A MILESTONE TO CELEBRATE

Just about four-and-a-half years ago, I put up a post discussing how close Marvel was to collecting, via a mix of hardcover and paperback, my definitive X-Men run -- the beginning of the Chris Claremont era, circa 1975, through the end of the Scott Lobdell era, circa 1997. At the time, a lot had been collected -- the majority of the issues, in fact -- but there were still holes to be plugged in both the Claremont period and the Lobdell/Fabian Nicieza period, and certain older editions were crying for updates.

Well, today I can finally say my goal is complete. Mind you, the book hasn't been published yet, but with the recent Amazon ghost listing for an X-MEN: ONSLAUGHT AFTERMATH volume to plug the very last remaining gap next spring, it's safe to declare that within the year, that run of twenty-two years' worth of X-Men will be fully represented on my bookshelf -- and the vast majority of it will be in a handsome hardcover format.

The Claremont stuff was a no-brainer. We all knew it would be released in its totality eventually. You can't ignore the definitive run by the definitive creator in a franchise's history. But I will never cease to marvel (no pun intended) at the fact that the much more divisive and oft-derided material from the nineties will be comprehensively collected, too. And we're not just talking the Lobdell/Nicieza era here, either. Beyond "X-Cutioner's Song", "Fatal Attractions", "Phalanx Covenant", "Age of Apocalypse", "Onslaught", "Zero Tolerance", and everything in between, Marvel has also collected (or will have collected, again, within the year) the full Joe Kelly/Steve Seagle run which followed Lobdell, as well as the Alan Davis run that came after them. Plus, just this month, Claremont's ill-received return to the series via the "Revolution" event found its way to hardcover via an Omnibus. It's all out there. The entire decade of the nineties for X-MEN and UNCANNY X-MEN exists in hardcover and/or trade paperback (as well as in digital format), preserved for all time in glossy, high-end collections.

Mind you, happy as I am to have all this stuff available, I won't complain if Marvel eventually upgrades all the paperbacks to hardcover format (I'd dearly love an Omnibus of the 1999 Alan Davis run, for example). And I'll continue to update my X-MEN COLLECTED EDITIONS CHART whenever something like that happens. But for the time being, at least, I'm taking a rest. I can see the end of the road, and it's a wonderful thing. The X-Men -- my X-Men -- will soon be home for good, and I couldn't be happier.

(Now, will all these books upcoming in the next year or so to round things out, it's probably time I resurrected my semi-monthly photo-reviews of the things...)

X-MEN: OPERATION: ZERO TOLERANCE

Hardcover, 2012. Collects 1997's UNCANNY X-MEN #346, X-MEN #65 - 70, WOLVERINE #115 - 118, GENERATION X #26 - 31, X-FORCE #67 - 70, CABLE #45 - 47, and X-MAN #30

In its way, "Operation: Zero Tolerance" seems to have had just as many hiccups behind the scenes as did "Onslaught" a year earlier. We got a taste of this last time in our look at THE TRIAL OF GAMBIT, and I'll elaborate further below.

But first, the contents: This volume opens withe the standard recap page, bringing readers up to speed on the status of the X-teams circa 1997. From there we move into GENERATION X #26 and 27 by Scott Lobdell with artists Joe Bennett, Chris Bachalo, and Pop Mhan, followed by X-FORCE #67 from the well-regarded John Francis Moore/Adam Pollina run. A short recap and an excerpt from X-MEN 64 featuring Jubilee and the crossover's villain, Bastion, come next. Then it's back to GENERATION X for issue 28, again by Lobdell (writing his final issue of the series) and Bachalo. The X-Men join the fray in X-MEN #65, which features most of the team (minus those off in space as seen in THE TRIAL OF GAMBIT) captured by Bastion's forces. UNCANNY X-MEN 346, which we discussed last month as part of THE TRIAL OF GAMBIT, comes next, and then we get another recap leading into GENERATION X 29, where temporary guest-writer James Robinson joins Chris Bachalo.

Next, X-MEN 66 by Lobdell and Carlos Pacheco follows the adventures of Iceman and introduces Cecilia Reyes to the X-Men's world. Then we catch up with the captured X-Men in WOLVERINE 115 by Larry Hama and Leinil Francis Yu. X-FORCE returns for issue 68, which continues into CABLE 45 through 47 by James Robinson with art from Randy Green and Rob Haynes, before returning to X-FORCE for #69. WOLVERINE 116 continues the saga of the X-Men, while GENERATION X #30 and 31 feature Jubilee's escape and the long-teased secret of team members Monet and Penance revealed, as Chris Bachalo follows Scott Lobdell off the series they had created together two-and-a-half years earlier.

X-MEN: THE TRIAL OF GAMBIT

Paperback, 2016. Collects 1997's UNCANNY X-MEN #341 - 350, UNCANNY X-MEN #-1, X-MEN #62 - 64, and X-MEN #-1.

Before we dive into our latest X-MEN collected edition (released just a scant few months ago, in fact), let's address the sizable elephant in the room: the ONSLAUGHT OMNIBUS ended on UNCANNY X-MEN #337 and X-MEN #57, while this book picks up with issues 341 and 62, respectively. So we're missing three issues of UNCANNY and four issues of X-MEN as of this writing. Personally, if you toss whatever annuals and X-MEN UNLIMITED issues came out around that time, I think those contents would make for a fine ONSLAUGHT AFTERMATH trade or something along similar lines, so I hope to see the errant issues collected soon.

As for THE TRIAL OF GAMBIT: the book opens with UNCANNY X-MEN #341 by Scott Lobdell and Joe Madureira, an issue I seem to recall was heralded, at least by WIZARD magazine, as a modern-day classic in which Cannonball battles Gladiator of the Shi'ar Imperial Guard. This leads directly into UNCANNY 342 through 345, in which Lobdell, aided by Madureira and guest artist Mel Rubi, sends the X-Men off into one of their classic tropes which he had, up to this point, not yet done during his run on the title -- a spacefaring saga in which the group battles the Phalanx for the fate of the Shi'ar.

Then we jump over to the sister title, X-MEN, for issues 62 through 64, plotted by Lobdell, scripted by late nineties X-office go-to guy Ben Raab, and drawn by the newly arrived Carlos Pacheco and Art Thibert. The story follows the remaining Earthbound X-Men on a trip to Hong Kong for team-up with Shang-Chi and a battle with Sebastian Shaw and the Kingpin of Crime.

X-MEN: ROAD TO ONSLAUGHT VOLUMES 1 - 3

Volume 1: Paperback, 2014. Collects 1995's X-MEN PRIME, UNCANNY X-MEN #322 - 326, X-MEN #42 - 45, X-MEN ANNUAL '95, and X-MEN UNLIMITED #8.

Volume 2: Paperback, 2014. Collects 1995-96's UNCANNY X-MEN #327 & 328, X-MEN #46 - 49, X-MEN UNLIMITED #9, X-MEN/CLANDESTINE #1 & 2, and SABRETOOTH SPECIAL.

Volume 3: Paperback, 2014. Collects 1996's UNCANNY X-MEN #329 - 332, X-MEN #50 - 52, X-MEN UNLIMITED #10, X-MEN/BROOD #1 & 2, ARCHANGEL #1, WOLVERINE #101, and the XAVIER INSTITUTE ALUMNI YEARBOOK.

In 2014, Marvel enacted an ambitious plan to plug the gap between the AGE OF APOCALYPSE OMNIBUS and the ONSLAUGHT OMNIBUS with a series of three big trade paperbacks collecting every issue of X-MEN, UNCANNY X-MEN, X-MEN UNLIMITED, and other odds and ends which ran between 1995 and 1996. The result is a set of handsome books chock full of stories by various creators.

Volume one wastes no time, kicking right off with X-MEN PRIME, establishing the post-"Age of Apocalypse" X-universe. Then we have UNCANNY X-MEN 322, in which Onslaught's name is first spoken by Juggernaut -- though at that point no one, not even series writer Scott Lobdell, knew who or even what "Onslaught" was. X-MEN 42 through 44 follow, as writer Fabian Nicieza tells a story of Cyclops and Jean Grey and their roles in the fall of Magneto's space station, Avalon. Then it's back to UNCANNY for issues 323 and 324, featuring the debut of the mutant terrorists known as Gene Nation.

Next comes X-MEN ANNUAL '95 starring Jean and Beast and featuring my all-time favorite Mister Sinister story, by J.M. DeMatteis, Terry Dodson, and John Paul Leon. After this, it's a celebration of the twentieth anniversary of the "All-New, All-Different" X-Men in UNCANNY #325 and X-MEN #45, featuring a reunion between Colossus and his former teammates and a connection between Gambit and Mister Sinister, respectively. X-MEN 45 is also the final issue from Nicieza, who had been the series' scripter all the way back to #11.

X-MEN: AGE OF APOCALYPSE OMNIBUS

Hardcover, 2012. Collects 1995-96's UNCANNY X-MEN #320 - 321, X-MEN #40 - 41, CABLE #20, X-MEN ALPHA, AMAZING X-MEN #1 - 4, ASTONISHING X-MEN #1 - 4, FACTOR X #1 - 4, GAMBIT & THE X-TERNALS #1 - 4, GENERATION NEXT #1 - 4, WEAPON X #1 - 4, X-CALIBRE #1 - 4, X-MAN #1 - 4, X-MEN OMEGA, AGE OF APOCALYPSE: THE CHOSEN and X-MEN ASHCAN #2.

"Age of Apocalypse" is probably the one X-crossover from the nineties which is held in some esteem by most all fans. It's a legitimately creative and well-coordinated enterprise which dares to ask the question, "What would the world look like if Professor X had been killed twenty years earlier by his time-traveling son?"

This is one of the few classic X-events collected as an Omnibus rather than a simple oversize hardcover. I'm not sure why Marvel bothers with one distinction over the other, but it seems worth noting. Other than the branding and trade dress, however, this volume is essentially done in the exact same style as any of the prior books I've covered here in recent months.

"But wait!" you say, your spider-sense tingling. "Didn't you skip the AGE OF APOCALYPSE PRELUDE trade paperback listed on your X-MEN COLLECTED EDITIONS page? The book that contains UNCANNY X-MEN 319 and X-MEN 38 and 39, bridging the gap between PHALANX COVENANT and this very Omnibus?" The answer is yes, I did. That book, which also includes X-FACTOR 108 and 109, UNCANNY 320 and 321, X-MEN 40 and 41, and CABLE 20, was released in 2011 but I've never bothered to pick it up for a couple reasons: One, some of the reprint contents are identical to this Omnibus, covering the "Legion Quest" crossover which kicks things off. But I've never been afraid of double-dipping -- within reason -- in the past, so the other reason is that the PRELUDE volume is notorious for having been printed on extremely cheap newsprint-style paper. So between those two issues, I just haven't been able to bring myself to purchase it without a really steep discount (like, say 75% off at minimum). Thus, for now, that small hole in my ongoing X-chronology remains regrettably unfilled.

Now, with that disclaimer out of the way, our Omnibus opens up with the afore-mentioned "Legion Quest" storyline, running through UNCANNY X-MEN 320, X-MEN 40, UNCANNY 321, X-MEN 41, and CABLE 20. In this short crossover, Storm, Psylocke, Iceman, and Bishop travel back in time in an attempt to stop Professor X's son, Legion, from killing Magneto. They succeed, but Legion accidentally slays his own father instead, altering the timeline in numerous ways.

X-MEN: PHALANX COVENANT

Hardcover, 2014. Collects 1993-94's UNCANNY X-MEN #306, #311 - 314, & #316 - 317, X-MEN #36 & 37, X-FACTOR #106, X-FORCE #38, EXCALIBUR #78 - 82, CABLE #16, and WOLVERINE #85.

No, your eyes don't deceive you. Reading the contents above and comparing them with the contents of THE WEDDING OF CYCLOPS AND PHOENIX, which we covered last time, we've skipped five issues of X-MEN. This can be seen in greater detail over on my popular X-Men Collected Editions Chart. This gap is notable for being the only chunk of Fabian Nicieza's X-MEN uncollected, as well as one of only two chunks (along with issues 58 - 61) of uncollected X-MEN in general when using Scott Lobdell's five-year run on the sister title as a measuring stick (which itself is only missing issues 338 - 340 at this point). With any luck, someday in the near future, Marvel will plug these small holes and we'll finally have a full run of the Lobdell/Niciza UNCANNY and X-MEN in collected format.

At any rate -- "Phalanx Covenant" was 1994's X-Men event, pitting the merry mutants against the techno-organic Phalanx, a sort of mutated offshoot of the alien Technarchy which begat deceased New Mutant Warlock. The hardcover collection starts up with the obligatory recap, before moving into some lead-in material preceding the crossover proper. Remember when X-MEN: FATAL ATTRACTIONS skipped UNCANNY X-MEN #306 but included issue 315 as an epilogue? Well, PHALANX COVENANT is here to fix that little problem, plugging the issue 306 hole by printing that Phalanx-centric tale here, but skipping the non-Phalanx issue 315 instead. It's almost like they planned it that way!

UNCANNY 306's inclusion is due to the fact that it's the X-Men's first encounter with the Phalanx, as writer Scott Lobdell and artist John Romita, Jr. send Archangel and Jean Grey into the clutches of their old enemy Cameron Hodge at Archangel's one-time home in New Mexico. This represents something Lobdell did often during his run on UNCANNY; something I really like: he introduces the villain of the following year's crossover somewhere in the vicinity of the current year's. In this case, the X-Men were in between chapters of "Fatal Attractions" when the Phalanx were introduced.

AVENGERS/X-MEN: BLOODTIES & X-MEN: THE WEDDING OF CYCLOPS AND PHOENIX

BLOODTIES: Hardcover, 2011. Collects 1993's AVENGERS #368 & 369, AVENGERS WEST COAST #101, UNCANNY X-MEN #307, X-MEN #26, and 1996's BLACK KNIGHT: EXODUS.

THE WEDDING OF CYCLOPS AND PHOENIX: Paperback, 2012. Collects 1993-94's UNCANNY X-MEN #308 - 310, UNCANNY X-MEN ANNUAL #18, X-MEN #27 - 30, X-MEN ANNUAL #2, X-MEN UNLIMITED #3, X-MEN: THE WEDDING ALBUM, and WHAT IF? #60.

In 1993, the X-Men jumped directly from one crossover into another. The first, "Fatal Attractions", was within the X-family as we saw last time. The second, "Bloodties", teamed the X-Men with the Avengers in a celebration of the two groups' shared thirtieth anniversary. The catalyst for the crossover was Luna, child of the mutant Quicksilver and Inhuman Crystal, and the villain of the piece was Exodus, the leader of Magneto's Acolytes who had just debuted a few months earlier during the "Fatal Attractions" event.

AVENGERS/X-MEN: BLOODTIES is an installment in the since discontinued Marvel Premiere Classic Hardcover line, a set of books which originally began as more-or-less straight reprints of long out-of-print storylines (among the earliest volumes were the acclaimed SPIDER-MAN: KRAVEN'S LAST HUNT, the Claremont/Miller WOLVERINE, and Barry Windsor-Smith's WEAPON X). Unlike the majority of the "oversized" X-MEN hardcovers I've looked at so far, the Premiere Classics were published in standard trim size, meaning the pages are no larger than those of a normal comic book or trade paperback. BLOODTIES was the eighty-second in the Premiere Classic line, and it's a very nice package.

X-MEN: FATAL ATTRACTIONS

Hardcover, 2012. Collects 1993-94's UNCANNY X-MEN #298 - 305 & 315, UNCANNY X-MEN ANNUAL #17, X-FACTOR #87 - 92, X-MEN UNLIMITED #1 & 2, X-FORCE #25, X-MEN #25, WOLVERINE #75, and EXCALIBUR #71.

This book is probably my favorite of all the X-MEN hardcovers I own, in terms of volume of contents. The two X-MEN BY CLAREMONT & LEE books came out a bit earlier than FATAL ATTRACTIONS, and they certainly covered a wide swath of X-continuity, between UNCANNY issues, X-FACTOR issues, annuals, and the like. And of course there were prior collections of the various X-events which preceded "Fatal Attractions", but those generally only collected the pertinent crossover issues (with the exceptions of FALL OF THE MUTANTS, which contained a great deal of lead-in material and X-TINCTION AGENDA, which included the original Genosha arc to lead the book off).

But FATAL ATTRACTIONS gives us our first real glimpse of the Marvel collected editions department's diabolical plan to eventually get every issue of X-MEN and UNCANNY X-MEN, as well as ancillary X-material such as annuals and X-MEN UNLIMITED issues, out there in some way or another -- not to mention squeezing in installments of other spin-off series where pertinent.

FATAL ATTRACTIONS begins with UNCANNY #298 and 299, written by Scott Lobdell and featuring the return of Magneto's Acolytes and the machinations of the Gamesmaster and the Upstarts. We then move into a solid run of X-FACTOR #87 (the famous "team psychotherapy" issue) through 91, written by the outgoing Peter David and fill-in scripter Lobdell, which provide some tangential groundwork for the upcoming "Fatal Attractions" crossover.

X-MEN: X-CUTIONER'S SONG & X-MEN: A SKINNING OF SOULS

X-CUTIONER'S SONG: Hardcover, 2011. Collects 1992-93's UNCANNY X-MEN #294-297, X-FACTOR #84-86, X-MEN #14-16, X-FORCE #16-18 and STRYFE'S STRIKE FILE.

A SKINNING OF SOULS: Paperback, 2013. Collects 1993's X-MEN #17 - 24, X-MEN: SURVIVAL GUIDE TO THE MANSION, and material from MARVEL SWIMSUIT SPECIAL #2.

"X-Cutioner's Song", 1992's 12-part X-Men family crossover, is collected in full in a very attractive hardcover volume which opens, in a nice touch, with writer Fabian Nicieza's introduction to the original 1994 trade paperback edition. From there we get a brief recap page explaining what the X-teams have been up to in recent months, then it's on to the crossover in UNCANNY X-MEN 294, X-FACTOR 84, X-MEN 14, and X-FORCE 16. The story repeats this pattern two more times for a total of twelve chapters ending with X-FORCE 18 -- but the book isn't quite finished there. We also get a "quiet issue" epilogue from UNCANNY 297, and then the volume's collected issues come to an end with the STRYFE'S STRIKE FILE one-shot.

Bonus material consists of sixteen pages, beginning with second printing covers -- including one for STRYFE'S STRIKE FILE. A book of wall-to-wall text and pinups received a second printing. Who says the nineties weren't the merry Marvel age of mirthful excess? We next get both sides of twelve trading cards, which were originally packaged with the individual issues in polybags, reprinted at original size, followed by a MARVEL AGE cover and article about the crossover, a scan of a chapter still inside its polybag, trade paperback covers of previous collections, and recolored cover art for this volume.

The book's dustjacket and graphic design are crafted to make it a companion to the X-TINCTION AGENDA hardcover released earlier in 2011 (but in blue rather than X-TINCTION's red). The book's title is even redesigned from the original crossover logo, utilizing an old-fashioned jagged "X" in order to match the original "X-Tinction Agenda" logo instead. And while this is a nice idea, it really doesn't make much sense. These crossovers have nothing in common; no shared villain, no shared theme. Even a lot of the characters are different!

MASTER OF KUNG FU OMNINBUS VOLUME 1

Hardcover, 2016. Collects 1973-76's SPECIAL MARVEL EDITION #15 & 16, MASTER OF KUNG FU #17 - 37, GIANT SIZE MASTER OF KUNG FU #1 - 4, GIANT-SIZE SPIDER-MAN #2, and material from IRON MAN ANNUAL #4.

I've never read Marvel's MASTER OF KUNG FU, but I've heard very good things about it. And it's rare, though not unheard of, that I pick up a high-end collection for a series I've never so much as touched. To the best of my recollection, the only other times I've done so were with DC's NEW TEEN TITANS OMNIBUS series and Marvel's STAR WARS: THE ORIGINAL MARVEL YEARS OMNIBUS series. Of those, the former was critically and commercially acclaimed, while the latter -- well, it's some of the earliest Expanded Universe STAR WARS and I'd wanted to read it for years.

MASTER OF KUNG FU definitely falls into the "critically acclaimed" category. In certain scholarly comic book circles, it's ranked up there with the best of Marvel's late seventies/early eighties output; regarded at least as highly as the Claremont/Byrne X-MEN, Miller DAREDEVIL, and Simonson THOR. Still, given my lack of familiarity with the material, I probably would've waited for the inevitable Epic Collection trade paperbacks instead, except -- according to collection editor Cory Sedlmeier, these books are "...a special opportunity you don't want to miss out on." Working on the well-known knowledge that Marvel lost the rights to Fu Manchu, a prominent character in the series, decades back, and using that info to read between the lines, one might infer that perhaps Marvel has acquired a limited one-time reprint license, and after these Omnibus volumes are published, they may go out of print forever.

So, working from that assumption and trusting the numerous voices which have declared this one of the greatest Marvel runs of all time, I've bought volume 1 sight unseen and pre-ordered volume 2 as well, with full intentions to go for volume 3 too, when it's solicited.

X-MEN: BISHOP'S CROSSING

Hardcover, 2012. Collects 1991-92's UNCANNY X-MEN #281 - 293, material from X-MEN #10 - 11, and X-MEN #12 - 13.

I have to confess -- I like the issues collected in this book. Its contents were released when Marvel relaunched the X-Men franchise in 1991, alongside the latter portion of the X-MEN BY CLAREMONT & LEE OMNIBUS volume 2. But, though that other material features Chris Claremont's final three issues on X-Men and continues without him under Lee as plotter and artist, I have a real soft spot for these contemporaneous UNCANNY issues instead, plotted by Lee and Whilce Portacio and drawn by Portacio with scripts from John Byrne and Scott Lobdell.

The book is laid out in about as straightforward a manner as possible: We have a direct run of UNCANNY X-MEN issues 281 through 293, then a two-part backup serial from X-MEN #10 and 11 (omitted from the Claremont/Lee book due to lack of involvement from either), and then the run of issues wraps up with X-MEN #12 and 13 in their entirety.

These contents may seem a mish-mash, but there's logic behind their inclusion. The book gets its name from UNCANNY 281 - 288, which introduce time-displaced mutant Bishop and follow his path to joining the X-Men. I believe at one time in the nineties, there was a trade paperback called BISHOP'S CROSSING as well, which contained only these eight issues. But for this hardcover edition (and its upcoming paperback reprint), Marvel has seen fit to include issues 289 - 293 as well, thus filling the full gap of UNCANNY issues between CLAREMONT & LEE volume 2 and the X-CUTIONER'S SONG collection (which we'll look at next month).

X-MEN EPIC COLLECTION: THE GIFT & X-MEN: GHOSTS

THE GIFT: Paperback, 2015. Collects 1985-86's UNCANNY X-MEN #189 - 198, UNCANNY X-MEN ANNUAL #8, X-MEN/ALPHA FLIGHT #1 - 2, and NIGHTCRAWLER #1 - 4.

GHOSTS: Paperback, 2013. Collects 1985-86's UNCANNY X-MEN #199 - 209 and UNCANNY X-MEN ANNUAL #10.

As noted last time, I've decided to expand my reviews of X-MEN hardcovers to include trade paperbacks as well. So, before we move chronologically forward from the two X-MEN BY CLAREMONT & LEE books, let's take a look at a couple volumes set earlier in Claremont's run, during the time he had John Romita, Jr. as his regular artist.

X-MEN EPIC COLLECTION: THE GIFT, published more recently than GHOSTS but set earlier, begins with UNCANNY X-MEN 189 through 192 in direct order, featuring the misadventures of Rachel Summers and the New Mutants' Magma, the revenge of Kulan Gath against Spider-Man, and the debut of New Mutant Warlock's father, Magus.

X-MEN BY CHRIS CLAREMONT & JIM LEE OMNIBUS VOLUME 2

Hardcover, 2012. Collects UNCANNY X-MEN #273 - 280, X-FACTOR #63 - 70, X-MEN #1 - 11, and GHOST RIDER #26 & 27.

Following from the X-MEN BY CHRIS CLAREMONT & JIM LEE OMNIBUS volume 1 and the X-TINCTION AGENDA hardcover, both released in 2011, 2012 saw Marvel issue the second book in their Claremont/Lee duology. And where the first volume was extremely light on contributions from Lee, volume 2 more than makes up for it -- of the 27 issues collected herein, more than half are illustrated by Lee.

The book opens with a recap page stretching all the way back to the "All-New, All-Different" era, giving broad strokes of the entire Chris Claremont X-MEN canon -- appropriate, since this book collects the twilight of his long, long run. From there we head into X-FACTOR 63 and 64 by Louise Simonson and Whilce Portacio, pitting the original five X-Men against a group of cyber-ninjas for the life of Iceman's girlfriend. Honestly, I'm not sure exactly why these issues appear here, since they really serve no purpose in the volume's overall narrative; however the issues are notable for being long-time writer Simonson's final X-FACTOR story.

Next are UNCANNY X-MEN 273 through 277 by Chris Claremont and Jim Lee, featuring the X-Men in space against the Shi'ar while Rogue, Magneto, and Nick Fury battle Zaladane in the Savage Land on Earth. After this epic comes the final saga of the original X-Factor in X-FACTOR 65 through 68 by Claremont and Portacio (the former presumably on board to better set up the X-books' impending linewide realignment while the latter turns in the near-final issues of his brief X-FACTOR run before assuming penciling duties on UNCANNY X-MEN).

X-MEN: X-TINCTION AGENDA

Hardcover, 2011. Collects 1988's UNCANNY X-MEN #235 - 238 and 1990's UNCANNY X-MEN #270 - 272, NEW MUTANTS #95 - 97, & X-FACTOR #60 - 62.

Following from "Mutant Massacre", "Fall of the Mutants", and "Inferno", "X-Tinction Agenda" marks the fourth X-universe crossover, and has the notoriety of being the first such event of the nineties. But unlike the majority of those nineties events, this one comes from the pens of Chris Claremont and Louise Simonson -- both with one foot out the door of the X-franchise at this point, whether they realize it or not.

But before the crossover proper, the X-TINCTION AGENDA hardcover begins with UNCANNY X-MEN issues 235 - 238. Written by Claremont and illustrated by Marc Silvestri and Rick Leonardi, this storyline introduces the X-Men to the small island nation of Genosha, a technologically advanced paradise built on the backs of enslaved mutates. Claremont uses this 1988 tale as a metaphor for Apartheid, hitting on some heavy themes while never forgetting that X-MEN is, first and foremost, an action-adventure serial. It's generally regarded as one of the high points of his long run on the series, and its presence here, as a thematic companion to the main crossover, is appreciated -- though for the completionists out there, its inclusion was rendered moot in late 2014 with the publication of the X-MEN: INFERNO PROLOGUE collection.

UNCANNY X-MEN OMNIBUS VOLUME 3

Hardcover, 2016. Collects 1982-84's UNCANNY X-MEN #154 - 175, X-MEN ANNUAL #6 & 7, SPECIAL EDITION X-MEN #1, MARVEL GRAPHIC NOVEL #5, WOLVERINE #1 - 4, and MAGIK: STORM AND ILLYANA #1 - 4.

I like the X-Men, for the most part, throughout their entire history (at least up to around 2001 or so when I stopped following them regularly). But there are some eras I only tolerate, and others I consider definitive. For me, the most definitive period in X-Men lore is UNCANNY X-MEN issues 94 - 175 (technically I prefer to include 176 as well, but I won't quibble if a collection spanning that stretch omits it). This volume completes that run for me, and if Marvel never produces another UNCANNY X-MEN OMNIBUS, I'll be content.

While it's the Chris Claremont/John Byrne material which is the heart of those eighty or so issues, there's plenty to enjoy beyond Byrne's departure. Dave Cockrum, who shepherded in the era of the "new" X-Men with Len Wein and then Claremont on writing chores, returned as series penciler with issue 145, and the first chunk of his second run was included in the second UNCANNY X-MEN OMNIBUS. As I discussed when I covered that book a couple years ago, once upon a time Marvel's Omnibuses followed a pretty strict routine of cramming a few previously published Marvel Masterworks volumes into one book and sending it off to the printers, with no regard to story flow. This resulted in UNCANNY OMNIBUS volume 1 ending in the middle of the "Dark Phoenix Saga".

Not so anymore! UNCANNY OMNIBUS 2 broke the trend and reprinted only a portion of the seventh UNCANNY X-MEN MASTERWORKS, stopping after issue 153. The reason, as we see here, was to avoid separating the long "Brood saga" into two books. With some interludes for other adventures, the Brood storyline runs all the way from UNCANNY 154 through 167! And, thanks to modern Marvel's more enlightened decision-makers, the entire epic is reprinted here.

X-MEN BY CHRIS CLAREMONT & JIM LEE OMNIBUS VOLUME 1

Hardcover, 2011. Collects 1989-90's UNCANNY X-MEN #244 - 269, X-MEN ANNUAL #13, and material from CLASSIC X-MEN #39.

As I understand it from a handful of "insider" posts at the Marvel Masterworks Message Board a few years back, Marvel brass originally wanted to publish a simple X-MEN BY JIM LEE OMNIBUS, collecting only Lee's work on the merry mutants. Fortunately, cooler heads in the collected editions department got wind of this and realized that, since Lee started out as a fill-in artist and worked in tandem with other pencilers even after he became the series' regular artist, such a collection would be an incredibly disjointed reading experience -- basically nothing more than a glorified art book.

It was proposed instead that all Lee's issues be released in sequential order with non-Lee issues, under the banner of X-MEN BY CHRIS CLAREMONT & JIM LEE. This would result in a comprehensive two-book collection of Claremont's final couple years on the X-Men, and would make these volumes a direct continuation of the X-MEN: INFERNO hardcover which had been released a few years earlier.

So this book is officially called X-MEN BY CHRIS CLAREMONT & JIM LEE. That's what it says in the indicia, at least. But the cover and spine simply call it X-MEN and list the primary authors as Claremont, Lee, and Marc Silvestri, as the latter was the series' regular penciler when Lee began doing fill-ins.

X-MEN: INFERNO

Hardcover, 2009. Collects 1988-89's X-FACTOR #33 - 40, X-TERMINATORS #1 - 4, UNCANNY X-MEN #239 - 243, NEW MUTANTS #71 - 73, and material from X-FACTOR ANNUAL #4.

"Inferno" has the distinction of being the final X-MEN yearly event of the eighties, running throughout the mutant titles in late 1988. It was also the first Marvel event to feature its core "spine" in one family of titles while nearly every other regular monthly title in the Marvel line participated in some capacity at the fringe of the story (several annuals had, however, just spent the summer of '88 embroiled in "The Evolutionary War"). The formula proved so successful it was revisited again a year later for the AVENGERS-centric "Acts of Vengeance" storyline.

X-MEN: INFERNO returns to the layout of MUTANT MASSACRE, telling its story in the best chronological reading order rather than breaking up into per-series segments as was the case with FALL OF THE MUTANTS -- which makes sense, since X-MEN and X-FACTOR spend the bulk of the event in biweekly crossover status. The X-Men's portion of the story focuses on the corruption of Madelyne Pryor, and as such this volume opens with a recap page explaining what the X-teams were up to just before "Inferno", then continues with a handful of excerpted sub-plot pages from recent issues of X-MEN, focusing on Madelyne. These pages are rendered somewhat moot now, thanks to the publication of X-MEN: INFERNO PROLOGUE in 2014, but for those who simply want to read "Inferno" on its own, they're a nifty little lead-in.

X-MEN: FALL OF THE MUTANTS

Hardcover, 2011. Collects 1988's X-FACTOR #18 - 26, UNCANNY X-MEN #220 - 227, NEW MUTANTS #55 - 61, INCREDIBLE HULK #336, 337 & 340, POWER PACK #35, DAREDEVIL #252, CAPTAIN AMERICA #339, and FANTASTIC FOUR #312.

"Fall of the Mutants" was less a "crossover" and more an "event featuring disparate storylines sharing a similar theme/banner title" -- meaning that the three core X-series, UNCANNY X-MEN, NEW MUTANTS, and X-FACTOR, did not interact at all during the events of "Fall", instead each participating in the event in their own way.

As a result, this hardcover has an unusual layout by X-event standards -- it's presented in three sections, each devoted to one series and each beginning with its own recap page to get readers up to speed on prior goings-on in those series. We kick off with the X-FACTOR segment, easily the biggest chunk of material in the book, filling 393 out of 824 pages. Following from the recap, we get X-FACTOR issues 18 - 20, HULK 336 - 337, X-FACTOR 21 - 25, POWER PACK 35, DAREDEVIL 252, CAPTAIN AMERICA 339, X-FACTOR 26, and finally FANTASTIC FOUR 312.

All of this covers the lead-up to Apocalypse's assault on Manhattan and Angel's transformation into the Horseman of Death, as well as the reactions from characters like the Power Pack kids, Daredevil, and Captain America. Unlike "Mutant Massacre", where I felt some of the crossover material was inappropriate or weakened the main story, here it mostly all fits with the possible exception of CAP, which rides the story's coattails with a tangentially related installment shoehored into the action.

X-MEN: MUTANT MASSACRE

Hardcover, 2009. Collects 1986's UNCANNY X-MEN #210 - 214, X-FACTOR #9 - 11, NEW MUTANTS #46, THOR #373 - 374, POWER PACK #27, and DAREDEVIL #238.

Published in 2009, X-MEN: MUTANT MASSACRE was, to my knowledge, Marvel's first attempt to collect the complete "Mutant Massacre" event in on volume, including not only the pertinent issues of the mutant titles, X-MEN, NEW MUTANTS, and X-FACTOR, but also the various tangential crossover material from DAREDEVIL, THOR, and POWER PACK.

The book opens with UNCANNY X-MEN #210, X-FACTOR #9, UNCANNY #211, and X-FACTOR #10. From there, we move into the majority of the one- and two-off chapters -- NEW MUTANTS #46, THOR #373, POWER PACK #27, and THOR #374. Then it's back to the "core" material in UNCANNY #212 and X-FACTOR #11, followed by DAREDEVIL's contribution in issue 238, and then the saga is capped off by UNCANNY 213 and 214, which was not originally identified as an official piece of the crossover, but which provides a nice coda to the whole thing.

The reproduction of most of these issues is very nice, with the criminal exception of Alan Davis's X-MEN 213 (below), which looks absolutely horrid and represents an unforgivable crime against one of Marvel's best artists of all time. That issue is, for me, easily the highlight of "Mutant Massacre" in terms of both story and art, and I can't believe it came out looking so awful in this book.

AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS VOLUME 2

Collects AVENGERS #24 - 56, AVENGERS ANNUAL 2000 & 2001, THUNDERBOLTS #42 - 44; MAXIMUM SECURITY: DANGEROUS PLANET, MAXIMUM SECURITY #1 - 3, AVENGERS: THE ULTRON IMPERATIVE, and AVENGERS #1½.

Read about Volume 1 here.

It's called the AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS VOLUME 2, but it's really an AVENGERS BY KURT BUSIEK & FRIENDS OMNIBUS. Of the forty-four issues contained herein, Pérez illustrates a whopping eleven. I wouldn't exactly call it false advertising, since the Omnibus does carry on from the Pérez section of the run and wrap up some loose ends established during his time on the series, but splashing his artwork all over the covers and including only his and Busiek's names on the cover and spine seems a bit misleading.

That said, there's some good stuff in here. The Omnibus leads off with AVENGERS issues 24 and 25, pitting the team against the Juggernaut and concluding a storyline called "The Eighth Day". This was an unusual crossover in that it had its setup in issues of IRON MAN, THOR, and SPIDER-MAN, as well as a JUGGERNAUT one-shot, then AVENGERS followed that story up with a sort of sequel/epilogue -- but both segments also worked as their own story with a beginning and end. Weirdly, I don't think the whole "Eighth Day" has ever been collected anywhere. The IRON MAN BY KURT BUSIEK & SEAN CHEN OMNIBUS and the THOR BY DAN JURGENS & JOHN ROMITA JR. vol. 3 trade paperback both collect the set-up, and this Omnibus collects the sequel -- but for the full experience, you'd need two books.