AVENGERS BY BUSIEK & PÉREZ - REMINISCENCES

This is a post I'd hoped to have up much earlier this year, to coincide with the release date of AVENGERS vol. 3 #1 back in February, but I just wasn't able to pull it together in time. Though at this point the post is already years in the making*, so being eight months late isn't too bad when you look at it that way.

Let's start at the beginning, a year or so prior to that late 1997 release date: It was in the aftermath of "Onslaught" that Marvel launched a slew of new #1 issues. You had DEADPOOL, HEROES FOR HIRE, KA-ZAR, MAN-THING, MAVERICK, MARVEL TEAM-UP, and more. Among this group was THUNDERBOLTS, written by Kurt Busiek and drawn by Mark Bagley. I'd never heard of Busiek at the time, but Bagley was familiar to me from his days on AMAZING SPIDER-MAN, and I generally liked his artwork. Nonetheless, I nearly didn't grab THUNDERBOLTS because: what's a Thunderbolt? I was a senior in high school at the time and I had a tight budget; why read some random series about a bunch of new characters I'd never heard of?

Thank goodness for internet spoilers, then! I learned the twist ending to THUNDERBOLTS #1 via an America Online message board within a few days of its release, and promptly went straight out to pick it up. It quickly became one of my most eagerly awaited titles every month. And, eventually, when I learned that its writer would be picking up AVENGERS and IRON MAN when those two returned to the mainstream Marvel Universe after the year-long "Heroes Reborn" event wrapped up, I made sure to put those on my monthly reading list as well.**

AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS VOLUME 2

Collects AVENGERS #24 - 56, AVENGERS ANNUAL 2000 & 2001, THUNDERBOLTS #42 - 44; MAXIMUM SECURITY: DANGEROUS PLANET, MAXIMUM SECURITY #1 - 3, AVENGERS: THE ULTRON IMPERATIVE, and AVENGERS #1½.

Read about Volume 1 here.

It's called the AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS VOLUME 2, but it's really an AVENGERS BY KURT BUSIEK & FRIENDS OMNIBUS. Of the forty-four issues contained herein, Pérez illustrates a whopping eleven. I wouldn't exactly call it false advertising, since the Omnibus does carry on from the Pérez section of the run and wrap up some loose ends established during his time on the series, but splashing his artwork all over the covers and including only his and Busiek's names on the cover and spine seems a bit misleading.

That said, there's some good stuff in here. The Omnibus leads off with AVENGERS issues 24 and 25, pitting the team against the Juggernaut and concluding a storyline called "The Eighth Day". This was an unusual crossover in that it had its setup in issues of IRON MAN, THOR, and SPIDER-MAN, as well as a JUGGERNAUT one-shot, then AVENGERS followed that story up with a sort of sequel/epilogue -- but both segments also worked as their own story with a beginning and end. Weirdly, I don't think the whole "Eighth Day" has ever been collected anywhere. The IRON MAN BY KURT BUSIEK & SEAN CHEN OMNIBUS and the THOR BY DAN JURGENS & JOHN ROMITA JR. vol. 3 trade paperback both collect the set-up, and this Omnibus collects the sequel -- but for the full experience, you'd need two books.

THE UNBOXING - NOVEMBER 2015

It's a big, big November here, with some books from Marvel, a couple from DC, and one from Dark Horse, as well.

First up, Marvel provides the AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS volume 2, closing out not just the 34-issue Busiek/Pérez run in Omnibus format, but the full 56-issue Busiek run. I reviewed Volume 1 some months back, and I'll try to get something up for this volume in the near future as well.

On the trade paperback front, Marvel brings the INFINITY WAR AFTERMATH and MOON KNIGHT EPIC COLLECTION: SHADOWS OF THE MOON.

The main appeal of AFTERMATH for me is the inclusion of WARLOCK AND THE INFINITY WATCH issues 11 - 17. This means that between the INFINITY GAUNTLET AFTERMATH, INFINITY WAR, INFINITY WAR AFTERMATH, INFINITY CRUSADE volume 1, INFINITY CRUSADE volume 2, and THOR: BLOOD AND THUNDER collections, INFINITY WATCH issues 1 - 25 are all collected in trade paperback format. Only six more issues are needed to round out Jim Starlin's run on the title.

AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS VOLUME 1

Some months back, I railed against Marvel's decision to include the 12-issue AVENGERS FOREVER mini-series in their then upcoming AVENGERS BY KURT BUSIEK & GEORGE PÉREZ OMNIBUS, but I went ahead and pre-ordered it anyway, selling off my old AVENGERS ASSEMBLE hardcovers to subsidize the purchase. And, as it turns out, I'm quite happy I did.

This AVENGERS run, by writer Busiek and artist Pérez, was really my first time reading the series -- or at least the mainstream Marvel Universe version of it -- on a regular monthly basis. I knew of the Avengers; I'd seen them plenty of times in guest-spots in other series I read. I had even read a handful of issues from the period when Bob Harras was the series' regular writer. But it was actually Busiek's THUNDERBOLTS, which launched around the time the Avengers were rebooted via "Heroes Reborn", that got me to pick this series up. I loved that first year of THUNDERBOLTS, and when I learned that its writer would be handling AVENGERS and IRON MAN when they returned to the mainstream universe, I made plans to follow those titles as well.

THE UNBOXING - APRIL 2015

After last month brought me nothing, this month makes up for it, with four books from Marvel. First up is SPIDER-MAN EPIC COLLECTION: ROUND ROBIN, reprinting issues from the start of Mark Bagley's run on AMAZING SPIDER-MAN as penciler. This volume is special to me for two reasons: one, it collects the "Vibranium Vendetta" storyline from Spider-Man's 1991 annuals, which was one of my favorite Spider-Man stories as a kid. But, more importantly, the final issue in the book, #360, was my first AMAZING SPIDER-MAN as a regular reader. I'd certainly read plenty of Spider-Man before then, but in middle school I subscribed to the title and issue 360 popped up in my mailbox a few months later, beginning a run of well over a hundred consecutive issues as a regular reader (until J. Michael Straczynski got me to quit in disgust).

HOW TO DO AN OMNIBUS WRONG (AVENGERS BY KURT BUSIEK & GEORGE PÉREZ)

Recently, ghost listings have popped up on a few sites, including Amazon, for an AVENGERS BY KURT BUSIEK AND GEORGE PÉREZ OMNIBUS:

I've been waiting a while for something like this. I already own the first three AVENGERS ASSEMBLE hardcovers, which collect the full Busiek/Pérez run, but they are a product of their time -- the early 2000s -- and feature some pretty horrid reproduction in a few places, as well as covers without any trade dress, logos, blurbs, etc. They're nice books, but not as nice as they could be. So, when this book appeared in the Hachette Book Group's catalog last week, I was thrilled. I would sell my AVENGERS ASSEMBLE books and grab this. Surely it would collect all the same material as those three volumes, right? AVENGERS (vol. 3) issues 1 - 34, plus the associated annuals and such, would be the perfect size for an Omnibus!

Not so, apparently. Behold the (currently unconfirmed) solicit:

THE SAN DIEGO COMIC-CON

Living in the Bay Area, San Diego is only about an eight-hour drive south. And in between my sophomore and junior years of college, I made that pilgrimage for the first time with a couple friends -- Chris, with whom I had attended both middle and high school, and Brian, a friend of Chris's from his college. It was 1999, and it was a simpler time. We bought our con tickets online, but we needn't have bothered -- badges were still on sale at the door when we arrived. The whole affair only took up part of the convention center, which seemed enormous at the time.

That year was my first SDCC, and though it remained relatively small for a few more years, that was the last time it really felt like a comic book convention, in the traditional sense, to me. I bought a ton of back issues while I was there; I was going through a Mark Gruenwald CAPTAIN AMERICA phase and plugged some big holes in that run. I got head sketches from several artists during signings at the Marvel booth, including two of my favorites, Alan Davis (at the time the regular artist and plotter of X-MEN) and Terry Dodson (then the artist on GENERATION X). I also paid for a full-figure commission of Moon Knight from Ron Lim, who has, for as long as I can remember, had the most consistently reasonable convention commission prices of any artist I'm regularly interested in.