Men (that Omnibus has gone through three printings!), so waiting is probably not a bad idea.
DeleteLet's not forget that Bill Mantlo (whose Hulk run was the second-best thing he's ever done, btw, just behind Micronauts, IMO) did a nice long series of "Hulk with Banner's mind" from Hulk 271-299, before the reversion to an absolutely rampaging Hulk in #300. Peter David did a great job gathering various Hulk plotlines (including the "Grey Hulk" arc he inherited, which he nicely transformed into the "Joe Fixit" character) before coming up with the "Integrated Hulk" he used for the back half of his run, but he was hardly the first to plant them.
ReplyDeleteAnd I guess the first "Hulk-with-Banner's mind" story would be his trip to Jarella's world, in Hulk #140, by Roy Thomas.
—Dan
Good point, as someone who considers SECRET WARS a must-read-every-few-years guilty pleasure, I should've recalled that period in the Hulk's life even though I've never read any of the Mantlo run.
DeleteI hear good things about Mantlo's HULK (and his MICRONAUTS and ROM), but my loathing of his Spider-Man material has kept me from ever checking them out. Marvel did, however, recently release the bulk, if not all, of his eighties HULK run in trade paperback... so perhaps it's finally time to give it a try.
A letter in this issue asks how the series is written and praises “the day-to-day, hour-to-hour style of storytelling,” noting that “stories of late have flowed smoothly into one another without interruption.” I know it can’t have been you, Matt, but still… (The response describes about what you’d expect: Layton and Michelinie having a verbal plotting session — with the former tending more towards visuals and the latter more towards characterization, both keeping in mind the larger picture — after which Michelinie types up page-by-page descriptions for the penciler and then, based on what’s been drawn, writes the dialogue and captions.)
ReplyDelete