THE BLACK BEETLE IN: KARA BÖCEK

A Mystery Tale by Francesco Francavilla
Letters by Nate Piekos of Blambot

When I looked at Francesco Francavilla’s first “Black Beetle” adventure, NO WAY OUT, near the end of the year, I admitted that perhaps I was missing something. The story had received rave reviews from both the comics press and comics professionals, but I found it kind of an unnecessarily confusing and somehow simultaneously simplistic mystery. The artwork was gorgeous, but the story didn’t grab me, much as I wanted it to.

I now wonder if part of the problem was in the story’s length. NO WAY OUT was an adventure told in five full-length issues, and I didn’t really warm up to it. KARA BÖCEK, on the other hand, was serialized in DARK HORSE PRESENTS as a series of five six-page installments, for a total run-time of (carry the one...) thirty pages! Basically a single comic’s worth of material. And I find this story to be far more exciting, fast-paced, and all around appealing than NO WAY OUT.

(I should note again, as I did at the time, that NO WAY OUT featured a prologue chapter, unrelated to the main story, which featured the Black Beetle fighting Nazis at the Colt City museum, and that I found that prologue way more engaging than the subsequent storyline, so I really think I’m on to something with this idea that the Black Beetle works best in shorter, tighter-paced adventures.)

THE BLACK BEETLE IN: NO WAY OUT

A mystery tale by Francesco Francavilla
Lettering by Nate Piekos of Blambot | The Black Beetle created by Francesco Francavilla

I got into this one in a weird way. At some point last year, I think around September, an artist I follow on Twitter -- I believe it was Paulo Rivera, though I could be mistaken -- retweeted a writer -- and I can't recall who it was, unfortunately -- who posted a photo of the new releases he'd picked up for the week. Among these was a graphic novel called THE BLACK BEETLE: KARA BÖCEK, a mystery tale by Franco Francavilla published by Dark Horse Comics. I thought the cover looked really cool; the Black Beetle was clearly based on old pulp heroes, and Francavilla's art style greatly appealed to me.

A little research uncovered that KARA BÖCEK was the second Black Beetle story, following from NO WAY OUT, which was available digitally from Comixology. I added it to my wishlist and figured I'd pick it up at some point down the line, but then, just a few weeks later, the New York Comic-Con took place and Comixology offered a Dark Horse 50% off coupon. Thus I picked up NO WAY OUT sooner than expected, read it within the week, and slotted it in for a post at the end of the year.

Which, as it happens, is now.

So here we go!