ACTION COMICS #591 & ADVENTURES OF SUPERMAN #431

“PAST IMPERFECT”
Story, Pencils, & Figure Inks: John Byrne | Background Inks: Keith Williams
Lettering: John Costanza | Coloring: Tom Ziuko | Editing: Michael Carlin & Andrew Helfer

The Plot: Superboy freezes Superman and the Legion of Super-Heroes with his stasis ray, then takes the Legion members to deliver them a mysterious master elsewhere in the timestream. Superman breaks free of the ray’s effect and pursues, but is thrown off and lands in Superboy’s Smallville. Pete Ross find him and brings him to the Kents’ home, but Superboy soon returns and a fight ensues.

Krypto joins the fight and heads for Superboy’s lab to grab some gold Kryptonite, but the rock robs him of his powers before he can use it. Pa Kent gets an idea from Krypto’s sacrifice and confronts Superman with all the forms of Kryptonite, but none work on him. However this pause in the action allows Superman and Superboy to make peace.

Superboy and the Legion depart for the future to battle Superboy’s master, the Time-Trapper, but they insist Superman return to his own time rather than risk his life by coming with them. Superman reluctantly agrees and is returned to modern-day Metropolis.

Sub-Plots & Continuity Notes: Superman notes multiple times that Superboy is more powerful than he is, but the Man of Steel’s experience allows him to go toe-to-toe with the Boy of Steel.

The Time-Trapper explains how it is that Superboy and his version of Smallville exist in the post-CRISIS universe:

THE SAN DIEGO COMIC-CON

Living in the Bay Area, San Diego is only about an eight-hour drive south. And in between my sophomore and junior years of college, I made that pilgrimage for the first time with a couple friends -- Chris, with whom I had attended both middle and high school, and Brian, a friend of Chris's from his college. It was 1999, and it was a simpler time. We bought our con tickets online, but we needn't have bothered -- badges were still on sale at the door when we arrived. The whole affair only took up part of the convention center, which seemed enormous at the time.

That year was my first SDCC, and though it remained relatively small for a few more years, that was the last time it really felt like a comic book convention, in the traditional sense, to me. I bought a ton of back issues while I was there; I was going through a Mark Gruenwald CAPTAIN AMERICA phase and plugged some big holes in that run. I got head sketches from several artists during signings at the Marvel booth, including two of my favorites, Alan Davis (at the time the regular artist and plotter of X-MEN) and Terry Dodson (then the artist on GENERATION X). I also paid for a full-figure commission of Moon Knight from Ron Lim, who has, for as long as I can remember, had the most consistently reasonable convention commission prices of any artist I'm regularly interested in.